Harry Harvey Movies

Two men have been committing robberies throughout Los Angeles. Friday (Jack Webb) and Smith (Ben Alexander) have a single solid clue to go on: One of the bandits has huge feet--and he wears a pair of distinctively fancy cowboy boots. Joby Baker delivers another of his patented Dragnet portrayals as a young man with big problems. ~ Hal Erickson, All Movie Guide

The Sheepman was touted as a comedy by some of MGM's publicity people. It really isn't, but this western does have its lighthearted moments. Glenn Ford stars as a hard-bitten sheep farmer, running up against the opposition of cattle ranchers. Shirley MacLaine is a no-nonsense frontier girl who becomes the bone of contention between Ford and cattle baron Leslie Nielsen. Ford is able to get a leg-up in the community by humiliating Nielsen's top gun (Mickey Shaughnessy) in public. The range war comes to an end when Ford and Nielsen go one-to-one. Because The Sheepman didn't do well in its initial engagements, MGM reissued the picture under the more aggressive title The Stranger With a Gun. ~ Hal Erickson, All Movie Guide

A bizarre western that at times veers dangerously close to outright burlesque, Shoot-Out at Medicine Bend concluded Randolph Scott's long-term contract with Warner Bros. and sat on the shelf for nearly two years before being dumped on the double-bill market in 1957. Scott and two fellow cavalry officers (Gordon Jones and a very young James Garner) have their clothes stolen while skinny-dipping. Offered new apparel by a group of Quakers (or are they Mormons? It is never made quite clear), the threesome go on to prevent James Craig from supplying the territory with faulty guns and ammo. Dani Crayne (the wife of actor David Janssen at the time) seductively warbles {&"Kiss Me Quick") and a young Angie Dickinson lends further femininity to the proceedings. Much of this is strangely watchable, but as a western Shoot-Out at Medicine Bend can never make up its mind whether to play it straight or for comedy. Not too surprisingly, director Richard L. Bare had gotten his start helming the studio's "Joe McDoakes" comedy shorts in the 1940s. A final paradox: There is nary a shoot-out in the entire film. ~ Hans J. Wollstein, All Movie Guide

In this western, the ex-sheriff of Abilene returns from the Civil War a changed man. Traumatized by the horrors of war, the man wants little to do with guns and killing. The veteran sheriff is further disturbed by the fact that during a great battle, he accidentally killed the brother of an old friend. He finally gets back into town to discover that his friend has become a landgrabber, and has also stolen the sheriff's girl friend. Now to stop his greedy pal, the sheriff is forced to forget about his own troubles. ~ Sandra Brennan, All Movie Guide

A ruthless crime lord saves his sister from social embarrassment by working diligently to get the gangster who fathered her unborn baby off death row and out of prison so he can do the decent thing and marry the girl. The freed gangster is not thrilled with his new bride, but stays loyal until the woman miscarries. He then returns to crime and begins messing with other women, something that outrages his wife's nefarious brother and leads him to frame the cocky youth and get him sent back to prison and certain death. Just before he is to die, the youth tells his story to a sympathetic reporter, who decides to go after the real troublemaker. ~ Sandra Brennan, All Movie Guide

Phil Carey is his usual rough-and-tumble self in the Columbia western programmer Wyoming Renegade. Carey plays Brady Sutton, a former outlaw who wants to go straight. Trouble is, everyone is convinced that Sutton is still a no-good -- everyone, that is, except heroine Nancy Warren (Martha Hyer). When it appears as though Sutton has joined the "Hole in the Wall" gang headed by Butch Cassidy (Gene Evans), it looks like Nancy was wrong and everyone else was right. Ah, but Sutton's motives are honorable, though it takes him half the movie to prove it. William Bishop is fourth-billed as Butch Cassidy's cohort Sundance, while desperado Blackjack Ketchum makes a cameo appearance in the form of bit player A. Guy Teague. ~ Hal Erickson, All Movie Guide

Filmed on location in Utah, The Outlaw Stallion top-bills Phil Carey and Dorothy Patrick, but the star of the proceedings is young Billy Gray. Living on a ranch with his widowed mother (Patrick), Billy makes friends with the white stallion who leads the herd of wild horses living under the ranch's protection. Villain Roy Roberts intends to flout the law by corralling the stallion's herd, then shipping the horses across the border. To accomplish this, Roberts uses a fierce black stallion to lead the herd astray. After a hoof-to-hoof fight between the "good" and "bad" stallions, Roberts resorts to kidnapping Gray and his mother to bring the white horse out in the open--and that's where hero Carey justifies his presence in the film. ~ Hal Erickson, All Movie Guide

Highway Dragnet is best known to modern movie buffs as the first film to carry Roger Corman's name in the credits. Corman was one of six screenwriters contributing to this location-filmed suspense melodrama, which stars Richard Conte as an ex-Marine on the lam from a murder charge. Conte hitches a ride from glamour-magazine photographer Joan Bennett, who is travelling cross-country with her principal model, Wanda Hendrix. True to audience expectations, the murderer will at one time or another be an occupant of Bennett's car, though it won't be the person whom the police are looking for. The tense climax takes place in a flooded tract house, with the killer stalking the next potential victim. Criticized for its low production values at the time of its release, Highway Dragnet actually stands up pretty well when seen today. ~ Hal Erickson, All Movie Guide

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves." Ken Murray himself makes a supporting appearance as a leering frontier wiseacre named "Sliding Bill Murray." ~ Hal Erickson, All Movie Guide

In this Republic western, Allan "Rocky" Lane plays a Texas Ranger endeavoring to bring progress to the prairies. A natural gas system is slated to be installed in the Lone Star State. Local ranchers oppose this, believing it will have injurious effect on cattle. This misinformation is being spread about scheming villains who hope to take charge of the gas system for their own greedy ends. Eddy Waller is on hand as Lane's sidekick Nugget Clark, while the heroine is former 20th Century-Fox star Cathy Downs. Veteran western scrivener Gerald Geraghty manages to bring a whiff of freshness to the collection of cliches that comprise Bandits of the West. ~ Hal Erickson, All Movie Guide

The first film version of W.R. Burnett's novel Saint Johnson was filmed as Law and Order in 1932. Essentially an all-names-changed retelling of the Wyatt Earp legend, the film scored on its humanity and restraint. The 1953 remake eschewed the shadings and subtleties of the original in favor of a traditional shoot-em-up, replete with gratuitous violence. Ronald Reagan stars as the Earp counterpart this time, who has sworn to bring criminal Preston S. Foster to justice. The original Law and Order had no love interest at all; the Reagan version pairs up the star with beautiful Dorothy Malone, and offers a second leading lady in the form of Ruth Hampton. The original had a hanging sequence which was treated as business as usual; the remake turns this sequence into a brutal lynching. Common to both films was the final showdown between Reagan and Foster, given added melodrama in the later version by the fact that Reagan had previously sworn to give up his guns for the love of his lady. Like most of Ronald Reagan's 1950s vehicles, Law and Order paid its way and was then forgotten. ~ Hal Erickson, All Movie Guide