Hurd Hatfield Movies

The scene is fin-de-siècle France, where the avaricious Tallendier brothers, Paul (Hurd Hatfield) and Henri (Philip Coolidge), have learned to their chagrin that their wealthy Aunt Rosalie (Mildred Natwick) intends to leave all her money to the church. To prevent her from changing her will, the brothers cook up a scheme to murder Aunt Rosalie, using ground glass as their weapon. Ultimately, Henri discovers that Rosalie has changed her mind -- but by this time, the murder plot has been carried out, with unanticipated results. ~ Hal Erickson, All Movie Guide

Hurd Hatfield, star of MGM's lavish Picture of Dorian Gray (1944) finds himself in shabbier surroundings in Columbia's Chinatown at Midnight. Hatfield is cast as a homicidal thief Clifford Ward who picks no favorites when choosing his victims. The film is evenly divided between Ward's heinous activities and the methodical police investigation conducted by San Francisco police captain Howard Brown (Tom Powers). Columbia contractee Jean Willes plays a young innocent who is forced to accompany Ward during his escape, while Jacqueline de Wit is cast as the killer's foredoomed accomplice. Other performers on the premises include the always reliable Benson Fong and Victor Sen Yung. ~ Hal Erickson, All Movie Guide

Producer-director Edward L. Cahn's Prominent Pictures produced this low-budget thriller-noir which was then sold outright to RKO. Joyce MacKenzie stars as Laura Mansfield whose father (Franklyn Farnum) is killed in cold blood by smalltime hoodlum turned messenger boy Jackie Wales (Stanley Clements). But the latter has a seemingly ironclad alibi and Laura goes undercover as a nightclub cigarette girl to trap him. Unbeknownst to the heroine, however, Wales is blackmailing Armitage (Albert Dekker), the ruthless nightclub operator who had hired him to murder Mansfield in the first place. But is Armitage the real "Mr. Big" or is someone else pulling the strings? ~ Hans J. Wollstein, All Movie Guide

This lavish, 145-minute cinemadaptation of the Pearl Buck best-seller Dragon Seed was intended by MGM as a followup to the studio's successful film version of Buck's The Good Earth. In true Hollywood fashion, the Chinese protagonists are all played by Caucasian actors, with fascinating if not always convincing results. When a peaceful Chinese village is invaded by the Japanese prior to WW2, the men elect to adopt a peaceful, don't-rock-the-boat attitude towards their conquerors-and it is understood that the women will stoically acquiesce as well. But Jade (Katharine Hepburn), a headstrong young woman, intends to stand up to the Japanese whether her husband Lao Er (Turhan Bey) approves or not. She even goes so far as to learn to read and to handle a weapon, so that she may properly equipped for both psychological and physical combat. Jade's attitude spreads to the rest of the village, convincing even the staunchest of male traditional that the Japanese can be defeated only by offering a strong united front-male and female. Alas, there are a few Quislings in their midst, notably avaricious merchant Wu Lien (Akim Tamiroff), who learns all too late the terrible cost of collaboration. While it seems odd to see so many non-Orientals-Walter Huston, Agnes Moorehead, Hurd Hatfield, J. Carroll Naish-in the major roles, Dragon Seed manages to retain its power and entertainment value even 50 years after the fact (Incidentally, there are a few genuine Chinese in the cast-most of them playing Japanese!) ~ Hal Erickson, All Movie Guide

This second presentation of the classic dramatic anthology Du Pont Show of the Month is a lavishly mounted adaptation of Mark Twain's historical novel The Prince and the Pauper. Although virtually every film version of this work has either cast twin boys in the roles of young Prince Edward and his ragamuffin lookalike Tom Canty, or has employed split-screen photography to convey the impression that one child actor is actually two different people, this production aired live and was unable to recruit twins at such short notice. Thus, Rex Thompson, best known for his portrayal of Prince Chulanlongkorn in The King and I, plays Edward, while the remarkably similar-looking Johnny Washbrook, previously the star of the TV series My Friend Flicka, plays Tom. Twain's familiar plot remains intact, with the royal Edward and the peasant Tom trading places, leading to all manner of complications for the high- and lowborn citizens of 16th century England. Heading what was advertised as "a cast of 60" is Christopher Plummer as Sir Miles Herndon, who while seeking revenge against the brother who betrayed him befriends the incognito Prince Edward; Hurd Hatfield as that evil sibling, Sir John; Rosemary Harris as the brothers' mutual sweetheart Lady Edith; and Sir Cedric Hardwycke as the scheming Earl of Hartford, who knows that the youngster claiming to be the Prince of England isn't anything of the kind. Also seen is a very young Patty Duke as Edward's sister Princess Elizabeth. "he Prince and the Pauper" was adapted for television by Leslie Slote, who spent much of the 1950s fronting for fellow writers who had been blacklisted. ~ Hal Erickson, All Movie Guide

