Hurd Hatfield

Like so many other Hitchcock "heroes," Seymour Johnston (Hurd Hatfield) thinks that he has planned the perfect murder. Disguising himself as another person, Seymour kills his wealthy Aunt Muriel (Mildred Dunnock). Certain that the police will blame the "other person" for the crime, Seymour is more than willing to cooperate with their investigation -- but alas, he makes the proverbial "one fatal slip." ~ Hal Erickson, All Movie Guide

Fugitive Confederate officer Cody Ransom (Jon Cypher) is finally willing to surrender to the Union forces-but only if the Cartwright men act as intermediaries. Unfortunately, by-the-book Northern officer Major Donahue (Hurd Hatfield) insists upon handling the capture all by himself-and he is prepared to resort to violence to get his way. Suzanne Pleshette appears as Rose, a war-weary Southerner desperately trying to put her life back together, while 10-year-old Jodie Foster is seen as Bluebird. Originally shown on March 19, 1972, "A Place to Hide" was written by William D. Gordon and Ward Hawkins. ~ Hal Erickson, All Movie Guide

Producer-director Edward L. Cahn's Prominent Pictures produced this low-budget thriller-noir which was then sold outright to RKO. Joyce MacKenzie stars as Laura Mansfield whose father (Franklyn Farnum) is killed in cold blood by smalltime hoodlum turned messenger boy Jackie Wales (Stanley Clements). But the latter has a seemingly ironclad alibi and Laura goes undercover as a nightclub cigarette girl to trap him. Unbeknownst to the heroine, however, Wales is blackmailing Armitage (Albert Dekker), the ruthless nightclub operator who had hired him to murder Mansfield in the first place. But is Armitage the real "Mr. Big" or is someone else pulling the strings? ~ Hans J. Wollstein, All Movie Guide

This presentation of The DuPont Show of the Month represented the first time that a novel by A.J. Cronin had been adapted for American television. In the early part of the 20th century, Canadian youth Paul Burgess (Farley Granger) discovers that his father, long believed dead, is languishing in a British prison, serving a life sentence for murder. Heading to England to get the full story, Paul is disheartened when everybody whom he meets assures him that his father was convicted fairly and squarely. On the verge of returning home, Paul comes into possession of an unexpected piece of evidence, sending him off to a new direction, with the hopeful end result of clearing his dad's name--much to the dismay of the other people involved in the case. "Beyond This Place" was originally telecast live. ~ Hal Erickson, All Movie Guide

Michael Chekhov and George Shdanoff were Russian expatriates who came to Hollywood and became two of the best known and most influential acting coaches in the film industry; Chekhov was nominated for an Academy Award for his work in Spellbound, and as a teacher he and his associate Shdanoff helped guide the careers of Leslie Caron, Patricia Neal, Gregory Peck, Rex Harrison, Marilyn Monroe and Clint Eastwood. From Russia to Hollywood provides a glimpse into their lives and careers as Chekhov flees Russia for Germany after the Communist government expresses its displeasure with his productions for the Moscow Art Theater (Stanislavsky considered Chekhov a genius, but the government considered him ideologically unsound). When the Nazis began to rise to power, Chekhov relocated to the United States, where he taught acting when not busy with his own career on the stage and screen. Here, several of Chekhov and Shdanoff's better known students discuss their work and how their teachings effected a generation of Hollywood actors. ~ Mark Deming, All Movie Guide

A frustrated writer helps save a woman being railroaded by the law -- or is she? -- in this comic mystery with romantic overtones. Phil Blackwood (Tom Selleck) is a best-selling mystery novelist who has run into a bad case of writer's block. Hoping to find inspiration for his next book, Phil goes to the city courthouse and witnesses the arraignment of Nina Ionescu (Paulina Porizkova), a beautiful Romanian immigrant who is accused of killing a man with a pair of scissors. For Phil, it's love at first sight, and after sneaking into jail disguised as a priest, he makes her an offer. Phil offers to let her stay at his house, and he provides her with an alibi -- she can claim that she couldn't have committed the crime, because she was with him at the time of the attack. Nina agrees, but after Phil encounters a handful of dangerous foreign agents, Nina's acrobatic parents, and a highly suspicious district attorney, he begins to wonder if Nina might have committed the murder after all. Her Alibi also features William Daniels as Sam, and James Farentino as Frank Polito; the song "Falling In Love" was written and recorded for the film by Randy Newman. ~ Mark Deming, All Movie Guide

