Hurd Hatfield Movies

This lavish, 145-minute cinemadaptation of the Pearl Buck best-seller Dragon Seed was intended by MGM as a followup to the studio's successful film version of Buck's The Good Earth. In true Hollywood fashion, the Chinese protagonists are all played by Caucasian actors, with fascinating if not always convincing results. When a peaceful Chinese village is invaded by the Japanese prior to WW2, the men elect to adopt a peaceful, don't-rock-the-boat attitude towards their conquerors-and it is understood that the women will stoically acquiesce as well. But Jade (Katharine Hepburn), a headstrong young woman, intends to stand up to the Japanese whether her husband Lao Er (Turhan Bey) approves or not. She even goes so far as to learn to read and to handle a weapon, so that she may properly equipped for both psychological and physical combat. Jade's attitude spreads to the rest of the village, convincing even the staunchest of male traditional that the Japanese can be defeated only by offering a strong united front-male and female. Alas, there are a few Quislings in their midst, notably avaricious merchant Wu Lien (Akim Tamiroff), who learns all too late the terrible cost of collaboration. While it seems odd to see so many non-Orientals-Walter Huston, Agnes Moorehead, Hurd Hatfield, J. Carroll Naish-in the major roles, Dragon Seed manages to retain its power and entertainment value even 50 years after the fact (Incidentally, there are a few genuine Chinese in the cast-most of them playing Japanese!) ~ Hal Erickson, All Movie Guide

Based on the novel by Octave Mirbeau, Diary of a Chambermaid is a noble experiment: a "Continental" sex drama with a virtually all-Anglo cast. Paulette Goddard plays the title character, a saucy servant named Celestine whose forthrightness has a curious effect on a wealthy Parisian household. Determined to elevate her lot in life, Celestine uses her unsubtle charms to beguile her wishy-washy master, Monsieur Lanlaire (Reginald Owen), and Lanlaire's wastrelly son, Georges (Hurd Hatfield). She also inadvertently inspires the lovesick valet Joseph (Francis Lederer) to steal from the family and kill Georges. Burgess Meredith, Goddard's then-husband, delivers an astonishing performance as Mauger, the Lanlaires' bizarre, shell-shocked neighbor (he also wrote the screenplay and co-produced). Diary of a Chambermaid was remade by Luis Buñuel in 1964, with Jeanne Moreau in the lead. ~ Hal Erickson, All Movie Guide

Filmed not long after the actual events, The Beginning or the End is a sober, intelligent account of the development and deployment of the Atom Bomb. Step by step, the film details the progress of The Manhattan Project, from its inception in the early stages of the war through the dawn of the Atomic Age over the city of Hiroshima on August 6, 1945. Brian Donlevy stars as Brigadier General Leslie Groves, assigned by President Roosevelt (Godfrey Tearle) to act as military supervisor of the top-secret project at Oak Ridge, Tennessee. After a grueling trial-and-error period, the first atomic bomb is tested before an assemblage of scientists and military personnel-even though there's the disturbing possibility that the explosion may cause a chain reaction that will wipe out all mankind. Woven into the proceedings is an unnecessary but innocuous romance between idealistic young scientist Matt Cochran (Tom Drake) and his new bride Anne (Beverly Tyler), who cannot understand why she and her husband are forced to live in isolation with scores of other scientists and their families because Matt, like his associates, has been sworn to total secrecy. Though the Cochrans are fictional, many real-life participants in the Manhattan Project are depicted herein, including J. Robert Oppenheimer (played by Hume Cronyn), Enrico Fermi (Joseph Calleia), Albert Einstein (Ludwig Stossel) and Col. Paul Tibbetts (Barry Nelson), pilot of the bomb-bearing Enola Gay. Refreshingly free of propagandizing, Beginning or the End would make an excellent companion feature to Fat Man and Little Boy (1990), a highly politicized retelling of the same events. ~ Hal Erickson, All Movie Guide

In this crime drama a psychiatrist tries to help a psycho patient who loses consciousness after he kills someone. When the doctor provides the patient with a letter that explains his problem, he inadvertently implicates himself in the crimes. ~ Sandra Brennan, All Movie Guide

The people of a jungle village are suffering from a strange illness that is killing off the female population. The natives resort to kidnapping women from other regions -- including Jane (Vanessa Brown), the mate of Tarzan (Lex Barker). Never one to hold a grudge, Tarzan offers to deliver a serum that will wipe out the epidemic. Unfortunately, numerous unforeseen perils await Tarzan during his journey through the foliage. The "slave girl" of the title is played by Denise Darcel, whose role as a nurse is secondary but decorative. An 8 X 10 glossy of the underdressed Darcel, her wrists shackled, clinging desperately to Lex Barker's bare legs, turned out to be one of the biggest-selling "pin-ups" of the 1950s. Not bad for a post-Weissmuller Tarzan flick, Tarzan and the Slave Girl falters only during an extended comic sequence involving Cheta the chimp and a bottle of booze. ~ Hal Erickson, All Movie Guide

The story of the nativity is reinterpreted as a musical in this "Studio One" production starring Paul Tripp, Miriam Wolf, Robert Shaw Chorale, and Hurd Hatfield. ~ Jason Buchanan, All Movie Guide

