Michael Hawkins Movies

In the fifth episode of the six-part story "Frontier in Space," the Doctor (Jon Pertwee) and Jo (Katy Manning) are now aware that the Master (Roger Delgado) is using mass hypnosis to spark a devastating war between the planets Earth and Draconia in the year 2450 A.D. The problem now is to convince the Earthlings and Draconians that they've been hoodwinked. As the Doctor attempts this, Jo faces a whole new set of dangers. Written by Malcolm Hulke, "Frontier in Space, Episode 5" originally aired on March 24, 1973. ~ Hal Erickson, All Movie Guide

Making his first tenth-season Doctor Who appearance, the Master (Roger Delgado) is once again up to his old villainous tricks. This time, he attempts to spark a war between the Earth and the planet Draconia in the year 2540 A.D. At first, the Doctor is unaware that his old nemesis the Master is pulling the strings; he only knows that the Earthlings and the Draconians are busy accusing each other of piracy in deep space. Written by Malcolm Hulke, the six-part "Frontier in Space" was launched on February 24, 1973. ~ Hal Erickson, All Movie Guide

In the second episode of the six-part story "Frontier in Space," the Doctor (Jon Pertwee) and Jo (Katy Manning) try to find out who is behind a series of pirate attacks against the space vessels of the planets Earth and Draconia in the year 2540. Unfortunately, the Doctor is put out of commission when he is accused of being a Draconian double agent -- while the Master (Roger Delgado) continues to foment an all-out war between the two planets. Written by Malcolm Hulke, "Frontier in Space, Episode 2" originally aired on March 3, 1973. ~ Hal Erickson, All Movie Guide

In this feather-weight version of Evelyn Waugh's novel Decline and Fall, Paul Pennyfeather (Robin Phillips) is an Oxford divinity student who finds himself expelled after a gang of drunken freshmen remove his pants and he is accused of exposing himself to a girl. Looking for work, he retains the services of an unsavory employment agency that secures a position for him at a sleazy Welsh boarding school for boys, presided over by the colorful Dr. Fagan (Donald Wolfit). On staff at the school are an assortment of distasteful screwballs; Mr. Prendergast (Robert Harris) is a withdrawn former clergyman; Captain Grimes (Leo McKern) is a one-legged two-timer with his eye on Fagan's daughter Flossie (Patience Collier); and Soloman Philbrick (Colin Blakely) is an undercover criminal posing as Fagan's butler. All hell breaks loose during the school's annual Sports Day, but Paul manages to meet a wealthy patron of the school, Margot Beste-Chetwynde (Geneviève Page), who hires him to tutor her son. At her estate, Margot seduces Paul, and Paul proposes marriage. But before the wedding, Margot asks Paul, as a favor, to travel to Tangiers on a business trip. He agrees but is soon arrested for trafficking in prostitution. Sent to jail, he runs into Philbrick and Captain Grimes, and now Margot has to scheme to get Paul out of jail. ~ Paul Brenner, All Movie Guide

In this sci-fi drama, an alien spaceship breaks down and crashes on the moon. These creatures need help to make repairs and so use their powers to possess a few scientists and use them as slaves. Unfortunately for them, one scientist has a metal plate in his head and cannot be controlled. It is he who travels to the moon and has a little chat with the aliens and suggests they might get more help, if they simply asked for it. The story is based on Joseph Millard's book The Gods Hate Kansas. ~ Sandra Brennan, All Movie Guide

Terror of the Tongs is a gory, garishly colored melodrama written by Jimmy Sangster in the tradition of the Fu Manchu films. The villain is "Fu" himself, Christopher Lee, here eminently hissable as the leader of a vicious Chinese Tong operating in 1910 Hong Kong. Proper London merchant Geoffrey Toone is drawn into this netherworld when his daughter is murdered by Lee's minions. Conducting a one-man war against the Tongs, Toone eventually flushes out every member of the faction...leaving only Lee to vanquish at fade-out time. Though the crimson-dominated color photography of Terror of the Tongs is the film's prime asset, the picture was originally released theatrically in black and white. ~ Hal Erickson, All Movie Guide

In the 17th century, the arrogant, cruel Hugo Baskerville (David Oxley) brutalizes a servant and prepares to turn the man's daughter over to his equally depraved companions, but she escapes. When he catches up with the girl in a ruined abbey, he kills her and then is attacked and killed himself by a huge hound that is never seen. The audience then learns that this story is being told in flashback to Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) by Dr. Richard Mortimer (Francis DeWolff). He was the physician and friend to the late Sir Charles Baskerville, who recently died -- apparently of fright -- on the Devonshire moors near that same ruined abbey. Holmes is very skeptical, but agrees to meet Sir Henry Baskerville (Christopher Lee), who has just arrived in London to claim the estate. Sir Henry is cold and aloof but becomes convinced he's in danger when he's almost bitten by a tarantula. Holmes insists that he not go to Baskerville Hall alone, so Holmes sends Watson to Devonshire with Sir Henry.

