Tom Harvey Movies

Filmmaker Atom Egoyan -- a longtime onscreen collaborator with the gifted young actress Sarah Polley (The Sweet Hereafter) -- executive-produced Polley's directorial debut, Away from Her, starring Julie Christie, Olympia Dukakis, Michael Murphy, and Wendy Crewson. Adapted by Polley from a short story by Alice Munro, this small-scaled two-character drama concerns Grant (Gordon Pinsent) and Fiona (Christie), a long-married couple, well into their golden years, who are much in love and connected to one another on every level. "Soul mates" in the purest sense of the term, the two feel a sense of ease and tranquility in their rural home. But when Fiona's memory begins to slip away and she insists on being taken to a rest home, the decision stirs up torrents of guilt and regret in Grant's heart. The rules of the center only complicate matters, as they forbid visitation and communication with Fiona for an interminable period of time. He determines to support his wife at all costs, even if must happen at the expense of his own peace of mind. ~ Nathan Southern, All Movie Guide

The true story of one of the most contentious labor disputes of the 1970s is the basis for this made-for-cable drama. In 1973, many of the men of Harlan County, Kentucky, were employed by Brookside Mining, who operated a number of coal mines. Brookside paid its employees meager wages for dangerous, backbreaking work, and also controlled housing and retail sales in the area, boarding its workers in shacks without central heating or indoor plumbing, and selling them food and clothing at inflated prices. Warren Jakopovich (Stellan Skarsgard), an organizer for the United Mine Workers Association, encouraged Brookside's workers to join the union and go on strike for fair wages and better working conditions. Many of the miners simply couldn't afford the loss of income that a strike would mean, but when two workers died as a result of Brookside's willful ignorance of safety standards, most of Harlan County's mine workers finally went on strike. A judge formerly employed by Brookside handed down an order forbidding the workers to picket the mine sites, but Ruby Kincaid (Holly Hunter), whose husband Silas (Ted Levine) was fired for protesting dangerous conditions and whose father was attacked by scab laborers, organized the wives of striking miners to picket in their place. The Harlan County War was based on the same strike portrayed in the Academy Award-winning documentary Harlan County, USA. ~ Mark Deming, All Movie Guide

Picking up where Scanners left off, this sequel has good and evil scanners combatting when a crooked politician schemes to gain control of a major city. Scanners are people who, because their mothers had taken a certain drug during pregnancy, have acquired telepathic powers. Here, a "bad-guy" scanner escapes from a mental center and is hired by the politician to use his powers to gain control of others' minds, and then, their actions. A "good-guy" scanner teams with his sister to thwart these plans. ~ All Movie Guide

And Then You Die is a 115-minute Canadian melodrama starring Ken Welsh as an above-the-border drug czar. Having amassed a fortune on the miseries of others, Welsh intends to retire. But the Mafia, notorious for its poor retirement plan, wants a piece of Welsh's riches. So does a vicious motorcycle gang. And so too do certain double-dealing members of the police squad pursuing Welsh. ~ Hal Erickson, All Movie Guide

An ex-convict turned sheriff's deputy must face his guilty conscience, which is obsessed with his identity change following a million-dollar heist. With a notoriously troubled production history, this Canadian picture was shot in 1979 and sat on the shelf for half a decade, until Orson Welles had died. In the credits, the name of the director -- Selig Usher -- is a pseudonym for both George McCowan and Zale Magder. ~ All Movie Guide

This three-hour TV movie stars Sophia Loren as New Yorker Marianna Miraldo. Hurt and angered by her son's cocaine addiction, Marianna discovers that a close friend also has ties with the drug scene. After several of her imprisoned friend's associates try to contact him through her, the DEA persuades Marianna to aid them in an undercover operation headed by cop Bobby Jay (Billy Dee Williams). Despite the "don't get involved" admonitions of her husband (Hector Elizondo), Marianna agrees to cooperate with the DEA, if only for the sake of her son. This fact-based film, which first aired September 24, 1986, concludes with the feds closing in on a $3.5 billion cocaine ring. ~ Hal Erickson, All Movie Guide

