Hattie McDaniel Movies

With comedian Stan Laurel temporarily off his payroll due to a contract dispute, Hal Roach hastily put together a solo starring vehicle for Laurel's longtime partner Oliver Hardy. Digging into his files, Roach pulled out Zenobia's Infidelity, an H.C. Bunner story originally purchased as a vehicle for Roland Young. Hardy was cast in the semi-serious role of John Tibbitt, a 19th century Mississippi doctor whose heart is bigger than his bank account. At the insistence of travelling carnival man Professor McCrackle (played by former silent comedy star Harry Langdon, then under contract to Roach as a gag writer), Tibbitt tends to the Professor's ailing elephant, Miss Zenobia. Once cured, the precious pachyderm refuses to leave Dr. Tibbitt's side-whereupon McCrackle sues the doctor for alienation of Zenobia's affections! The ensuing scandal plays right into the hands of Mrs. Carter (Alice Brady), the town's richest and snobbiest woman, who has long opposed the romance between her son John (James Ellison) and Tibbitt's daughter Mary (Jean Parker). All problems are resolved during the climactic courtroom trial, despite occasional interruptions by Miss Zenobia and the dizzy interpolations of Tibbitt's wife (Billie Burke). The film's intended highlight, the recitation of the Declaration of Independence by black child Philip Hurlic, was obviously inspired by Charles Laughton's "Gettysburg Address" scene in Ruggles of Red Gap (1935). Evidently sensing that Zenobia was doomed from the start, producer Hal Roach stirred up some publicity by encouraging the notion that he was creating a new comedy team consisting of Oliver Hardy and Harry Langdon-even though the characters never function as a team in the course of the story. A major box office disappointment, Zenobia (British title: Elephants Never Forget) is a pleasant but utterly inconsequential effort; still, it's worth seeing once, if only for the quietly subdued performance by Oliver Hardy, who is very good indeed. ~ Hal Erickson, Rovi

Fred Stone stars as the mayor of a small town, threatened by "progressive" politicians who plan to radically change the administration after the next election. Stone is vaguely aware that his opponents are crooks, and that they hope to loot the city treasury. To avoid this contingency, Stone bends the law a bit himself, "fixing" the ballots. On the brink of going to jail for vote fraud, Stone exposes the true crooks. Quick Money should not be confused with a like-vintage 20th Century Fox "B" comedy, Quick Millions ~ Hal Erickson, Rovi

Wealthy socialite Melsa Manton (Barbara Stanwyck) is taking her pooches for a walk in the dead of the night when she stumbles upon a dead body and a car fleeing the scene of the crime. She alerts the police but the corpse has disappeared by the time they arrive, and the lieutenant, knowing of her madcap reputation, believes she was playing a practical joke. After newspaper editor Peter Ames (Henry Fonda) takes her to task in print, she sues him for libel and enlists the aid of her society friends in tracking down the body and finding the killer. Eventually, Ames comes around to believing Melsa's story and aids her in her search. It isn't long before the two antagonists find they're attracted to each other -- but they have to catch the murderer before they can settle down and live happily ever after. Fonda and Stanwyck would team up again in You Belong to Me and The Lady Eve. ~ Craig Butler, Rovi

The titular battle is the one that noisily rages between American legionnaires Big Ben Wheeler (Victor McLaglen) and Chesty Webb (Brian Donlevy). While attending a convention in New York, the two friendly enemies are ordered by their boss Homer C. Bundy (Raymond Walburn) to break up the romance between Bundy's son Jack (Robert Kellard) and showgirl Marjorie Clark (Lynn Bari). In the course of their merry misadventures along the Great White Way, our heroes get mixed up with nightclub entertainer Linda Lee (Louise Hovick, aka Gypsy Rose Lee). When their boss shows up, he is immediately smitten by Linda and forgets all about his son's "scandalous" affair. It ain't art, but it's fun. ~ Hal Erickson, Rovi