In Devonshire, Sir Henry and Watson learn that an escaped convict, Selden, is at large on the moor. Watson meets local Bishop Frankland (Miles Malleson), and later on the moor, Baskerville's neighbors, Stapleton (Ewen Solon) and his daughter, Cecile (Marla Landi). Watson is almost trapped in one of the many bogs that dot the moors, but he escapes. Later, leaving Sir Henry stricken with a mild heart attack at the hall, Watson ventures again onto the moors, and to his surprise, discovers Sherlock Holmes there. Holmes has been hiding and watching for developments. They hear the howl of the hound, and are too late to prevent the huge beast from killing a man they take for Sir Henry. But back at Baskerville Hall, they find Sir Henry alive and well: the dead man was the convict Selden, dressed in some old clothes of Sir Henry's. At the ruined abbey, they find evidence that a strange rite has been performed.

When Holmes visits Frankland for information, he learns that someone has stolen the bishop's tarantula. (He's an amateur naturalist.) Meanwhile, near Baskerville Hall, Sir Henry meets Cecile, and they are attracted to one another. Holmes, Mortimer and Stapleton descend into a disused tin mine in search of evidence, but a cave-in almost traps Holmes. That evening, when Sir Henry goes to meet Cecile on the moors, he learns that she actually hates him, and that the hound is now on his trail. Holmes and Watson arrive almost too late to save him, but Holmes kills the hound and reveals it's an ordinary, if large, dog in a mask. The villain is a descendant of Sir Hugo's from "the wrong side of the sheets"; he and his daughter were determined to use the legend of the Hound to kill those standing between them and Baskerville Hall.
No movie version of Sir Arthur Conan Doyle's most famous novel follows its source very closely, and this colorful Hammer film is no exception. An extra killer is added, events are compressed, and even the novel's most famous line -- "they were the tracks of an enormous hound!" -- is omitted. The film also suffers at times from a budget too low for its ambitions and by extraneous elements aimed at making it more like a Hammer movie, such as the unexplained "rite." However, the movie has a brisk pace and particularly strong characters. Lee, initially icy and arrogant -- perhaps to remind us of Sir Hugo -- thaws into a likable person romantic enough to fall in love, atypically for Lee. Andre Morell is one of the most solid and realistic Watsons ever; there's nothing whatever of the harrumphing Nigel Bruce, no comedy elements to the role at all. He's straightforward, heroic in his own right. But the triumph of the film
was the casting of Peter Cushing as Sherlock Holmes. Cushing's Holmes is vivid, dynamic and arrogant; the actor does not even attempt to make Holmes likable, but instead plays the character exactly as Doyle wrote him. It's a performance of steely integrity and terrific skill, one of the greatest Holmes performances ever. Cushing later played Holmes in a television series, and became as identified with the role in England as Basil Rathbone was in the United States. Cushing returned once again to the role late in life, in the TV movie The Masks of Death, as well as writing about Holmes for several books. ~ Bill Warren, All Movie Guide

Mike Kelly (Michael Hawkins) is sure that his truck-driver father's deadly roadside crash was no accident, so he leaves college to take up the old man's profession and seek clues to determine who's responsible. He learns that his father was active in organizing the independent truckers at Midtown Terminal to strike out on their own and leave their corrupt bosses, who are actively shipping stolen merchandise for the syndicate. Kelly convinces his fellow drivers that his father's idea is still valid, marking himself as a troublemaker to the terminal heads and earning his own death threats. Meanwhile, Kelly meets a beautiful, sarcastic blonde (Mary Cannon) in a truck stop and begins a whirlwind affair that turns sour when he learns that her father is in cahoots with the very syndicate he's fighting against. Despite cut brake lines and being framed for hauling stolen freight, Kelly stands his ground against the mob and eventually learns the secret of his father's "accident." ~ Fred Beldin, All Movie Guide