Harry Harvey Movies

In this WW II-era drama set in a small town, most of the adults are so busy fighting the war or working in the local defense plant that they have little time to supervise their children. A sort of juvenile anarchy ensues with the children and teens doing whatever they please. Soon the town is falling into ruin as a boy is run down by a car thief, a runaway girl begins associating with thugs and other mayhem ensues. Fortunately, a returning soldier decides to open up a youth center to give the kids a place to go. He also helps the boys get some useful job training. ~ Sandra Brennan, All Movie Guide

In this tuneful comedy, a would-be actor and playwright is deeply in debt, and to keep away from his creditors, begins pretending to be his aged uncle. Unfortunately he ends up getting hit by a limousine. The rich woman inside takes the wounded "codger" home to her manhungry old aunt. The actor uses the old woman's desire to con her into financing his "nephew's" play. Things are going well until the actor's real uncle appears. Mayhem and a double wedding ensue. Songs include: "St. Louis Blues" (W.C. Handy, sung by the Delta Rhythm Boys), "Don't Get Around Much Anymore" (Duke Ellington, Bob Russell, sung by the Delta Rhythm Boys), "Liza" (George Gershwin, sung by the Tailor Maids), "That's the Way It Goes" (Milton Rosen, Everett Carter, sung by Mary O'Brien), "You're Driving Me Crazy" (sung by Jan Garber and his Orchestra), "Dark Eyes" (sung by Mary O'Brien, with Jack Teagarden and His Orchestra). Other songs were penned by Walter Donaldson and W.C. Handy. ~ Sandra Brennan, All Movie Guide

After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen. ~ Hal Erickson, All Movie Guide

"It's box office poison," producer Samuel Goldwyn is said to have exclaimed when he heard the idea of filming the life story of fabled first baseman Lou Gehrig. "If people want baseball, they go to the ballpark!" The story begins before World War I, when young Lou Gehrig (played as a boy by Douglas Croft) begins dreaming of becoming a professional ballplayer. Lou's immigrant parents (Elsa Jansen and Ludwig Stossel) insist that the boy attend Columbia University to become an engineer. While in college, Lou (played as a man by Gary Cooper) becomes a star athlete, and, with the help of sports journalist Sam Blake (Walter Brennan), he is signed by the New York Yankees and joins their big-league lineup in 1925; real-life Yanks Babe Ruth, Bill Dickey, Bob Meusel and Mark Koenig play themselves. He also meets and falls in love with Eleanor Twitchell (Teresa Wright) (an event that actually happened in 1933) and earns the nickname "The Iron Man of Baseball" because he never misses a game. In 1939, Lou discovers that he has a fatal neurological disease called amytrophic lateral sclerosis (now known, of course, as "Lou Gehrig's Disease"). On July 4, 1939, an emotional Lou Gehrig, a scant two years away from death, bids farewell to 62,000 of his fans and friends at Yankee Stadium. Allowing that he might have been given a bad break, he concludes his speech with "Today, I consider myself the luckiest man on the face of the earth." Deftly weaving basic facts with yards and yards of fancy, screenwriters Jo Swerling and Herman J. Mankiewicz serve up one of the most entertaining and inspiring baseball biopics. A more accurate but less dramatic adaptation of the same story, A Love Affair: The Eleanor & Lou Gehrig Story, was produced for television in 1977. ~ Hal Erickson, All Movie Guide

This raucous series entry reunites Lupe Velez as Carmelita (aka "The Mexican Spitfire") and Leon Errol as Uncle Matt, with Walter Reed taking over from Charles "Buddy" Rogers as Carmelita's staid American husband Dennis Lindsay. The titular elephant is a tiny glass figurine, brought back from a trip abroad by Uncle Matt. On board a luxury liner heading to New York, jewel smugglers Ready (Lyle Talbot) and Diana (Marion Martin) hide a valuable gem in the miniature elephant, for the purpose of avoiding the customs inspectors. Upon arriving home, Uncle Matt misplaces the pint-sized pachyderm, causing no end of headaches for Carmelita and Dennis. The ensuing confusion requires Carmelita to march a live, regulation-sized elephant into a nightclub, and obliges Uncle Matt to once again disguise himself as his British lookalike Lord Epping. One could never confuse the "Mexican Spitfire" series with True Art, but the films were admittedly a lot of harmless fun. ~ Hal Erickson, All Movie Guide

