Lew Harvey Movies
An oily looking supporting actor who often played gangsters or blue-collar working stiffs, Wisconsin-born, Oregon-educated Lew Harvey had spent three years on the legitimate stage before entering films with the Texas Guinan company in the very early '20s. Later in the decade he was mainly seen as "half-breeds" or gangsters but did turn up as Will Rogers in MGM's behind-the-scenes look at the Follies, in Pretty Ladies (1925). Reduced to bit parts in talkies and under long-term contract to MGM, Harvey turned up in scores of mostly dramas, usually playing truck drivers, two-bit hoodlums, guards, and policemen. His final-known appearance came in The File on Thelma Jordan (1949), in which he played a court reporter. ~ Hans J. Wollstein, All Movie Guide- 1949
No one is as good as Barbara Stanwyck when she's bad. Here Stanwyck plays Thelma Jordon, a woman who late one night shows up in the office of happily married Assistant DA Cleve Marshall (Wendell Corey) to seek help in solving the string of robberies at her wealthy aunt's estate. Before Cleve can stop himself, he and Thelma are involved in an illicit affair. But Thelma is a mysterious woman, and Cleve can't help wondering if she is hiding something. His suspicions are confirmed when Thelma confesses to him that she is married to Tony Laredo, though she swears that she never wants to see him again. When Thelma's aunt is found murdered, Cleve's suspicions are aroused once again, but he is too love-struck to keep himself from being drawn into the complicated series of events that ultimately lead to his ruination. Siodmak directs with his usual skill and polish, but the film really belongs to Barbara Stanwyck who is magnificent as Thelma. Unlike the usual cold, passionless femme fatale of film noir, Thelma has a heart and a conscience. She comes to love Cleve, and has concern for his life and his future. However, despite her wish that her life could be different, she realizes that she belongs in Tony's world, and despite her attempts to sacrifice herself to save Cleve, he is doomed, by his love for her and by his own weaknesses. The File on Thelma Jordan is a romantic, unusual mystery, with a great performance and superior direction. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Wendell Corey, (more)
The racehorse Seabiscuit really existed, but this is not his true story -- this is a romance and centers on lovely Margaret O'Hara (Shirley Temple), an Irish lass who comes to cheer on her uncle Shawn O'Hara's (Barry Fitzgerald) horse during the big races and ends up falling in love with handsome jockey Ted Knowles (Lon McCallister). He asks for her hand, but she will only marry him if he gives up racing because she is still mourning the death of her brother, who was also a jockey. Ted is torn because he loves her, but he also wants to ride her uncle's horse Seabiscuit to victory. Her uncle convinces him to ride and then engineers matters so that his niece will still marry Ted. The film includes footage of the real Seabiscuit winning two different races during the 1940s. ~ Sandra Brennan, All Movie Guide
- Starring:
- Shirley Temple, Barry Fitzgerald, (more)
- 1948
- NR
The success of 1947's Badman's Territory prompted RKO Radio to assemble another "outlaw rally," Return of the Badmen. Randolph Scott plays US marshal Vance, assigned to rid the Oklahoma Territory of outlaws. This proves to be quite a challenge, inasmuch as virtually every frontier bad guy has converged upon the territory. Led by the surly Sundance Kid (Robert Ryan), the rogue's gallery includes the Younger Brothers (Steve Brodie, Richard Powers, Robert Bray), the Daltons (Lex Barker, Walter Reed, Michael Harvey) and Billy the Kid (Dean White). For all the formidable villainy, the film's most fascinating conflict develops between the two heroines: feisty Cheyenne (Anne Jeffreys) and prim 'n' proper Madge Allen (Jacqueline White). Return of the Badmen posted a huge profit, spawning yet another "all-star" western from RKO, 1951's Best of the Badmen. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Armstrong, Walter S. Baldwin, (more)
- 1947