The second motion picture version of a Saturday Evening Post story by Dana Burnet, this romantic melodrama was also the second pairing of actors James Stewart and Margaret Sullavan. Stewart plays Private Bill Pettigrew, a naïve young Texan in New York for basic training prior to being shipped overseas to fight in WWI. When he is nearly run over by an automobile, he meets its owner, Daisy Heath (Sullavan). A sophisticated entertainer, Daisy is taken with Bill's sweet, uncomplicated nature, and she agrees to a ruse when Bill asks her to pose has his girl in order to impress his Army bunkmates. Daisy's real boyfriend, Sam Bailey (Walter Pidgeon), is at first amused by Daisy's new friendship, but he soon becomes jealous of Bill's growing affection for Daisy. When Bill receives his orders, he begs Daisy to marry him, and although she doesn't really love him, Daisy can't reject a soldier who may be about to meet his maker, so a quickie ceremony is arranged. When word later comes that Bill has been killed on the front lines, a heartbroken Daisy realizes that she and Sam are taking each other for granted. ~ Karl Williams, Rovi

Guy Kibbee, moviedom's archetypal small-town bigshot, stars in RKO Radio's Don't Tell the Wife. On this occasion, Kibbee, playing Malcolm Winthrop, has greatness thrust upon him when he buys a few shares of supposedly worthless mining stock. Though it looks as though he and the entire town will be ruined financially, Winthrop emerges triumphant when he manages to outwit up a gang of stock swindlers. Lynne Overman has some good moments as one of the crooks, Steve Dorset by name, who intends to go straight for the sake of his spouse Nancy (the "wife" of the title, played by Una Merkel), but he can't resist trying to pluck a fat goose like Winthrop. The supporting cast of Don't Tell the Wife is filled to overflowing with familiar faces, none more familiar than RKO contractee Lucille Ball. ~ Hal Erickson, Rovi

Professional horsewoman Ann Dvorak is the Racing Lady in this hit-and-miss romantic comedy. The story begins breaking into a trot when millionaire auto tycoon Steven Wendel (Smith Ballew) (later a movie "singing cowboy") purchases a thoroughbred horse and engages the services of Ruth Martin (Dvorak) as a trainer. She begins to fall in love with Steven, but renounces him upon discovering that his "affection" for horses is motivated by his desire for publicity. Harry Carey, no stranger to horseflesh himself, co-stars as Dvorak's crusty father. The Ann Dvorak-Smith Ballew combination in Racing Lady proved unsatisfactory, with Dvorak handily out-acting her stiff-necked co-star throughout the picture. ~ Hal Erickson, Rovi

Merry-Go-Round of 1938 was the first (and last) of a proposed series of films spotlighting top Broadway talent. Three headliners from the Great White Way--comedian Bert Lahr, pantomime artist Jimmy Savo and monologist Billy House--team with veteran Hollywood scene-stealer Mischa Auer. The storyline has our four heroes taking care of a cute little girl, but the plot is forgotten amidst a series of choice specialty acts, including Lahr's legendary "Woodman Spare That Tree." Universal took a bath with Merry-Go-Round of 1938, which explains why you never saw the 1939 edition. As for the stars, Bert Lahr went on to Wizard of Oz; Jimmy Savo returned to Broadway; Billy House became a Hollywood character actor; and Mischa Auer continued to be everyone's favorite "Gloomy Russian." ~ Hal Erickson, Rovi

Jean Harlow offers her final screen performance in this witty and -- in retrospect -- quite moving racetrack comedy-drama co-starring Clark Gable and Walter Pidgeon. When her father dies shortly after losing his horse farm to Duke Bradley (Gable), Carol Clayton (Harlow) refuses the handsome bookmaker's offer to forget the debt and instead vows to pay him back in full. She even forbids her stockbroker fiancé, Harley Madison (Pidgeon), to make wagers that may benefit Duke, but promises to marry him once her champion horse wins at Saratoga. But against all the odds, Carol falls in love with Duke and when he appears in danger of ruination, she finds herself rooting for the competitor to win the all-important race. Saratoga, which was finished using both onscreen and voice doubles for Jean Harlow, was partially filmed on-location at Lexington and Louisville, KY, and in Saratoga Springs, NY. ~ Hans J. Wollstein, Rovi