Like so many other Hitchcock "heroes," Seymour Johnston (Hurd Hatfield) thinks that he has planned the perfect murder. Disguising himself as another person, Seymour kills his wealthy Aunt Muriel (Mildred Dunnock). Certain that the police will blame the "other person" for the crime, Seymour is more than willing to cooperate with their investigation -- but alas, he makes the proverbial "one fatal slip." ~ Hal Erickson, All Movie Guide

This second presentation of the classic dramatic anthology Du Pont Show of the Month is a lavishly mounted adaptation of Mark Twain's historical novel The Prince and the Pauper. Although virtually every film version of this work has either cast twin boys in the roles of young Prince Edward and his ragamuffin lookalike Tom Canty, or has employed split-screen photography to convey the impression that one child actor is actually two different people, this production aired live and was unable to recruit twins at such short notice. Thus, Rex Thompson, best known for his portrayal of Prince Chulanlongkorn in The King and I, plays Edward, while the remarkably similar-looking Johnny Washbrook, previously the star of the TV series My Friend Flicka, plays Tom. Twain's familiar plot remains intact, with the royal Edward and the peasant Tom trading places, leading to all manner of complications for the high- and lowborn citizens of 16th century England. Heading what was advertised as "a cast of 60" is Christopher Plummer as Sir Miles Herndon, who while seeking revenge against the brother who betrayed him befriends the incognito Prince Edward; Hurd Hatfield as that evil sibling, Sir John; Rosemary Harris as the brothers' mutual sweetheart Lady Edith; and Sir Cedric Hardwycke as the scheming Earl of Hartford, who knows that the youngster claiming to be the Prince of England isn't anything of the kind. Also seen is a very young Patty Duke as Edward's sister Princess Elizabeth. "he Prince and the Pauper" was adapted for television by Leslie Slote, who spent much of the 1950s fronting for fellow writers who had been blacklisted. ~ Hal Erickson, All Movie Guide

One major film star referred to director Nicholas Ray as a "loser," because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as "I Was a Teenage Jesus"). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the "Jesus sightings" are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus. ~ Hal Erickson, All Movie Guide

Trevor Howard stars as 19th-century British prime minister Benjamin Disraeli, in this videotaped, 90-minute color special. James Lee's teleplay traces Disraeli's career over a thirty-year period, detailing his devotion to the buildup and maintenance of the British Empire. The story also touches upon the many enemies made by the witty but tenacious PM-some of whom resented the fact that a Jew had a position of power in the government. Above all, the play details the friendship and mutual respect between "Dizzy" and Queen Victoria, played here by Kate Reid. Trevor Howard won an Emmy award for his virtuoso performance as Disraeli, which required a multitude of make-up changes, courtesy of the gifted Bob O'Bradovich. Greer Garson, Denholm Elliott, Hurd Hatfield (as Rothschild) and Geoffrey Keen (as Gladstone) also appear in The Invincible Mr. Disraeli; the play was first telecast April 4, 1963 as a Hallmark Hall of Fame special. ~ Hal Erickson, All Movie Guide

This comedy is adapted from a short story by Mark Twain. An abusive carpetbagger marries a plantation owner's daughter to humiliate him. He is cruel to his wife, but she will not complain to her father. The beastly carpetbagger ties the stoic woman to a tree and sets the bloodhounds upon her. They tear off her clothes. This causes the girl's father to die of embarrassment. Meanwhile the girl bears a son. The son grows up and goes West in search of his wretched father. He desires to avenge his mother's honor. Someone else kills his father first. ~ Sandra Brennan, All Movie Guide

Hurriedly assembled to capitalize on the Paramount feature of the same name, Magna Pictures' Harlow was shot in less than two weeks, utilizing a glorified TV-kinescope process called Electronovision. Carol Lynley is physically an excellent choice to play 1930s Hollywood "platinum blonde" Jean Harlow, though she has little of Harlow's casual charisma. Pushed into a movie career by Mama Jean (Ginger Rogers) in order to support her dysfunctional family, Jean rises from 2-reel comedies to big-budget features in the space of a year. Though one of the highest-priced stars at MGM, Jean's fortune is rapidly depleted by her high-living (and, it is hinted, incestuous) stepfather Marino Bello (Barry Sullivan). Seeking happiness and security, Jean marries producer Paul Bern (Hurd Hatfield), only to have him commit suicide due to his impotence. Just when her misery is about to be ended by her marriage to movie star William Mansfield (Efrem Zimbalist Jr.)--a thinly disguised William Powell, who refused to allow his name or likeness to be used--Jean dies of uremia at the age of 26. If you can get past those miserable Laurel & Hardy imitators at the beginning of Harlow, you might be able to survive the rest of the picture, which gives a whole new meaning to the word "cheap." Watch for boxing champ Sonny Liston in a one-scene bit. ~ Hal Erickson, All Movie Guide

Jack Landau directed this 1966 televised production of Tennessee Williams' fantastical one-act play. In it, Martin Sheen stars as Kilroy, an American GI who finds himself in the surreal landscape of a fictitious Latin American nation where he interacts with several characters who have fallen into meaningless and destitute lives. The play also features performances by Tom Aldredge, Michael Baseleon, Albert Dekker, Hurd Hatfield, Kazimir Kokich, and Lotte Lenya. ~ Matthew Tobey, All Movie Guide