Harry Harvey Movies

The Narrow Margin is generally considered a "model" B picture; some film buffs go farther than that, labelling this 1952 RKO suspenser as the best low-budget studio production ever made. Nail-hard detective Walter Brown (Charles McGraw) is assigned to protect gangster's widow Mrs. Neall (Marie Windsor) as she rides the train from Chicago to LA, en route to testifying at a grand jury. There's no love lost between the ill-tempered Neall and Brown, especially since Brown's partner (Don Beddoe) was killed by mobsters while shielding Neall from harm. On the train, Brown makes the acquaintance of a likeable woman (Jacqueline White) and her playful young son. He also comes in contact with a rather secretive fat man (Paul Maxey), who may well be a mob assassin. Not long before the train pulls into California, Brown is approached by small-time crook (Peter Brocco), who offers the detective a great deal of money if he'll permit Neall to be silenced. Brown appears to be tempted, but this is only a smokescreen to throw the crooks off the trail. The Narrow Margin was remade (and unnecessarily padded and attenuated) in 1990. ~ Hal Erickson, All Movie Guide

This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, All Movie Guide

Having supped full of success with the multi-storied O. Henry's Full House, 20th Century-Fox assembled another all-star "omnibus" film, We're Not Married. The unifying factor of this enjoyable seriocomedy is provided by justice-of-the-peace Melvin Bush (Victor Moore), who learns to his horror that his license is invalid. Bush and his wife (Jane Darwell) feverishly track down the five couples whom he has married "illegally" to inform them of the fact and invite them to renew their vows. Couple #1 is Fred Allen and Ginger Rogers, a husband-and-wife radio team whose huggy-kissy behavior on the air conceals the fact that they'd dearly love to cut each other's throats. Couple #2 consists of David Wayne and his contest-happy spouse Marilyn Monroe, who's just won the "Mrs. Mississippi" pageant. Couple #3, Paul Douglas and Eve Arden, ran out of things to say to each other long ago. Couple #4 is millionaire Louis Calhern and his avaricious young bride Eva Gabor, who intends to jilt the old coot and make off with his millions. And Couple #5 is young GI Eddie Bracken and his pregnant wife Mitzi Gaynor. When Bush delivers the news that these unions aren't legal in the eyes of the state, the results range from poignant to hilarious: particularly satisfying is Calhern's puckish revenge on his gold-digging wife. And yes, that is Lee Marvin as Eddie Bracken's army buddy. ~ Hal Erickson, All Movie Guide

Ma and Pa Kettle at the Fair was Number Four in Universal's immensely successful "B"-picture series. It is giving away nothing to reveal that Marjorie Main and Percy Kilbride once more assume the title roles. The plot is motivated by Ma's desire to send daughter Rosie (Lori Nelson) to college. To that end, she intends to win a big cash prize at the upcoming county fair. Meanwhile, Pa uses his half of the winnings (which no one, as yet, has really won!) to purchase a race horse. When Mafails to win the money, the Kettles are forced to rely on the horse to save the day during a sweepstakes race. Towards the end of Ma and Pa Kettle at the Fair, a close-up of the racing statistics sheet is shown, revealing that one of the owners is "Quinn Martin"--a cute inside joke, inasmuch as Mr. Martin was a prolific scriptwriter and a friend of Ma and Pa Kettle producer Leonard Goldstein. ~ Hal Erickson, All Movie Guide

The title character (Paul Douglas) is a pro football player of the early 1940s at the end of his career. Douglas is offered a coaching job, but he stubbornly turns it down in hopes of making a comeback. Day after day he sits in his den watching movies of his past gridiron triumph, much to the dismay of his wife (Joan Bennett). When she chews him out for living in the past, Douglas walks out and takes up with a younger woman (Linda Darnell). To prove that he's still in top shape, Douglas takes a job as a professional wrestler. His new girl friend, realizing that Douglas is miserable without his wife, conspires with the other woman to get Douglas back on his old team. The wartime need for warm bodies allows Douglas a few more years in football, but eventually he gets wise to himself and takes the coaching job. Ironically, Guy Who Came Back star Paul Douglas was in his youth an football pro who retired from active play to become a sports announcer. ~ Hal Erickson, All Movie Guide

Rex Allen, aka "The Arizona Cowboy," again stars as himself in Republic's Silver City Bonanza. Allen and his sidekick Gabe Horne (Buddy Ebsen) are hot on the trail of a murderer who has stabbed a blind man to death. Their chief witness is the victim's seeing-eye dog, who is a better actor than some of the human players. The finale is an exciting underwater set-to between Allen and the killer (whose identity will remain hidden for the benefit of those who haven't seen the picture). The teaming of Rex Allen and Buddy Ebsen proved successful, and the two actors would remain saddle pals until Ebsen was spelled by Slim Pickens in 1952. ~ Hal Erickson, All Movie Guide

The Rodeo King and the Senorita stars Rex Allen (playing himself); it shouldn't be necessary to indicate which of the title roles he plays. In this Republic sagebrusher, Allen tries to determine whether or not a fatal accident was truly accidental. The victim's preteen daughter is Juanita Morales (Bonnie De Simone), the titular Senorita who now legally owns the Wild West show which employs singing cowboy Allen. With the help of heroine Janet Wells (Mary Ellen Kay) and sidekick Muscles Benton (Buddy Ebsen), Allen discovers who was behind the death of Juanita's father, and why. With such powerhouse villains as Roy Barcroft and Tris Coffin in the cast, the mystery is over almost before it begins. ~ Hal Erickson, All Movie Guide