Quick-draw legend Bat Masterson is summoned to Kansas to end a small-town feud between local farmers and criminal ranch owners in this western starring Randolph Scott. ~ Kristie Hassen, All Movie Guide
- Starring:
- Randolph Scott, Robert Ryan, (more)
- 1947
Desert Fury is a rarety for the 1940s, a Technicolor "film noir." Set in a Nevada gambling town, the story concerns the various misadventures, romantic and otherwise, of Paula Haller (Lizabeth Scott), the rebellious daughter of gambling-house proprietress Fritzie Haller (Mary Astor, who steals the picture). Though no better than she ought to be, Fritzie is determined that Paula will not grow up as a "shady lady", but she'd fighting an uphill battle. John Hodiak plays crooked gambler Eddie Bendix (John Hodiak), who tries to exploit Paula's fascination with him for his own gain. Thank heaven that upright lawman Tom Hanson (Burt Lancaster) is on hand to rescue the heroine from the machinations of Bendix and his partner-in-perfidy Johnny Ryan (Wendell Corey). Desert Fury was adapted from the far racier and more explicit novel by Ramona Stewart. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Lizabeth Scott, (more)
When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends. With the police closing in on the cartel, Mundson fakes his death, apparently leaving Gilda and Farrell free to marry. They do so: Gilda for love, but Farrell to punish her for being unfaithful to Mundson. When Mundson returns to kill them, it is he who dies, thereby freeing the lovers to apologize to each other and return to the U.S. Charles Vidor's Gilda is a voyeuristic film noir treat that engages the viewer in a complex web of sado-masochistic triangles. When, for example, Gilda performs her signature number, "Put the Blame on Mame," she is not simply enraging both Mundson and Farrell with her open sexuality, she is also crying out in pain for the love she is being denied. ~ Steve Press, All Movie Guide
- Starring:
- Rita Hayworth, Glenn Ford, (more)
- 1943
The Iron Major is the saga of WW1 hero-cum-football coach Frank Cavanaugh, played with his usual no-nonsense professionalism by Pat O'Brien. Leaving home and hearth behind to serve his country in the Great War, Cavanaugh goes on to lead the Dartmouth, Boston College and Fordham football teams to victory. His credo throughout is "Love of God?Love of Country?Love of Family"-inspiriational words indeed in war-torn 1943. Based on the memoirs of Cavanaugh's wife Florence (played in the film by Ruth Warrick), The Iron Major suffers from repetition and overkill. But, as Humphrey Bogart once said in an unrelated interview, "Pat O'Brien was good? Pat was always good." ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Ruth Warrick, (more)
- 1941
- NR
The marvelous rapport between stars Clark Gable and Lana Turner makes MGM's Honky Tonk seem far more substatianal than it really is. About to be tarred and featherd by an angry mob, frontier con artists Candy Johnson (Gable) and his pal Sniper (Chill Wills) manage to make a quick getaway via train. While on board, Candy strikes up a friendship with Boston-bred Lucy Cotton (Turner), whose "respectable" daddy Judge Cotton (Frank Morgan) turns out to be as big of a sharpster as Candy. For Lucy's sake, Candy decides to use his huckstering skill to good use by helping to build a small-town church, but soon he's up to his old tricks, managing a dance hall and gambling emporium. Growing more ambitious by the minute, Candy intends to take over the whole town with the covert assistance of Judge Cotton. But when Candy marries Lucy (who still doesn't know that he's really a crook at heart!), the enraged Judge exposes Candy's takeover scheme, only to be shot down by the gambling hall's straw boss Hearn (Albert Dekker). In his efforts to set things right and atone for past misdeeds, Candy is separated from Lucy time and time again, but there's never any doubt that a happy ending awaits them both. A TV remake of Honky Tonk surfaced in 1974, with Richard Crenna in the Gable role. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Lana Turner, (more)
- 1940