The sequel to Columbia's 1938 hit The Spider's Web, this typical war-time serial again starred the stalwart Warren Hull as the crime-fighting Richard Wentworth alias The Spider and Blinky McQuade, and Kenne Duncan as Ram Singh, the hero's turban clad gentleman's gentleman. This time, the masked crusader takes on a gang of saboteurs led by The Gargoyle (Corbet Harris. Former slapstick expert James W. Horne had fun with his rather clicheed characters, creating a somewhat lighter serial atmosphere than usual. On the deficit side: The Spider's Web's irrepressible heroine Iris Meredith was replaced with the less stellar Mary Ainslee, a refugee from the studio's short subject department. Created by the fertile mind of war correspondent Norvell Page, writing under the pen-name of "Grant Stockbridge," "The Spider" had first appeared in the pages of pulp magazines back in 1933 and was commonly considered an imitation of Walter P. Gibson's famous radio character "The Shadow." ~ Hans J. Wollstein, All Movie Guide

A mystery man works behind the scenes in this tuneful Roy Rogers western in which the local theatre owner attempts to ruin the honest businessmen of Deadwood. Even the sheriff, Jordan (Monte Blue), answers to nasty Jake Marvel (Ralf Harolde), whose reign of terror forces the decent people to become outlaws themselves. Enter Bill Brady, aka Brett Starr (Rogers), a sharpshooter with Professor Mortimer "Gabby" Blackstone's (George "Gabby" Hayes) traveling medicine show. Although a fugitive from justice, Bill comes to the aid of the beleaguered citizens, discovering along the way that a trusted friend isn't quite who he claims to be. Roy sings his own and Fred Rose's "Sundown on the Rangeland", Rose and Ray Whitley's "The call of the Dusty Trail" and Jule Styne and Sol Meyer's "Joe O'Grady". ~ Hans J. Wollstein, All Movie Guide

Tim Holt is mistaken for a notorious gunslinger in this average Western, which RKO filmed at Kanab, UT, in tandem with the star's previous effort, the much better Wagon Train. Believed by everyone to be Deuce Mallory, a gunman hired to kill local prospector Caleb Winters (Paul Scardon), The Fargo Kid (Holt) decides to play out the charade in order to trap Nick Kane (Cy Kendall), the corrupt businessman who had ordered the hit in the first place. Things get a bit dicey when the real Deuce Mallory (Paul Fix) rides into town but aided by sidekicks Johnny (Ray Whitley) and Whopper (Emmett Lynn), The Kid manages to prevent the murder, and, in return, earns the love and respect from everyone, including the prospector's pretty daughter, Jennie (Jane Drummond). Ray Whitley performs his own and Fred Rose's "Crazy Ole Trails Ahead" and "Twilight on the Prairie" in this remake of the 1932 Tom Keene oater The Cheyenne Kid, which itself was a talkie version of a 1928 Bob Steele silent, Man in the Rough. ~ Hans J. Wollstein, All Movie Guide

In this action film, an officer is thrown off the force by his father the chief of police. The bitter ex-cop then joins a racketeering operation. The ring leader assigns him to drive a truck-load of armed hoods to ambush his father. Unbeknownst to the crooks, the ex-cop is still active on the force. The whole affair was a ruse to capture them. The brave cop succeeds in warning his peers of the ambush and the bad-guys die in a hail of bullets. ~ Sandra Brennan, All Movie Guide

