E.M. Forster Movies

2007  
 
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A precocious Edwardian girl suffocating from the social norms is forced to choose between following her heart and obliging her family's wishes after falling for a handsome but unsuitable stranger during a trip to Italy. Based on author E.M. Forster's tale of forbidden love and scripted by Pride and Prejudice scribe Andrew Davies, director Nicholas Renton's playful period drama follows young Lucy Honeychurch as she takes a trip to Italy and exchanges a brief albeit life-altering kiss with the unsuitable George Emerson. Later, as Lucy's snooping chaperone attempts to keep her on the path laid out by her family, her engagement to the dull Cecil draws near, and her repressed feelings boil to the surface, she is taken aback to encounter the dashing object of her affections back in her homeland of England. What's a girl to do when her wedding date has been set in stone but the love of her life won't be standing at the alter? ~ Jason Buchanan, All Movie Guide

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1992  
PG  
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One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, All Movie Guide

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Starring:
Anthony HopkinsEmma Thompson, (more)
1991  
PG  
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A wealthy, upper-class British widow marries a much younger Italian man with disastrous results in this turn-of-the-century costume drama based on the E.M. Forster novel. After marrying into a wealthy family and then losing her husband, middle-aged Lilia Herriton (Helen Mirren) suffers under the disapproving yoke of her haughty mother-in-law (Barbara Jefford). At the suggestion of family friend Caroline Abbott (Helena Bonham Carter), Lilia leaves her young daughter and in-laws for a holiday in Italy, where she falls in love with the penniless but handsome Gino Carella (Giovanni Guidelli). When she announces her plans to marry Gino, the family dispatches her brother-in-law, Philip (Rupert Graves), to prevent the union. But the alternately caddish and thoughtful Philip fails in his mission. Gino proves to be as charming to other women as he is to his wife, but he's genuinely bereaved when she dies in childbirth. Soon, Philip and his high-strung sister, Harriet (Judy Davis), arrive in Tuscany in an attempt to spirit away Lilia's son. But the principled Caroline turns up, determined to stop them, setting the stage for unexpected realizations and unforeseeable tragedy. Where Angels Fear to Tread reunites Bonham Carter and Graves, who co-starred in the previous E.M. Forster adaptation, A Room With a View. Each actor also starred in other Forster films: Bonham Carter in Howards End and Graves in Maurice. ~ Brian J. Dillard, All Movie Guide

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Starring:
Helena Bonham CarterJudy Davis, (more)
1987  
R  
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Director James Ivory brings his subdued, "Masterpiece Theater" style to a forbidden subject -- homosexual love. Maurice is based on E.M. Forster's suppressed 1914 novel that was held back from publication until after his death. The film takes place at Cambridge, before World War I, when homosexuality was outlawed in Great Britain. Clive (Hugh Grant), an aristocratic Englishman with a life of privilege, suddenly shocks his close friend Maurice (James Wilby) by declaring his love for him. Maurice is initially stunned by the pronouncement, but in the end finds himself giving Clive a passionate kiss and telling him that he loves him as well. Clive, in the stiff-upper-lip British manner, considers their love to be more of an intellectual concept, but Maurice becomes passionate about the affair. Clive, afraid of being exposed as a homosexual, backs off and breaks up with Maurice for marriage, family, and politics. Maurice is crestfallen, but then he has a passionate affair with Clive's gamekeeper, Scudder (Rupert Graves), and Maurice and Scudder decide to risk their reputations by openly living together as lovers. ~ Paul Brenner, All Movie Guide

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Starring:
James WilbyHugh Grant, (more)
1986  
PG  
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Adapted by Ruth Prawer Jhabvala from the novel by E.M. Forster, A Room with a View is a shining example of Merchant-Ivory's ability to achieve maximum quality and opulence at minimum cost. Set during the Edwardian Era, the film stars Helena Bonham Carter as Lucy Honeychurch, who like all proper young British ladies is compelled to tour Europe in the company of an older chaperone -- in this instance, her spinster cousin Charlotte Bartlett (Maggie Smith). While in Italy, the ladies make the acquaintance of a wide variety of personalities; the most fascinating of their fellow tourists -- at least in Lucy's eyes -- is free-spirited George Emerson (Julian Sands). Aware that her cousin is becoming too familiar with Emerson, Charlotte demands that Lucy return to England posthaste. Lucy complacently settles for the tiresomely traditional courtship of nerdish Cecil Vyse (Daniel Day-Lewis) -- and then Mr. Emerson moves into the neighborhood. Lucy now finds herself on the horns of a dilemma: Should she opt for a safe, proper marriage to Cecil, or the bohemian unpredictability of the charismatic Emerson? A winner of three Academy Awards, A Room with a View is not what one could call fast-moving, but fans of the Merchant-Ivory team will enjoy luxuriating in the film's leisurely pace and stimulating cast of characters. ~ Hal Erickson, All Movie Guide

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Starring:
Maggie SmithHelena Bonham Carter, (more)
1984  
PG  
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A Passage to India, director David Lean's final film (for which he also received editing credit), breaks no new ground cinematically, but remains an exquisitely assembled harkback to such earlier Lean epics as Doctor Zhivago and Ryan's Daughter. Based on the novel by E. M. Forster, the film is set in colonial India in 1924. Adela Quested (Judy Davis), a sheltered, well-educated British woman, arrives in the town of Chandrapore, where she hopes to experience "the real India". Here she meets and befriends Dr. Aziz (Victor Banerjee), who, despite longstanding racial and social taboos, moves with relative ease and freedom amongst highborn British circles. Feeling comfortable with Adela, Aziz invites her to accompany him on a visit to the Marabar caves. Adela has previously exhibited bizarre, almost mystical behavior during other ventures into the Indian wilderness: this time, she emerges from the caves showing signs of injury and ill usage. To Aziz' horror, he is accused by Adela of raping her. Typically, the British ruling class rallies to Adela's defense, virtually convicting Aziz before the trial ever begins. Though he is eventually acquitted due to lack of evidence (in fact, director Lean never shows us what really happened), Aziz is ruined in the eyes of both the British and his own people-as is Adela. Woven into these proceedings is a subplot involving Adela's elderly travelling companion Mrs. Moore (Peggy Ashcroft), who through a series of plot twists too complex to describe here becomes a heroine of the Indian Independence movement. A Passage to India was nominated for several Academy Awards, scoring wins in the categories of Best Supporting Actress (Peggy Ashcroft) and Best Original Score (Maurice Jarre). A theatrical version of A Passage to India, written by Santha Rama Rau, was previously adapted for television by the BBC in the mid-1970s. ~ Hal Erickson, All Movie Guide

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Starring:
Judy DavisVictor Banerjee, (more)