In this action film, a rebellious cop doesn't hesitate to bend the rules when it comes to roughing up prisoners and bringing in deadly gangsters. His insistence on working alone and on using excessive violence causes conflict with his superiors. They change their minds when he engages in a great shoot-out with a notorious gun-toting gang leader and brings him to justice. ~ Sandra Brennan, Rovi

This second film version of the Edna Ferber/Jerome Kern/Oscar Hammerstein II musical Show Boat is considered by many film buffs to be the best of the three. Covering nearly four decades (was there ever an Edna Ferber novel that didn't?), the film stars Irene Dunne as Magnolia Hawks, a role she'd previously played on stage, though not in the Broadway version. The daughter of showboat impresario Captain Andy (Charles Winninger, who was in the Broadway original), Magnolia is swept off her feet by dashing gambler Gaylord Ravenal (Allan Jones). Yearning to appear on the showboat stage, Magnolia gets her chance when Captain Andy's leading lady, the tragic Julie (Helen Morgan, likewise a holdover from Broadway), is ordered not to perform by a small-town sheriff because she is Mulatto. Julie's husband Steve (Donald Cook) loyally walks out with his wife, thereby leaving the leading-man position open--but not for long, since Gaylord Ravenal agrees to take over for Steve, the better to stay close to Magnolia. Despite the disapproval of Magnolia's mother Parthy Hawks (Helen Westley), Magnolia and Ravenal are married. Later on, the couple has a baby girl named Kim. At first, the young family is blissfully happy, but as Ravenal's gambling debts begin to mount, things turn sour. Unable to support Magnolia and Kim, Ravenal walks out on them both. Desperately, Magnolia tries to get a job as a singer in Chicago. She auditions at a night spot where, fortuitously, Julie is the featured attraction. Hoping to give Magnolia a break, Julie gets drunk, forcing the manager to hire Magnolia as a replacement. During her New Years' Eve debut, Magnolia "chokes up" in front of the raucous audience--and then, who should emerge from the crowd but lovable Captain Andy, who gives Magnolia the encouragement she needs. Magnolia goes on to become a famous musical comedy star, as does her grown-up daughter Kim (played as an adult by Sunnie O'Dea). On the eve of Magnolia's retirement from the theater, she is reunited with her now-contrite husband Gaylord Ravenal. While the second half of Show Boat departs radically from both the novel (in which Ravenal never returns ) and the Broadway show, the film manages to capture the spirit of its literary and theatrical ancestors. Of the original score, "Cotton Blossom," "Ol' Man River," "Where's the Mate for Me?" "Make Believe," "Can't Help Lovin' Dat Man," You are Love" and "Bill" are retained, while most of the other songs are heard as background accompaniment. Jerome Kern and Oscar Hammerstein II penned three new tunes for the film version: "Ah Still Suits Me," "Gallavantin' Around" and "I Have the Room Above." As in all stage and screen versions of Show Boat, the Charles K. Harris standard "After the Ball" is heard in the New Year sequence. In addition to the aforementioned Dunne, Jones, Winninger, Westley, Morgan, and O'Dea, the Show Boat cast includes the magnificent Paul Robeson as Joe (his rendition of "Ol' Man River" can still induce goosebumps), Hattie McDaniel as Queenie and Sammy White and Queenie Smith as the engagingly second-rate vaudeville team of Frank and Ellie Schultz. Though James Whale of Frankenstein fame seems an odd choice for director, he brings a vibrant theatricality to the proceedings that is lacking in other versions. Show Boat literally saved the financially strapped Universal Pictures from receivership--but not soon enough to prevent the ousters of Carl Laemmle Sr. and Jr. in favor of a new administration. ~ Hal Erickson, Rovi