Meredith Willson Movies

A hit Broadway musical in 1957 and an equally successful Hollywood film in 1962, Meredith Willson's The Music Man was again brought before the cameras in this lavish made-for-TV adaptation. Standing in for the original's Robert Preston is Matthew Broderick as "Professor" Harold Hill, a glib traveling salesman who descends upon the town of River City, IA, in the weeks just prior to the Fourth of July celebration of 1912. Persuading the populace that the youth of River City is in great danger of being corrupted by the presence of a new pool table, Hill convinces them that their only hope for salvation is the organization of a boy's band, with himself as a leader. Naturally, this will require the parents to shell out good money for band instruments and uniforms, and in exchange, Hill promises to teach the kids how to make music by utilizing his revolutionary "Think System." There's only one problem: Harold Hill is an out-and-out con artist, who doesn't know one note from another. Even so, he manages to win over everybody in town except local librarian/music teacher Marian Paroo (Kristin Chenoweth) and thick-eared Mayor Shinn (Victor Garber). Ultimately, however, Marian joins Hill's camp -- mainly because he has brought her sullen brother, Winthrop (Cameron Monaghan), out of his shell -- but as July Fourth approaches, Hill faces exposure and arrest thanks to a vengeful anvil salesman named Charlie Cowell (Patrick McKenna). A meticulously faithful rendition of the Broadway original, The Music Man happily includes all of the show's wonderful songs, among them "Ya Got Trouble," "Seventy-Six Trombones," "The Sadder-But-Wiser Girl," "Lida Rose," "Marian the Librarian," "Pickalittle," "Til There Was You," and "My White Knight" (which was not used in the 1962 movie adaptation). Though some critics found Matthew Broderick a bit too lightweight and Jeff Bleckner's direction a tad gimmicky, no one could fault the full-bodied vocal renditions, nor the consistently inventive choreography of Kathleen Marshall. Produced by the same team responsible for the 2003 movie smash Chicago, The Music Man debuted February 16, 2003, as an "expanded" episode of ABC's Wonderful World of Disney anthology. ~ Hal Erickson, All Movie Guide

Meredith Wilson's hit 1957 Broadway musical was transferred to the screen in larger-than-life fashion in 1962. Robert Preston repeats his legendary stage performance as fast-talking con man Harold Hill, who goes from town to town selling citizens on starting a "boy's band," then extracts money from them by ordering instruments and uniforms, with the promise that he'll teach the kids how to be musicians. Once he's collected his bankroll, Hill skips town, leaving the kids in the lurch. Looking for new suckers in Iowa, Hill arrives in River City, where he declares that the only way to save the youth of River City from the lure of the poolroom is to organize a boy's band. He charms the mayor's wife Eulalie (Hermione Gingold) into forming a "ladies' dance committee" and sets his sights on winning over local music teacher Marian Paroo (Shirley Jones). Marian rightly considers Hill a fraud, especially when he espouses the "Think System" of learning music: if you think a tune, he claims, you can play it. But Marian becomes Hill's staunchest ally when her young brother Winthrop (Ronny Howard), sullen and withdrawn since the death of his father, exuberantly comes out of his shell at the prospect of joining Hill's band; and Marian's budding romance with the charming but unreliable Hill ultimately brings her out of her own shell as well. Marion Hargrove's script uses most of the original play, with a handful of amusing expansions, especially in the roles played by Gingold and by Buddy Hackett as Hill's comic sidekick. ~ Hal Erickson, All Movie Guide

"This is the story of the period between two world wars--an interim during which insanity cut loose, liberty took a nose dive, and humanity was kicked around somewhat." With this pithy opening title, Charles Chaplin begins his first all-talking feature film, The Great Dictator. During World War I, a Jewish barber (Chaplin) in the army of Tomania saves the life of high-ranking officer Schultz (Reginald Gardiner). While Schultz survives the conflict unscathed, the barber is stricken with amnesia and bundled off to a hospital. Twenty years pass: Tomania has been taken over by dictator Adenoid Hynkel (Chaplin again) and his stooges Garbitsch (Henry Daniell) and Herring (Billy Gilbert). Hynkel despises all Jews and regularly wreaks havoc on the Tomanian Jewish ghetto, where feisty Hannah (Paulette Goddard) lives. Meanwhile, the little barber escapes from the hospital and instinctively heads back to his cobweb-laden ghetto barber shop. Unaware of Hynkel's policy towards Jews (in fact, he's unaware of Hynkel), the barber gets into a slapstick confrontation with a gang of Aryan storm troopers. He is rescued by his old friend Schultz, now one of Hynkel's most loyal officers. Thanks to Schultz's protection, the ghetto receives a brief respite from Hynkel's persecution. The barber sets up shop again, developing a warm platonic relationship with the lovely Hannah. But things take a sorry turn when Hynkel, angered that a Jewish banker has refused to finance his impending war with Austerlitz, begins bearing down again on the Ghetto. Near the end of the film, when the dictator is expected to make another one of his hate-filled, war-mongering speeches, the barber steps up to the microphones...and Charles Chaplin drops character and becomes "himself," delivering an impassioned plea for peace, tolerance, and humanity. ~ Hal Erickson, All Movie Guide