Jack Hawkins Movies

A Royal Divorce is the misleading title bestowed upon this dramatization of certain events in the lives of Napoleon and Josephine. Making her first screen appearance in two years, Hollywood's Ruth Chatterton tops the cast as Josephine, whose widowhood is relieved upon her marriage to up-and-coming military officer Napoleon (France's Pierre Blanchar). Though she's several years older than her husband, Josephine tries to be the wife he wants-but she cannot give him what he really wants, namely an heir. Miles Malleson's screenplay puts forth the theory that Josephine agreed to her divorce from the Emperor so that he might father a legitimate child by his mistress, Marie Louise. In terms of costumes and settings, A Royal Divorce is authentic to a fault; in terms of adherence to the facts, it's a bit shaky, though undeniably dramatic. ~ Hal Erickson, All Movie Guide

"Angels One Five" is the cognomen bestowed upon a group of WW II British fighter pilots. The squadron leader is Tiger Small (Jack Hawkins), who is taken out of commission after an accident. Despite the protests from his fellow flyboys, Tiger insists upon taking to the air again, thereby setting the stage for the film's exciting and inspirational finale. Angels One Five differs from other combat films in that the battles generally take place offscreen; the progress of the principal characters is relayed to the audience via radio reports and control-room charts. If this sounds dull and static, it isn't: in fact, Angels One Five is among the best of the "Battle of Britain" war epics. ~ Hal Erickson, All Movie Guide

British author W.W. Jacobs, whose love of the sea and seafarers permeated everything he wrote, was responsible for the story upon which Beauty and the Barge was based. Judy Gunn plays the headstrong daughter of an Army officer who runs away from home. She is later adopted by bargeman Gordon Harker. A very young Jack Hawkins portrays a handsome lieutenant (or "leff-tenant", if you prefer) who signs on as a common seaman on Harker's barge in hopes of winning Hawkins' love. Beauty and the Barge also features the unforgettable Margaret Rutherford, doing pretty much what she'd been still doing in movies nearly thirty years later-shamelessly stealing every scene she's in. ~ Hal Erickson, All Movie Guide

In one of his rare visits to his home turf, British actor David Niven essayed the title role in Bonnie Prince Charlie. The film's principal challenge was to transform 18th-century Scottish Prince Charles into a sympathetic character, which, patriotism aside, he most decidedly was not in real life. The court-intrigue scenes are the weakest aspect of the film; the strongest moments take place on the battlefield, where Charles "the pretender" and his followers face down the battalions of King George II (Martin Miller). Even in defeat, Charles is the victor, successfully eluding his British pursuers and escaping to France. Filmed in Technicolor at a cost of $4 million, Bonnie Prince Charlie fell with a thud when it premiered at a kidney-busting 140 minutes. Subsequent reissues were cut by as many as 40 minutes, and some were economically reprocessed in black-and-white. Thanks to constant exposure on American television, this notorious flop finally posted a profit in the late 1950s. ~ Hal Erickson, All Movie Guide

Inspired in part by David Lean'sThe Sound Barrier, Decision Against Time stars Jack Hawkins as a bold but cautious test pilot. If he wants to keep his job, Hawkins must prove the efficacy of an accident-prone airplane prototype. The pilot is plagued with Earthbound problems as well, personified by his insensitive wife (Elizabeth Sellars). In the climax, Hawkins tests his endurance (and the audience's) by refusing to bail out when the prototype bursts into flame. The original British title for Decision Against Time was Man in the Sky. ~ Hal Erickson, All Movie Guide

A distinguished cast highlights this film adaptation of a stage drama by Peter Shaffer. Stanley Harrington (Jack Hawkins) is a self-made businessman incapable of expressing his emotions or compromising with others; his wife Louise (Rosalind Russell) imagines herself an intellectual, though her intelligence is more of an affectation than a reality. Stanley and Louise hire Walter (Maximilian Schell), a teacher from Germany, as a tutor for their two teenage children, effeminate Philip (Richard Beymer) and high-strung Pamela (Annette Gorman). Walter tries to ingratiate himself with the family, with little success; when he tries to get to know Louise better, she imagines that he's fallen in love with her, and she's deeply hurt when he confesses that he instead sees her as a motherly figure. Walter is eventually driven to the brink of suicide, which forces the family to reconsider their attitudes toward Walter and each other. ~ Mark Deming, All Movie Guide

In this newsroom drama, a workaholic editor refuses to take a vacation with his wife. Instead he remains in his office and deals with a series of fascinating stories. They include: four children tossed out of their home, a woman accused of euthanasia, an alcoholic journalist's search for an atomic scientist, and a tragic plane crash. Unfortunately, the editor's wife was supposed to be on that plane. Fortunately, something caused her not to board it. ~ Sandra Brennan, All Movie Guide

