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Marc Sotkin Movies

1985  
 
An hour-long TV special, The Garry Shandling Show 25th Anniversary Special is a parody of late-night talk show anniversary specials, featuring a fictional variety show, hosted by Shandling, that bears a rather striking resemblance to the Johnny Carson era of The Tonight Show. Assisted by a pudgy, bespectacled sidekick, Shandling looks back on the highlights of his late-night show's run, from the classic comedy sketches to the greatest embarrassments and bloopers, including a close call clearly modeled after the infamous Ed Ames tomahawk incident. Over the course of the evening, not everything goes as planned, and a few tensions begin to bubble underneath the surface. The flashback segments are designed to closely resemble the look of television of the appropriate era, from the quality of the video image to the wardrobes and hairstyles. Given its realistic re-creation of late-night talk shows and its occasionally wicked sense of humor, this special can be easily viewed as an early forerunner to Shandling's later, award-winning HBO series, The Larry Sanders Show, which combines the talk show parody with a look at the personality conflicts and chaos behind the cameras. ~ Judd Blaise, Rovi

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1985  
 
Defying the TV-industry "rules" that A) no viewer is interested in watching a situation comedy with an all-female cast and B) no viewer wants to see anybody over the age of 34, The Golden Girls was one of the few sitcoms in which all of the regulars were women, and none was under the age of 50 -- and it turned out be NBC's biggest hit of the 1985-1986 season. Set in a small Miami neighborhood, the series starred Bea Arthur as divorced substitute teacher Dorothy Zbornak; Betty White as naïve, impressionable, ingenuous widowed grief counselor Rose Nylund; Rue McClanahan as museum worker Blanche Devereaux, another widow, but hardly naïve -- in fact, sex was the foremost thought in her mind at all times; and Estelle Getty as Dorothy's octogenarian mother, Sophia Petrillo, who had lost all her "tact cells" after a stroke and thus spoke her mind at all times, much to everyone's embarrassment. Blanche owned the house that she shared with Rose and Dorothy, with Sophia moving in on the trio after her retirement home burned down (a conflagration which, it was revealed late in the series, she had a hand in!). From time to time, the four roommates were visited by various relatives and offspring, none of whom could be called regulars (in fact, few of these peripheral characters were ever played by the same actors more than once). Seen on a more frequent basis were Dorothy's ne'er-do-well former husband, Stan (Herb Edelman), who, even though he'd dumped her for a much younger woman, constantly appeared on Dorothy's doorstep to cry on her shoulder or try to get her involved in his latest get-rich-quick scheme; and Rose's erstwhile boyfriend Miles Webber (Harold Gould), a well-meaning nebbish who turned out to be a former Mob accountant living in the Witness Relocation Program! The series ended with a hour-long episode in which Dorothy married Blanche's uncle Lucas (Leslie Nielsen), obliging the roommates to seek out new domiciles. Created by Susan Harris of Soap fame, The Golden Girls debuted September 14, 1985, and ended its NBC run on May 9, 1992; the Emmy-winning series ranked among America's ten most popular programs in every season but its last. Golden Girls also spawned two spin-offs: Empty Nest and The Golden Palace. ~ Hal Erickson, Rovi

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1983  
 
Laverne's new boyfriend (Larry Breeding) makes his living as a glamour photographer. Jealous over the fact that her beau spends all his working hours with gorgeous models, Laverne (Penny Marshall) tries to invade the glamour world herself--and ends up strutting down the runway of a major fashion show with a balky "Liberty Bell" hat on her head! This episode was dedicated to guest star Larry Breeding, who had died in an auto accident several months before the episode's first telecast. ~ Hal Erickson, Rovi

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1982  
 
Inspired by the example of neighbor Rhonda (Leslie Easterbrook, Laverne (Penny Marshall) and Shirley (Cindy Williams) head to a ski resort in hopes of attracting new boyfriends. What follows is a veritable symphony of slapstick mayhem, culminating with the girls being stranded on a high ski lift. Then there's the climactic rescue scene, which ranks as one of the series' funniest moments (who knew that mouth-to-mouth resuscitation could be so much fun?) ~ Hal Erickson, Rovi

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1978  
 
Hoping to become a medical assistant, Shirley (Cindy Williams) begins attending night school--and wherever Shirley goes, Laverne (Penny Marshall) must follow whether she wants to or not. Once in class, the girls are at the mercy of militaristic German professor Wilner, played by the immortal Hans Conried. But the fun doesn't really begins until our heroines desperately try to reassemble a skeleton that Shirley has accidentally broken. ~ Hal Erickson, Rovi

