Fay Hauser Movies

A carefree young woman wakes up to discover her greatest nightmare is a reality -- she's become trapped in the body of Rob Schneider -- in this shape-shifting comedy. Jessica (Rachel McAdams) is a beautiful teenager whose life would be the envy of any high school student -- she's head of the cheerleading squad, her boyfriend, Billy (Matthew Lawrence), is the quarterback of the football team, and she's pretty and popular enough to get nearly anyone to do what she wants. However, Jessica is soon to find out how the other half lives, in more ways than she counted upon; she shoplifts a pair of earrings from an shop specializing in African curios run by Mambuza (Angie Stone), unaware that they carry the curse of Princess Nawa. Thanks to the curse, the next morning Jessica awakes to find that her spirit has entered the body of Clive (Rob Schneider), a sweaty and hirsute small-time crook. As Jessica tries to figure out how she can return to her old body, she has to lead the cheerleading squad to victory and attend her senior prom while looking like a less-than-handsome 30-year-old man. Billy is understandably puzzled by the changes in Jessica, while her best friend, April (Anna Faris), finds her feelings about Jessica change a bit once she volunteers to be her prom date. The Hot Chick is the first theatrical feature for director Tom Brady; Brady co-wrote an earlier Schneider vehicle, The Animal, and was on the writing staff for his television series Men Behaving Badly. ~ Mark Deming, All Movie Guide

Paralyzed in a 1984 accident, writer/director Neal Jimenez (of River's Edge fame) channelled his own experiences and emotions into his 1991 film Waterdance. Eric Stoltz stars as a young writer left incapacitated by a hiking accident. He is placed in a paraplegic ward, peopled by patients of all races and emotional states. Together with his new-found friends, Stoltz rebels against the hospital system and his own debilitation. Helen Hunt and Wesley Snipes are among the costars in this effective update (though not a remake) of 1950's The Men. Waterdance was given a brief theatrical release in 1992 before being telecast on PBS' American Playhouse in early 1993. ~ Hal Erickson, All Movie Guide

Magnum, P.I. wraps up its eight-year run with a two-part final episode (originally telecast in a single two-hour timeslot). In Part One, Magnum returns to his home town for a family reunion, where his paternal grandfather (Howard Duff) offers to reinstate him as a Naval officer. But before Magnum can say "yes" or "no", he is summoned back to Hawaii by former girlfriend Linda Lee Ellison (Patrice Martinez), who insists that someone is stalking her. Upon his return, Magnum receives some startling information about his daughter Lily, whom he had presumed to be dead. Meanwhile, Rick (Larry Manetti) nervously prepares to marry the estimable Cleo Mitchell (Phyllis Davis). ~ Hal Erickson, All Movie Guide

Popular African-American comedian Jo Jo Dancer is severely burned while free-basing cocaine. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. While hovering between life and death, Dancer flashes back to his childhood, when he grew up in a brothel. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. Dancer decides to become a comic, but has a great many difficulties rising to stardom until he begins making scatological comments about race relations. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. As he rises to fame, Jo Jo has problems controlling his drug addiction and womanizing. Producer/director/writer Richard Pryor insists.....Well, you've caught on by now. If one were able to excise the excruciatingly boring "introspection" scene, Jo Jo Dancer, Your Life is Calling would stand as an excellent testimonial to Richard Pryor's cutting-edge comic brilliance. ~ Hal Erickson, All Movie Guide

Gary Coleman stars as the title character, the bratty son of wealthy parents, who is kidnapped by a pair of bumbling crooks. The experience winds up teaching the pampered boy the realities of childhood. ~ Jason Ankeny, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

J.J. (Jimmie Walker) falls in love with Barbara (Fay Hauser), a married woman on the verge of a divorce. The relationship hits some rocky terrain when J.J. learns that Barbara is still living with her future "ex" -- and suddenly can't commit herself to going through with the breakup. As a result, our hero becomes literally lovesick when he develops an ulcer. ~ Hal Erickson, All Movie Guide