Director Bruce Beresford has safely stayed within the domain of the Bible and not strayed into patches of Hollywood fiction in this routine version of the story of David (Richard Gere). For that reason, anyone unfamiliar with Biblical history might be puzzled by the episodic presentation of David's life. In the opening scenes, Samuel condemns Saul and anoints the young David as his heir, and in fairly quick succession David slays Goliath, incurs Saul's jealous wrath, leaves, and, much later, comes back to rule after Saul has died. Once David is on the throne, Bathsheba and then Absalom enter into the picture. Interspersed are brutal scenes of fighting, but not much in the way of motivation for David's complex behavior. Gaps in the narration or unclear motivation may be the result of trying to cover too many events in a 114-minute running time. ~ Eleanor Mannikka, All Movie Guide

Police officer Len Gittings (Walter McGinn) is suspected of accidentally shooting a fellow cop in a drug raid. In his efforts to uncover the truth, Kojak (Telly Savalas) is unaware (at least at first) that Gittings had been trying to protect his drug-addict girlfriend Claire (Lynn Redgrave) during the raid. . .and that Claire herself may have pulled the trigger. In addition to guest star Lynn Redgrave, this episode boasts early TV appearances by Morgan Fairchild (Falcon Crest), Dan Hedaya (Party of Five) and Irene Cara (Fame). ~ Hal Erickson, All Movie Guide

The romantic rivalry between twin psychologists in love with the same beautiful model takes a deadly turn in this dark made-for-cable-TV thriller. ~ Sandra Brennan, All Movie Guide

Angela Lansbury is reunited with her onetime The Picture of Dorian Gray costar Hurd Hatfield in this episode, in which Jessica Fletcher (Lansbury) attends a special performance by a Soviet ballet troupe. Just as two of the dancers decide to defect, the KGB official assigned to the troupe is killed. When one of the defecting dancers also turns up murdered and a terrified ballerina is accused of the crime, Jessica reluctantly joins forces with a gruff government official to solve the crimes. ~ Hal Erickson, All Movie Guide

Jerry Orbach returns as hard-boiled Boston private eye Harry McGraw, who once again teams up with Jessica Fletcher (Angela Lansbury) to solve a murder. This time the victim is a popular actor, who had agreed to serve as one of the auctioneers accepting bids for a torrid diary written by a onetime sex symbol. Not only is the author of the diary under suspicion, but so are several others who'd been a part of her tragic past, obliging Jessica to burrow through the sizeable suspect list so that Harry can make a pinch. Watch for Angela Lansbury's former Picture of Dorian Gray costar Hurd Hatfield--not to mention Jean VanderPyl, the longtime voice of cartoondom's Wilma Flintstone! ~ Hal Erickson, All Movie Guide

The people of a jungle village are suffering from a strange illness that is killing off the female population. The natives resort to kidnapping women from other regions -- including Jane (Vanessa Brown), the mate of Tarzan (Lex Barker). Never one to hold a grudge, Tarzan offers to deliver a serum that will wipe out the epidemic. Unfortunately, numerous unforeseen perils await Tarzan during his journey through the foliage. The "slave girl" of the title is played by Denise Darcel, whose role as a nurse is secondary but decorative. An 8 X 10 glossy of the underdressed Darcel, her wrists shackled, clinging desperately to Lex Barker's bare legs, turned out to be one of the biggest-selling "pin-ups" of the 1950s. Not bad for a post-Weissmuller Tarzan flick, Tarzan and the Slave Girl falters only during an extended comic sequence involving Cheta the chimp and a bottle of booze. ~ Hal Erickson, All Movie Guide

Filmed not long after the actual events, The Beginning or the End is a sober, intelligent account of the development and deployment of the Atom Bomb. Step by step, the film details the progress of The Manhattan Project, from its inception in the early stages of the war through the dawn of the Atomic Age over the city of Hiroshima on August 6, 1945. Brian Donlevy stars as Brigadier General Leslie Groves, assigned by President Roosevelt (Godfrey Tearle) to act as military supervisor of the top-secret project at Oak Ridge, Tennessee. After a grueling trial-and-error period, the first atomic bomb is tested before an assemblage of scientists and military personnel-even though there's the disturbing possibility that the explosion may cause a chain reaction that will wipe out all mankind. Woven into the proceedings is an unnecessary but innocuous romance between idealistic young scientist Matt Cochran (Tom Drake) and his new bride Anne (Beverly Tyler), who cannot understand why she and her husband are forced to live in isolation with scores of other scientists and their families because Matt, like his associates, has been sworn to total secrecy. Though the Cochrans are fictional, many real-life participants in the Manhattan Project are depicted herein, including J. Robert Oppenheimer (played by Hume Cronyn), Enrico Fermi (Joseph Calleia), Albert Einstein (Ludwig Stossel) and Col. Paul Tibbetts (Barry Nelson), pilot of the bomb-bearing Enola Gay. Refreshingly free of propagandizing, Beginning or the End would make an excellent companion feature to Fat Man and Little Boy (1990), a highly politicized retelling of the same events. ~ Hal Erickson, All Movie Guide