Mae West was never permitted to make a film version of her bawdy historical romp Catherine Was Great, yet this British adaptation of George Bernard Shaw's Great Catherine made it to the screen. Where is the justice in this? Anyway, Jeanne Moreau braves it through the nearly unplayable role of Catherine, mother of All the Russias, while Peter O'Toole and Zero Mostel struggle manfully to breathe life into the proceedings. The plot has something to do with Prince Patiomkin's efforts to splice Catherine with Captain Edstaston, thus assuring that the queen's reign will be a happy one. The Captain would rather dally with Claire (Angela Scoular) and spends the rest of the running time escaping the queen's wrath. Throughout Great Catherine, Shavian wit is given short shrift in favor of 2-reeler slapstick. ~ Hal Erickson, All Movie Guide

British stage and film star Ralph Richardson stepped behind the cameras for the first and last time to direct Murder on Monday. Richardson also starred in the film, portraying a clerk who suffers a blackout after a blow on the head. Upon recovering, Richardson is led to believe that he has committed murder during the past 24 hours. Originally released in Great Britain as Home at Seven, Murder on Monday was based on a play by R. C. Sheriff. No Orson Welles he, Ralph Richardson invited Sheriff to the set to help him properly interpret the original material; with the input of the author, and with the technical advice of producer Alexander Korda, was able to shoot the film in less than 14 days. ~ Hal Erickson, All Movie Guide

Charlotte Bronte's classic Victorian novel is once again put through the paces, this time by Delbert Mann, in this stodgy Masterpiece Theater style television adaptation. Susannah York is Jane Eyre, the orphan girl who secures a position as a governess to the ward of Edward Rochester (George C. Scott), lord of an English manor house called Thornfield, whose halls hide a dark and sinister secret. Jane and the moody and the tyrannical Rochester fall in love and agree to marry. But at their wedding ceremony, Rochester is revealed to have been already married. Suddenly his dark past comes crashing in on both himself and the innocent Jane. ~ Paul Brenner, All Movie Guide

Kidnapped avoids the Hollywoodized interpolations of previous film versions of the Robert Louis Stevenson novel, choosing instead to adhere to the story as written. Scottish orphan David Balfour (Lawrence Douglas) is betrayed by his wicked uncle Ebeneezer (Donald Pleasance), who arranges for David to be kidnapped and sold into slavery so that Unk can claim his inheritance. The boy is rescued and befriended by Alan Breck (Michael Caine), a Scottish rebel fighting on behalf of his country's independence from the British (did we tell you that the film takes place during late 18th century?) Both David and Alan undergo several exhilarating adventures before Alan comes to realize that the rebellion is doomed from the start, and David foils his uncle's greedy machinations. Kidnapped was one of several "classic" adaptations released by American-International during the early 1970s, and arguably the best of the bunch (try sitting through AIP's Wuthering Heights sometime). ~ Hal Erickson, All Movie Guide

Land of Fury is an austere "western" set in New Zealand during the 1820s. The epic-proportioned storyline involves a group of British pioneers seeking a new life in Down Under. Sailor Jack Hawkins and his wife Glynis Johns are the central characters, struggling to impose their British sense of order upon their primitive surroundings. Hostilities between native tribes and greedy settlers lead to a tragic, but not unexpected climax. Land of Fury was originally released in Great Britain as The Seekers. ~ Hal Erickson, All Movie Guide

This sweeping, highly literate historical epic covers the Allies' mideastern campaign during World War I as seen through the eyes of the enigmatic T. E. Lawrence (Peter O'Toole, in the role that made him a star). After a prologue showing us Lawrence's ultimate fate, we flash back to Cairo in 1917. A bored general staffer, Lawrence talks his way into a transfer to Arabia. Once in the desert, he befriends Sherif Ali Ben El Kharish (Omar Sharif, making one of the most spectacular entrances in movie history) and draws up plans to aid the Arabs in their rebellion against the Turks. No one is ever able to discern Lawrence's motives in this matter: Prince Feisal (Alec Guinness) dismisses him as yet another "desert-loving Englishman," and his British superiors assume that he's either arrogant or mad. Using a combination of diplomacy and bribery, Lawrence unites the rival Arab factions of Feisal and Auda Abu Tayi (Anthony Quinn). After successfully completing his mission, Lawrence becomes an unwitting pawn of the Allies, as represented by Gen. Allenby (Jack Hawkins) and Dryden (Claude Rains), who decide to keep using Lawrence to secure Arab cooperation against the Imperial Powers. While on a spying mission to Deraa, Lawrence is captured and tortured by a sadistic Turkish Bey (Jose Ferrer). In the heat of the next battle, a wild-eyed Lawrence screams "No prisoners!" and fights more ruthlessly than ever. Screenwriters Robert Bolt and Michael Wilson used T. E. Lawrence's own self-published memoir The Seven Pillars of Wisdom as their principal source, although some of the characters are composites, and many of the "historical" incidents are of unconfirmed origin. Two years in the making (you can see O'Toole's weight fluctuate from scene to scene), the movie, lensed in Spain and Jordan, ended up costing a then-staggering $13 million and won seven Academy Awards, including Best Picture and Best Director. The 1962 Royal Premiere in London was virtually the last time that David Lean's director's cut was seen: 20 minutes were edited from the film's general release, and 15 more from the 1971 reissue. This abbreviated version was all that was available for public exhibition until a massive 1989 restoration, at 216 minutes that returned several of Lean's favorite scenes while removing others with which he had never been satisfied. ~ Hal Erickson, All Movie Guide