Invisible Stripes is a cookie-cutter Warners prison drama which rounds up the usual suspects. George Raft and Humphrey Bogart are top-billed, and as is often the case in such a circumstance, it is Raft who is given the larger (albeit less interesting) role. Raft plays Cliff Taylor, an ex-convict who finds that his "invisible stripes" prevent him from getting a decent job. Cliff's younger brother (William Holden) shows unfortunate signs of following his older sibling's footsteps when he is pressured into crime to support himself and his girl friend (Jane Bryan). To save his brother, Cliff joins Humphrey Bogart's gang and earns enough dishonest money to set his brother up in business. But movie censorship prevails, and all of the miscreants in Invisible Stripes--even those motivated by good intentions--must pay the penalty. Side note: The prankish Humphrey Bogart spent so much time needling newcomer William Holden that Holden nearly came to blows with the older actor; the animosity persisted into the Bogart-Holden costarring feature Sabrina, made fourteen years later. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Jane Bryan, (more)
Based on a story by Vicki Baum (of Grand Hotel) fame, Dance, Girl Dance finds innocent young Judy (Maureen O'Hara) journeying to the Big Apple in hopes of gaining fame as a classical dancer. Instead she ends up as the "stooge" for raucous strip-tease artist Bubbles (Lucille Ball), who attempts to perform ballet before leering, catcalling, unappreciative burlesque audiences. Eventually, Judy and Bubbles both fall for playboy Jimmy Harris (Louis Hayward), a rivalry that culminates in a hair-pulling, eye-scratching cat fight. Eventually, Harris's ex-wife (Virginia Field) reels him back in, and Judy is hired by ballet producer and entrepreneur Steve Adams (Ralph Bellamy). In recent years, Dance, Girl, Dance has been canonized as a feminist manifesto, due to the fact that Dorothy Arzner was the director and because of Maureen O'Hara's climactic burlesque-house speech, in which she lambastes the male spectators for their puerile chauvinism. It should be noted, however, that Arzner became director only after Roy Del Ruth pulled out of the project. Uncertain how to promote the film, RKO Radio elected to sneak it into its first-run houses without fanfare, and the result was a $400,000 loss for the studio. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, Louis Hayward, (more)
- 1939
James Cagney stars in the humorous Western The Oklahoma Kid, set during the land rush of 1893. John Kincaid (Hugh Sothern) and his son, Ned (Harvey Stephens), try to settle on a plot of land, but they are met by the villainous Whip McCord (Humphrey Bogart) and his band of miscreants. McCord runs a saloon and ends up turning the town of Tulsa into a haven of gambling and drinking. Wanting to clean up the town, John runs for mayor and Ned runs for sheriff. McCord doesn't want to lose his power, so he has John framed, jailed, and eventually lynched. Soon, Jim Kincaid (James Cagney) shows up in town and joins his brother Ned in seeking revenge for his father's murder. They stage a big shoot-out in McCord's saloon in order to bring him to justice. Also starring Rosemary Lane as Ned's girlfriend Jane, the daughter of the good Judge Hardwick (Donald Crisp). This movie features James Cagney singing the tunes "Rockabye Baby" and "I Don't Want to Play in Your Yard." ~ Andrea LeVasseur, All Movie Guide
- Starring:
- James Cagney, Humphrey Bogart, (more)
Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, All Movie Guide
- Starring:
- James Cagney, Humphrey Bogart, (more)
- 1939
Through a miscarriage of justice, John Ingram (Edward G. Robinson) is convicted of a crime he did not commit and sentenced to a long stretch on a chain gang in the deep South. In time, Ingram flees to Oklahoma, where he makes a living fighting oil fires under an assumed name. Several years later, he has a successful business, a loving wife (Ruth Hussey), and a child. But he still lives in fear that his secret will be revealed, and one day he's visited by William Ramey (Gene Lockhart). Ramey admits that he committed the crime for which Ingram was convicted; he proposes that they meet with the authorities together, and Ramey will sign a confession that will clear Ingram's name. But Ramey instead double-crosses Ingram, putting him back on the chain gang while Ramey lays claim to his business. Before long, Ingram learns that his wife and child are nearly broke thanks to Ramey's gutting of his once-thriving business, and he decides that he must once again escape if he is to protect the safety of his family. Blackmail marked one of Edward G. Robinson's first "good guy" roles after making his name in a series of gangster epics; a year later, he would be starring in prestigious biopics, such as Dr. Ehrlich's Magic Bullet and A Dispatch From Reuters. ~ Mark Deming, All Movie Guide