In an uneasy blend of sci fi computer hokum and human miscreants at work, this story of suspicious deaths in a hospital is ominous on various counts but not likely to keep tension high-strung. Dr. Frank Holt (Joe Spano) has already had one malpractice suit that cost him a job, so when one of his patients dies under odd circumstances he is particularly interested in finding out why -- especially when that one case is followed by others. His former lover Anna (Diane Venora) is called in, along with the hospital's attorney (Don Francks) to help investigate the deaths and discover their cause. Meanwhile, it is slowly revealed that unethical staff are placing bets on the patients' diagnoses and how long they will live. When a good friend of Dr. Holt's becomes seriously ill, he is certain these deaths are not of natural causes, and the investigation heats up. ~ Eleanor Mannikka, All Movie Guide

A Matter of Sex is the calculatedly misleading title of a based-on-fact TV movie, which originally bore the more suitable title Women of Willmar. In 1976, the women working in a bank in Willmar, Minnesota become incensed because less-qualified men are being promoted over them. Head teller Jean Stapleton, with the help of attorney Peter Dvorsky and the Equal Employment Opportunity Commission, organizes an employee's union. When the chauvinistic bank officers cause negotiations to break down, Stapleton and seven other female employees go on strike--a job action which lasts for two years, despite political and social pressure from the community. Director Lee Grant, whose daughter Dinah Manoff is cast as one of the strikers, had previously helmed a documentary based on the same incident, The Willmar Eight--which was telecast on PBS the night before the January 1984 network premiere of A Matter of Sex. ~ Hal Erickson, All Movie Guide

Purporting to be loosely based on Hamlet, Strange Brew is about an evil braumeister at the Elsinore Brewery who has discovered an additive that when guzzled in beer, allows the drinkers to be easily controlled. Braumeister Smith (Max von Sydow) has a plan to take over the world with his new brew, and only the Great White hosers of the North, Bob and Doug McKenzie (Rick Moranis and Dave Thomas) -- with their plaid shirts, ski toques, fur-lined parkas, and addiction to beer -- can stop the dastardly plan, sober or not. There are several jabs at "hoseheads" and the business of movie-making, including an epilogue that critiques the film itself. Strange Brew found a cult audience with fans of the Second City comedy troupe, of which Moranis and Thomas were members. ~ Eleanor Mannikka, All Movie Guide

Based on a true story, this film follows the trials and tragedies that befall Walter Reamer (Tom Skerritt) and his wife, Olive (Ellen Burstyn), as they struggle to create a home and raise a family in the brutal Canadian frontier of 1919. ~ Iotis Erlewine, All Movie Guide

This satiric comedy concerns the chaotic production of an all-singing, all-talking, all-dancing musical spectacular. While the producers dream of recreating the glorious spectacle of a Hollywood confection of the 1940's, it seems their work is cut out for them -- the director is just a little bit crazy, the beautiful leading lady has never sung before, and a rival studio is eager to scuttle the project. But all these problems seem like small potatoes when the star of the show mysteriously disappears. A Star Is Lost! was produced by the National Film Board of Canada, who also distributed the feature as a series of four short subjects. ~ Mark Deming, All Movie Guide

John Herbert's stage play Fortune and Men's Eyes first enjoyed a sensational run on Broadway with Sal Minneo in the lead and was originally a fairly tame drama which used prison homosexual activity as a framework around which to base a plea for prison reform. In this screen adaptation, Mineo's role as Smitty, the unfortunate naif sent to prison on a drug charge who becomes a brutal prison leader, is played by Wendell Burton. Basically, this is an earnest prison drama with some small amusement provided by its treatment of prison homosexuality. Michael Greer offers a noteworthy performance as the extremely flamboyant and effeminate "Queenie." While this film has strong language and some nudity, sexual situations are handled discreetly enough for the film to have merited an "R" rating at the time of its release. ~ Clarke Fountain, All Movie Guide

The man with the "life wish" is multi-billionaire Burl Ives, who maintains an isolated medical research center. Stuart Whitman is hired as the new head of this center, where he is told to ignore any unusual goings-on and to keep his mouth shut. Slowly it dawns on Whitman that there's an inordinate number of wealthy old men entering the center--and the research lab is busy dissecting younger cadavers. Without revealing any more of the plot, we can point out that the film's closing line refers to Chinese leader Mao Tse-Tung, who was 80 years old at the time. The original title of Man Who Wanted to Live Forever was The Heart Farm, which would have given the game away from the outset. This TV movie was released theatrically in Europe as The Only Way Out is Dead, which likewise lowered the film's element of surprise. ~ Hal Erickson, All Movie Guide