Michael Chekhov and George Shdanoff were Russian expatriates who came to Hollywood and became two of the best known and most influential acting coaches in the film industry; Chekhov was nominated for an Academy Award for his work in Spellbound, and as a teacher he and his associate Shdanoff helped guide the careers of Leslie Caron, Patricia Neal, Gregory Peck, Rex Harrison, Marilyn Monroe and Clint Eastwood. From Russia to Hollywood provides a glimpse into their lives and careers as Chekhov flees Russia for Germany after the Communist government expresses its displeasure with his productions for the Moscow Art Theater (Stanislavsky considered Chekhov a genius, but the government considered him ideologically unsound). When the Nazis began to rise to power, Chekhov relocated to the United States, where he taught acting when not busy with his own career on the stage and screen. Here, several of Chekhov and Shdanoff's better known students discuss their work and how their teachings effected a generation of Hollywood actors. ~ Mark Deming, All Movie Guide

A frustrated writer helps save a woman being railroaded by the law -- or is she? -- in this comic mystery with romantic overtones. Phil Blackwood (Tom Selleck) is a best-selling mystery novelist who has run into a bad case of writer's block. Hoping to find inspiration for his next book, Phil goes to the city courthouse and witnesses the arraignment of Nina Ionescu (Paulina Porizkova), a beautiful Romanian immigrant who is accused of killing a man with a pair of scissors. For Phil, it's love at first sight, and after sneaking into jail disguised as a priest, he makes her an offer. Phil offers to let her stay at his house, and he provides her with an alibi -- she can claim that she couldn't have committed the crime, because she was with him at the time of the attack. Nina agrees, but after Phil encounters a handful of dangerous foreign agents, Nina's acrobatic parents, and a highly suspicious district attorney, he begins to wonder if Nina might have committed the murder after all. Her Alibi also features William Daniels as Sam, and James Farentino as Frank Polito; the song "Falling In Love" was written and recorded for the film by Randy Newman. ~ Mark Deming, All Movie Guide

Director Victor Fleming's final film features Ingrid Bergman as a vivid and luminous Joan of Arc, the 15th-century French peasant girl who led the French in battle against the invading English, becoming a national hero. When she was captured, tortured, and ultimately executed by the English, she was made a Catholic saint. Bergman's Joan is a strong and spiritual figure who proves her devotion to the Dauphin (Jose Ferrer), later to become the King of France. Joan is compelling as she wins an alliance with the Governor of Vaucouleurs and the courtiers at Chinon, leads her army in the Battle of Orleans, is betrayed by the Burgundians, and edicts that "our strength is in our faith." ~ Paul Brenner, All Movie Guide

One major film star referred to director Nicholas Ray as a "loser," because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as "I Was a Teenage Jesus"). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the "Jesus sightings" are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus. ~ Hal Erickson, All Movie Guide

Adapted for television by Robert Hartung from the play by Barrie Stavus, Lamp at Midnight deals with the 16th-century conflict between the Catholic Church and Italian astronomer Galileo Galilei. After exhaustive research, Galileo (played by Melvyn Douglas) concludes that the Aristotelean concept of the Universe is incorrect. It is Galileo's contention--like Copernicus before him--that Earth is not the center of the universe, but merely another planet, revolving around the sun. This theory is considered heresy by the Church, and before long Galileo is dragged before Cardinal Bellarmin (George Voskovec), leader of the dreaded Court of the Inquisition. Also in the cast of this impressively mounted production are David Wayne, Kim Hunter, Hurd Hatfield, and, as Pope Urban VIII, Michael Hordern. Originally telecast April 27, 1966, the videotaped Lamp at Midnight was the final presentation of Hallmark Hall of Fame's 15th season. ~ Hal Erickson, All Movie Guide

Often described as a French New Wave film made in Hollywood, Arthur Penn's 1965 art movie enters the unsettlingly paranoid world of a nightclub comic on the run from the Mob. Having fooled around with the wrong blonde and gambled himself into an unpayable debt, an entertainer (Warren Beatty) flees to Chicago, where he hides out and changes his name to Mickey One. He hooks up with Jenny (Alexandra Stewart) and Castle (Hurd Hatfield), the owner of the nightclub Xanadu, but he cannot shake the paralyzing conviction that he's being pursued no matter where he is. After being beaten by unknown assailants, Mickey finally decides that escape is impossible, so he might as well just do his thing. ~ Lucia Bozzola, All Movie Guide

Jessica (Angela Lansbury) is off to Jamaica, there to visit an old friend living on a sprawling plantation. No sooner has she arrived than Jessica is plunged into family intrigue, stemming from the decision by the plantation heir to wed the daughter of an Obeah priest. This not only dashes the hopes of the family merging with another prosperous Jamaican plantation clan, but it also leads to murder--apparently the fulfillment of an ancient voodoo curse! Musical stage star Shani Wallis makes a rare American TV appearance in this episode. ~ Hal Erickson, All Movie Guide