- Starring:
- Edward G. Robinson, Ruth Hussey, (more)
- 1937
Is it any surprise that hoydenish child star Jane Withers plays the title role in The Holy Terror? This time she plays Corky Wallace the irrepressible daughter of Naval Air Service Lt. Commander Wallace (John Eldredge), spending her spare time staging all-aviator musical shows. One of these entertainments takes place in a café which, unbeknownst to our heroine, serves as a rendezvous for a gang of foreign spies. The villains provoke a brawl with the servicemen, in hopes of getting the café closed down so that they can conduct their sinister activities in secret. But Withers gets wise to their scheme, and with the help of her aviator pals she literally smashes the spy ring once and for all. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Withers, Tony Martin, (more)
- 1937
In this adaptation of the operetta by Rudolf Friml, secret agent Nina Maria Azara (Jeannette MacDonald) is working undercover for the King of Spain as a singer known as the "Mosca del Fuego" or "Firefly." Her mission is to uncover Napoleon's plot to invade Spain before it is too late. This film features a variety of songs including "Donkey Serenade," "Love Is Like a Firefly," " and "When a Maid Comes Knocking At Your Heart." ~ Iotis Erlewine, All Movie Guide
- Starring:
- Jeanette MacDonald, Allan Jones, (more)
- 1935
MGM regularly churned out films in the 1930s that were all "star power" and very little plot. No More Ladies is a good example of this. Joan Crawford marries bon vivant Robert Montgomery, hoping to mend his wastrel ways. Montgomery refuses to assumes the proper responsibilities of a husband, so Crawford tries to make him jealous by taking up with Franchot Tone. Everyone involved has limitless money, beautiful clothes and all the time in the world to spend on the trivialities of the plotline. Depression era audiences loved to see good-looking people in sumptuous sets, so No More Ladies was a success. The fact that, when asked, these audiences couldn't remember a single thing about the story was beside the point. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Robert Montgomery, (more)
- 1935
Kay Francis stars as Stella Parish, a London stage favorite who suddenly disappears without a trace. British news correspondent Keith Lockridge (Ian Hunter) girdles the globe in search of Stella, who has left her beloved daughter Gloria (Sybil Jason) in the care of an aunt (Jessie Ralph). Finally locating his quarry, Lockridge learns that Stella dropped from view to hide the fact that she once served a jail sentence as an accessory to murder. He promises to kill the story for Gloria's sake, but his dispatch is inadvertently published away, forcing Stella into a tawdry career as a "freak" stage attraction (not unlike Evelyn Nesbit Shaw). After hitting rock-bottom in a burlesque show, Stella is rescued by her old director Stephan Norman (Paul Lukas), who invites her to revive the show she was starring in at the time of her disappearance. Little does she know that this comeback has been arranged by Lockridge, who hopes to atone for betraying her trust. All roads lead to a tear-stained reunion between Stella and her daughter, a denouement as inevitable as death and taxes. For years, it was believed that Errol Flynn played an unbilled bit in I Found Stella Parish, but a researcher in the late 1960s discovered that the Flynn look-alike was actually Francis X. Bushman Jr. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, Ian Hunter, (more)
- 1935