Billy Winder directed and co-wrote this bitterly satiric comedy-drama which turns a jaundiced eye towards both the news media and its consumers. Chuck Tatum (Kirk Douglas) is a talented but short-tempered reporter whose fondness for booze and unwillingness to bow to authority has cost him jobs at some of America's most prestigious newspapers. When Tatum's car breaks down in Albuquerque, New Mexico, Tatum persuades the editor of the local paper (Porter Hall) to give him a job until he can make enough to get his jalopy running and find a story that will put him back in the good graces of the Big City journals. After a year in Albuquerque, Tatum begins to wonder if a big scoop will ever cross his path, but when he's sent to Los Barios to cover the annual rattlesnake hunt, he lucks into a great human interest story -- Leo Minosa (Richard Benedict), who runs a local diner, motel and curio emporium, is caught in an abandoned mine shaft after a rockslide, which some superstitious locals attribute to an Indian curse. Tatum writes up the story with all the flourish he can muster, and portrays Leo's wife Lorraine (Jan Sterling) as a devoted spouse fearful for her husband's life, even though she can barely stand Leo and is planning to leave him. Tatum's story is picked up by the wire services and he makes friends with local sheriff Kretzer (Ray Teal) to insure he has an inside line on updates on Leo's rescue. When Tatum learns that Leo can be freed in a mere twelve hours, he persuades Kretzer and his men to adopt another rescue method that will take several days, which will generate more copy for Tatum, more press attention for Ketzer's re-election campaign, and more business for Lorraine's diner. Soon Los Barios is the biggest tourist attraction in the state, but as the media circus mounts, Leo begins to fall seriously ill. Also released as The Big Carnival, Ace In The Hole was a major box-office disappointment upon its original release in 1951, even though it was sandwiched between two of Wilder's biggest hits, Sunset Boulevard and Stalag 17. Despite never being released in home video until 2007, Ace In The Hole's bitter tone earned it an enthusiastic cult following, and it's now regarded as one of Wilder's best films of the Fifties. ~ Mark Deming, All Movie Guide

Hills of Utah casts Gene Autry as a frontier doctor with a predilection for singing. A recent med-school graduate, Autry sets up practice in the midst of a long-standing feud between cattlemen and miners. While patching up the participants of the feud, Gene searches every nook and cranny for the man who murdered his father. Along the way, our hero is himself wrongly accused of murder, but of course the actual culprit is the same villain he's been looking for. Autry's usual leading lady Gail Davis must have been busy elsewhere, inasmuch as Elaine Riley fulfills the heroine duties this time out. For no real reason other than to satiate the demands of his fans, Gene Autry renders his top 10 hit "Peter Cottontail" halfway through the proceedings. ~ Hal Erickson, All Movie Guide

Let's Make It Legal begins at the end--the end of the long marriage between beautiful grandmother Miriam (Claudette Colbert) and her chronic-gambler husband Hugh (Macdonald Carey). Barbara (Barbara Bates), the daughter of the couple, hopes to bring her parents back together, which proves to be a difficult proposition when Miriam's old flame Victor (Zachary Scott), now a millionaire, arrives in town. Hugh tries all sorts of comic strategies to win his ex-wife back, but to no avail. Ultimately, Miriam must choose between the financially solvent Victor and the impishly irresponsible Hugh. This being a comedy, it isn't hard to figure who's going to be headed to the altar at fade-out time. Let's Make It Legal was partly designed to showcase two of Fox's up-and-coming contract players: Robert Wagner and Marilyn Monroe. ~ Hal Erickson, All Movie Guide

Westerner Tim Holt and his sidekick Richard Martin are hired to act as border guards on the Rio Grande. This being a modern western (more or less), Holt is obliged to keep insurrectionists from smuggling machine guns into Mexico. The villainy this time around is in the grubby but formidable hands of Douglas Fowley and Tom Tyler; Cleo Moore, voluptuous leading lady of many a Hugo Haas "B" melodrama, is also around to rouse Holt's interest south of the border. A very modest western, Rio Grande Patrol has had its virtues blown all out of proportion by devotees of "cult" director Lesley Selander. ~ Hal Erickson, All Movie Guide

Convicted stars Glenn Ford as a hotheaded young man convicted of manslaughter. Broderick Crawford plays a sympathetic warden (formerly a tough DA) who tries to help Ford adjust to prison life, eventually giving the lad responsibilities in the warden's office. Ford witnesses the killing of a stoolie by another convict (Millard Mitchell), but adheres to the prison "code" and refuses to talk, even though it means he will be accused of the killing. Mortally wounded by a guard in a subsequent fracas, the real murderer confesses and Ford escapes the electric chair--into the arms of the warden's daughter (Dorothy Malone), with whom he has fallen in love. Convicted was the third film version of Martin Flavin's 1929 stage play The Criminal Code. ~ Hal Erickson, All Movie Guide

At first glance, Cow Town seems to be a documentary, as an unseen narrator describes the changes made in the Old West by the advent of barbed wire. Before long, however, the audience is assured that this will be a typical Gene Autry western. Autry plays a ranch owner who incurs the wrath of his neighbors by placing barbed wire around his turf. The local cowboys are certain that the new "invention" will mean the end of their jobs, since there will no longer be a need for ranch hands to keep the cattle from roaming free. Feeding into these fears is a group of "concerned citizens," who turn out to be a band of cattle rustlers. Autry manages to round up the baddies, smooth the ruffled feathers of the cowboys, and sing several old favorites. The supporting cast includes Gail Davis, who'd later star in the Autry-produced TV series Annie Oakley, and ace stunt men Jock Mahoney and Ted Mapes. ~ Hal Erickson, All Movie Guide