Although produced in mid 1939, this, the last starring Western of former opera baritone Fred Scott, did not find a release until the following year when it was sold outright on the states rights market. Scott starred as Fred Martin, a U.S. Marshal tracking a gang of cattle rustlers. Overhearing the foreman of the Lazy B (Jack Ingram) conspiring with the rustlers, Fred dons the disguise of a singing troubadour -- enabling screenwriter Phil Dunham to throw in a couple of sagebrush ballads. In his troubadour disguise, Fred follows the foreman to a clandestine meeting with his boss who, to no one's great surprise, turns out to be supposedly law abiding rancher Pa Bailey (John Ward). The gang is quickly rounded up and Fred can warble Ridin' the Trail to leading lady Iris Lancaster. Fred Scott's thirteen Western starring career ended with Ridin' the Trail and the demise of its producer, Spectrum Pictures. "The Silvery-Voiced Baritone," as he was often billed, did a couple of supporting roles before leaving films altogether in favor of real estate. ~ Hans J. Wollstein, All Movie Guide

The story goes that such stars as Fred MacMurray, Jack Oakie and Burns & Allen had turned down The Road to Singapore before the leading roles went to Bing Crosby and Bob Hope. More conventionally structured than future "Road" efforts, the film casts Crosby as Josh Mallon, the irresponsible son of shipping magnate Joshua Mallon IV (Charles Coburn). Though the elder Mallon wants his son to enter the family business and marry longtime fiancee Gloria Wycott (Judith Barrett), Josh would rather pal around with his carefree sailor buddy Ace Lannigan (Bob Hope). On the eve of his wedding, Josh escapes with Ace to Singapore, where the two of them cook up a get-rich-quick scheme involving a highly unreliable spot remover. The boys' friendship is strained when they both fall in love with cabaret dancer Mima (Dorothy Lamour), who is on the lam from her jealous partner Caesar (Anthony Quinn). Hiding out from the authorities, the three protagonists wind up in the midst of a native ceremony, where Ace and Mima rescue Josh from a hasty marriage to a local temptress. When Gloria shows up to drag Josh back to the altar, Mima nobly gives him up, pretending to be in love with Ace. Eventually, however, big-hearted Ace realizes that Mima belongs with Josh, and thus concocts another scheme to lure his pal back to the Far East. Though many of the earmarks of the "Road" series are evident in Road to Singapore (the "patty-cake" bit, the presence of such guest stars as Hope's radio stooge Jerry Colonna, etc.), the film lacks the spontaneous quality of the later Hope-Crosby-Lamour starrers. Even so, it's an awful lot of fun, especially when Bob and Bing team up on the novelty number "Captain Custard" and Dorothy croons her requisite "moon and stars" romantic ballads. ~ Hal Erickson, All Movie Guide

In this drama, a test pilot plies his trade on a prototype medical plane. Unfortunately, when the craft is stolen, he becomes the prime suspect and is grounded. Fortunately, a female flying ace convinces her brother to employ him. Later it is revealed that the brother leads a gang of plane thieves. They take the stolen birds, including the medical plane, and sell them to other countries. To get the crook to confess, the test pilot kidnaps the thief's beloved sister. The ploy works and the purloined plane is returned, the test pilot resumes his old job, and he and the girl fall in love. ~ Sandra Brennan, All Movie Guide

The first of eight Tim McCoy Westerns for ultra low-budget Producers' Distributing Corp./Producers Releasing Corp., Texas Renegades features the veteran star as "Silent" Tim Smith, "the greatest lawman of them all." When the good folks of Rawhide find themselves terrorized by a mysterious gang of outlaws, leading citizen Jim Bates (Lee Prather) suggests the forming of a vigilante committee. Bates, however, is opposed by pretty rancher Ruth Brand (Nora Lane) and her foreman, Bill Willis (Kenne Duncan), who secretly sends for Silent and his sidekick, Noisy (Harry Harvey). Hoping to reveal the identity of the brain behind the terror, Silent arrives in the disguise of Lefty Higgins, a notorious outlaw, but things get complicated when the real Higgins (Earl Gunn) suddenly shows up. His cover blown, Silent has a hard time convincing Ruth of his true intentions, but manages in the end to unmask Bates as the secret leader of the outlaws. ~ Hans J. Wollstein, All Movie Guide