Clearly inspired by the success of Goldwyn's Barbary Coast, Warner Bros.' The Frisco Kid stars James Cagney as turn-of-the-century opportunist Bat Morgan. Heading to the gold fields of California, Bat is almost shanghaied in San Francisco but manages not only to escape his would-be captors but also to kill the infamous crime lord Shanghai Duck (Fred Kohler Sr.). The grateful citizens enable Bat to rise to wealth and power on the Barbary Coast. But he's less lucky in love, and it is his seemingly hopeless fascination with Nob Hill debutante Jean Barrat (Margaret Lindsay) that may well bring about Bat's downfall. The film is a festival of cliches, occasionally enlivened by barroom brawls and rowdy musical numbers. Featured as extras in Frisco Kid were several stars and directors of the silent era, a "generous" gesture made by Warner Bros. partly to stave off the inevitability of unionized actors. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Margaret Lindsay, (more)
- 1934
British Agent starred the Hungarian/British actor Leslie Howard in the title role, was directed by full-fledged Hungarian Michael Curtiz, and costarred American leading lady Kay Francis as a Russian spy. Based on the memoirs of R. H. Bruce Lockhart, who had been the unofficial British emissary to the Russian Revolutionary government in 1917, British Agent spends more time on its romantic subplot than in recreating the birth of Bolshevism. Leslie Howard's purpose in this film is to dissuade the Bolsheviks from signing a separate treaty with the World War I German regime. It is obvious to modern-day viewers that Howard is merely looking after Britain's interests and has no concern for the Russians; this was par for the course in a 1930s film, but does not play well with less jingoistic audiences of the 1990s. The most interesting aspect of British Agent is the performance of saturnine Irving Pichel as a young Josef Stalin. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Howard, Kay Francis, (more)
- 1934
Carole Lombard's only MGM film, The Gay Bride has been cited by some as a precursor to 1988's Married to the Mob -- only without the laughs. Adapted by the usually reliable Samuel and Bella Spewack from Charles Francis Coe's magazine story Repeal, the film charts the misadventures of gold-digging chorine Mary (Lombard), who marries powerful bootlegger Shoots Magis (Nat Pendleton) so that she can live in the lap of luxury -- only to suffer a major disappointment when Prohibition is repealed. After a few amusing episodes with the deadly but basically likeable Magis, he's unexpectedly bumped off by gangster Dingle (Sam Hardy). Mary takes this in stride and moves in on Dingle, whereupon he's killed by mob boss Mickey (Leo Carrillo) -- so guess whom Mary snuggles up to next. Handsome "Office Boy" (Chester Morris), Magis' former chauffeur/bodyguard, continues carrying a torch for Mary throughout the picture, undoubtedly hoping that all of his rivals will eventually kill each other off. Wavering uncertainly between screwball comedy and gangster melodrama, The Gay Bride was met with indifference by the public -- and by its studio, which virtually threw the picture away. In later years, Carole Lombard tagged the film as her worst; it's not that by any means, but it's a far distance from her best. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Chester Morris, (more)
- 1934
- NR
Notorious as the movie that gangster John Dillinger attended on the night he was killed, Manhattan Melodrama has weathered the years as one of MGM's finest examples of pure storytelling. The pageant-like story begins in 1904, when the excursion steamer "General Slocum" blows up and burns in the East River. Two young boys are orphaned by the disaster. They are adopted by a kindly Jewish businessman (Harry Green) who has lost his own children. Years later, when he is killed during a anarchist rally, the boys are separated once more. They grow up to be straight-arrow attorney Jim Wade (William Powell) and big-time gambler Blackie Gallagher (Clark Gable). Though the two men still like and respect one another, they are now on opposite sides of the legal fence. The professional rivalry becomes personal when Jim marries Blackie's ex-mistress Eleanor (Myrna Loy). The typically stellar MGM supporting cast includes Nat Pendleton as Blackie's faithful stooge, Isabel Jewell as his addled girlfriend, Mickey Rooney as the younger Blackie (a marvelous piece of mimicry here), and blonde singer Shirley Ross, here appearing in blackface in a Harlem nightclub sequence, singing a new Richard Rodgers and Lorenz Hart tune that would later gain popularity (with different lyrics) as "Blue Moon." ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, William Powell, (more)