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1978  
 
Hoping to enliven her moribund social life, Laverne goes out on a date with a tough guy named Jake (Larry Bishop), who as the leader of the Purple Fiends motorcycle gang enjoys a "dangerous" reputation. Unfortunately, Jake lives up to that reputation by staging a robbery in the middle of the date. Will Laverne be able to escape, or is she doomed to a bleak future as Jake's "old lady"? ~ Hal Erickson, Rovi

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1978  
 
In the conclusion of Laverne and Shirley's two-part Season Four opener (originally telecast as a single hour-long special), the gang is still in New York, there to visit Frank's mother (Penny Santon) and to attend an Italian-American festival. The fun and games resume when Frank enters a greased-pole contest in hopes of winning his mother a vacation to her native Italy. Meanwhile, Laverne (Penny Marshall) has a fling with a handsome "local" (John Lansing). Marc Sotkin, who cowrote this episode, appears as one of the contest judges. ~ Hal Erickson, Rovi

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1978  
 
This episode is set in "the future"--not only the future as it relates to the year the episode was filmed (1978), but also in relation to the year in which it takes place (1960). In a dream, Laverne (Penny Marshall) sees herself and Shirley (Cindy Williams) when they're in their eighties--still unmarried, still roommates. Desperate to march down the marital aisle before it's too late, our octogenarian heroines accept the proposals of the equally decrepit Lenny (Michael McKean and Squiggy (David L. Lander). ~ Hal Erickson, Rovi

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1978  
 
Entertaining dreams of overnight stardom, Laverne heads to Chicago to audition for a regional production of "West Side Story." Not surprisingly, the audition is less than stellar--and certainly far less memorable than the "specialty" act cooked up by another pair of budding thespians, Lenny (Michael McKean) and Squiggy (David L. Lander). Celebrated dancer-choreographer Toni Basil appears more or less as herself in this, the first Laverne & Shirley episode directed by Joel Zwick (My Big Fat Greek Wedding). Originally slated to air on November 28, 1978, "Chorus Line" was ultimately pushed forward to November 21. ~ Hal Erickson, Rovi

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1978  
 
Season Four of Laverne and Shirley gets under way with the first episode of a two-part story (originally telecast as a single hour-long special). Laverne (Penny Marshall) and Shirley (Cindy Williams) bid a temporary farewell to Milwaukee so they can accompany Frank (Phil Foster) and Edna (Betty Garrett) on a bus trip to New York. The purpose of the trip is twofold: to attend a lavish Italian festival, and to spend time with Frank's old-world mother (Penny Santon). While Grandma DeFazio is happy to see Frank, she is even happier to see tag-along Squiggy (David L. Lander), who adores Grandma's home-cooked spaghetti. ~ Hal Erickson, Rovi

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1977  
 
For the sake of charity, Laverne (Penny Marshall) agrees to participate in a female tag-team wrestling match. When Laverne's partner pulls up injured, Shirley (Cindy Williams) is coaxed into the ring, terrified at the prospect. And with good reason: The girls' opponents turn out to be a musclebound amazon whom they had earlier insulted during a traffic altercation. Making her first appearance as Terry Buttafucco is Judy Pioli, who as Judy Pioli Ervin also wrote several of the series' best scripts. ~ Hal Erickson, Rovi

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1977  
 
As the last minutes of 1959 tick away and Milwaukee prepares to ring in 1960, it looks as though New Year's Eve will hardly be an occasion for celebration in the household of Laverne (Penny Marshall) and Shirley (Cindy Williams). Not only is Shirley suffering from a miserable cold, but Laverne has been stood up by her date. But things liven up a bit thanks to the efforts by Lenny (Michael McKean) to acknowledge the New Year by performing a "human fly" act--and he's just the insect who can do it! This episode is also known as "New Years Eve 1959". ~ Hal Erickson, Rovi

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1977  
 
Laid off from the brewery, Laverne (Penny Marshall) and Shirley (Cindy Williams) go to work for an ambitious florist. When next we see our heroines, they are attempting to peddle garden plants door to door. If the actor playing "Rudy" sounds familiar, that's because he is Ralph James, best known as the booming (but never-seen) voice of the otherworldly Orson on Mork and Mindy. ~ Hal Erickson, Rovi

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