Gustave Flaubert Movies

Eugene Green, an expatriate American living in France, made his debut as a director and screenwriter with this film, based on a story by Gustave Flaubert. In 1967, Henri (Alexis Loret and Jules (Adrien Michaux) are close friends who have grown up together in a small town in the French countryside. But as they turn 17, they begin to follow different paths in life; Henri moves to Paris to go to college, while Jules stays behind to concentrate on a career as a writer. Henri becomes involved with Emilie (Christelle Prot), the wife of one of his professors, and in time they decide to run away together to the United States, leaving Paris just in time to miss the May 1968 student uprisings. Henri maintains a steady correspondence with Jules, and when Henri and Emilie go their separate ways, she stays in touch with Jules, and they become close confidantes through the mail without ever meeting face to face. Toutes Les Nuits became a surprising critical and modest commercial success after being released independently in France, with early screenings advertised only through invitation postcards. ~ Mark Deming, All Movie Guide

Literary critics long regarded Gustave Flaubert's iconic French novel Madame Bovary as unfilmable (despite several attempts by Vincente Minnelli and others to bring it to the screen), but Nouvelle Vague architect Claude Chabrol set out to definitively prove them wrong with this Oscar-nominated feature adaptation from 1991, starring Isabelle Huppert (The Lacemaker). Huppert stars as Emma Bovary, a woman whose happiness depends exclusively on elements outside of herself. She spends her days indulging in flights of fancy and endless romantic longings, emotionally estranged from her good-natured but ignorant husband Charles (Jean-François Balmer) a physician whom she married as an escape from her landowner father's farm. Her fate seems poised to change when she meets and falls hard for Rodolphe Boulanger (Christophe Malavoy) - a lover who takes her to bed and then vows to elope with her. Pinning all of her hopes on this, she invests in a traveling costume that she's unable to afford (rendering herself completely in debt with a local millner), and plans to skip town with Rodolphe when the monies come due. Alas, Rodolphe, as it turns out, never planned to follow through with the elopement plans, and promptly abandons Emma, leaving her to face the dire consequences of her foolish decisions. ~ Nathan Southern, All Movie Guide

Set in a rural area of France in the 19th century, this simple tale tells the story of a servant girl whose life seems marked by grand tragedy, but whose heart is simple and uncomplicated enough not only to endure, but even to attain serenity in the face of her manifold frustrations. Her only friend, to whom she pours out all her troubles, is an old parrot. When the parrot dies, she reverently has it stuffed and continues telling it her woes. This drama is based on a story by Gustave Flaubert. ~ Clarke Fountain, All Movie Guide

In this drama, the daughter of the leader of Carthage falls in love with the mercenary leader of an angered band of soldiers who are out to get the pay they were cheated out of after they valiantly fought to save the city. The woman promises to give him her jewels to repay them, but then a dishonest local politician intervenes and exchanges the gems for rocks and keeps the valuables for himself. The mercenaries begin to attack the city in earnest until the dishonest fellow's actions are revealed and he is executed. After that the soldiers are paid, and the lovers reunited,. ~ Sandra Brennan, All Movie Guide

MGM circumvented the censorship that would otherwise have prevented a film version of Gustave Flaubert's Madame Bovary by adding a prologue and epilogue that assured any and all bluenoses that the story was strictly a work of fiction. James Mason appears as Flaubert, defending his inflammatory novel before a French jury. Thus, the tragedy of Emma Bovary (Jennifer Jones) is offered as a product of Flaubert's imagination, rather than a real-life story. The body of the film concerns Emma's attempt to escape the boredom of her bourgeois existence by marrying a wealthy doctor (Van Heflin). She finds life with the physician even more tiresome than her previous experiences, thus begins taking a series of wealthy lovers-all of whom prove to be two-dimensional cads. Unable to tolerate a lifetime of dead-end affairs, Emma eventually commits suicide. The best sequence-indeed, one of the finest set pieces ever directed by Vincente Minnelli-is the "Emma Bovary Waltz" sequence, a dazzling experience in dizzying camera movements. ~ Hal Erickson, All Movie Guide

When French-filmmaker Jean Renoir offered his 1934 version of Flaubert's Madame Bovary to the distributors, he was compelled to cut it severely. This was not due to the subject matter, but because Renoir's "director's cut" ran nearly 3 and a half hours! Though Renoir steadfastly defended his choice, Valentine Tessler was much too old for the part of Emma Bovary, a Frenchwoman whose life is ruined because she seeks escape from a boring bourgeois upbringing and an even more tiresome marriage. Renoir saw the character as "noble and elegant," which Flaubert most certainly did not; still, he was reasonably faithful to the source novel, even to the point of sometimes exasperating slowness. Madame Bovary was filmed several times, most famously by director Vincente Minnelli in 1949. ~ Hal Erickson, All Movie Guide

Cabiria is an Italian historical epic that ran a full 14 reels (well over three hours) at a time when most American films were still short subjects. The plot hinges on the abduction of wealthy and virginal Cabiria (Lidia Quaranta) by pirates during the Roman/Carthaginian War of ancient times. Highlights (many of which were filmed on tinted stock) include the burning of the Roman fleet, an effect accomplished with miniatures and mirrors, and Hannibal's crossing of the Alps -- with real Alps, and real elephants. Cabiria allegedly inspired the Babylonian segment of D.W. Griffith's 1916 Intolerance. At least four versions of this film exist, each prepared by Giovanni Pastrone. The two most prominent are a 1913 silent cut that runs a full 181 minutes, and a 1931 sound cut that runs 137 minutes, which underwent advanced restoration in 2007. Both versions were screened at the 2007 Berlin International Film Festival. ~ Hal Erickson, All Movie Guide