- 1932
Blessed Event is one of several early-1930s films inspired by the meteoric rise to fame of gossip columnist Walter Winchell--and like most such films, its title is based on a Winchell tag line. Lee Tracy plays a glib-tongued reporter who is conducting a feud with popular singer Dick Powell (making his film debut). Along the way, Tracy offends a powerful gangster, and in so doing becomes entangled with chorus girl Mary Brian. The film is at its best when parodying commercial radio of the era (notably an inane jingle for "Shapiro Shoes" warbled by Dick Powell). The original Broadway stage version of Blessed Event was written by Manuel Seff and Forrest Wilson--and reportedly inspired by the career of Ruby Keeler, who rose to stardom thanks in part to the patronage of a New York mobster. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee Tracy, Mary Brian, (more)
- 1930
"Sweet Mamma," a phrase popularized in the Barney Google comic strip, referred to a pretty girl, usually blonde, who attached herself to whatever "sugar daddy" happened to be available. In this instance, Alice White is the "Mamma" of the title, a tootsie named Goldie. Basically good at heart, Goldie falls into bad company when she begins singing in a gangster-controlled nightclub. She survives long enough to go off hand-in-hand with her true love, honest Jimmy (David Manners), and to prove to the audience that most of the gangsters (in this picture, anyway) aren't such tough eggs after all. The use of "natural sound" in the exterior sequences becomes intrusive at times, especially when Jimmy is taken for a ride by the villains in the climax. ~ Hal Erickson, All Movie Guide
- Starring:
- Alice White, David Manners, (more)
- 1930
In his next-to-last film, silent-screen favorite Milton Sills stars as a tough but good-natured Manhattan bootlegger. Saving the life of aspiring singer Dorothy Mackaill, Sills gives her a job in his nightclub. She's grateful for the break, but she can't fall in love with Sills, since her heart belongs to newspaperman Kenneth MacKenna. Any other hoodlum would put the reporter "on the spot," but Sills shows he's a right guy by giving his blessings to the couple. Though supposedly too old for the heroine, the 47-year-old Milton Sills looks far more handsome and virile than the antiseptic Kenneth MacKenna (and he's a better actor to boot!) Man Trouble was based on "A Very Practical Joke," a short story by Ben Ames Williams. ~ Hal Erickson, All Movie Guide
- Starring:
- Milton Sills, Dorothy Mackaill, (more)
- 1930
Big Boy may well be the closest a modern audience will ever come to seeing what a genuine Al Jolson Broadway musical looked like. Based on his 1925 stage hit, the film casts Jolson in the blackface role of Gus, a stableboy at a moss-covered Southern plantation. Gus' favorite horse is the magnificent Big Boy, whom he hopes to ride to victory at the Kentucky Derby. Through a misunderstanding, Gus is fired from his job, but he manages to make his way to Louisville during Derby week by working as a singing waiter. Against all odds, our hero manages to win the Big Race -- at which point the scene fades to a "curtain call" on a Warner Bros. soundstage, with Jolson, minus makeup and out of character, cheerfully introducing the supporting cast and offering to sing few encores for the benefit of the spectators. To say the least, Big Boy is a bizarre experience, but the film is not without its charms. The best moments include a lengthy Civil War flashback in which Gus's grandfather (Jolson again) outwits an outrageously bigoted Simon Legree type (Noah Beery Sr.), and the closing musical number in which Jolson waxes nostalgic over Sunday dinner with his family: "And I see on the kitchen table a ham -- a beautiful ham --.Ha! That ain't my house!" ~ Hal Erickson, All Movie Guide
- Starring:
- Al Jolson, Claudia Dell, (more)
