Maud Adams Movies

Bond girl Maud Adams was born Maud Wikstrom in Sweden in 1945. After working as a fashion model and marrying her first husband in 1966, she started her acting career in Hollywood. She was the only woman to appear in three Bond films: as Andrea in The Man With the Golden Gun (1974), as the title mystery woman in Octopussy (1983), and in an uncredited role in A View to a Kill (1985). Her other film credits include Norman Jewison's futuristic action film Rollerball and the erotic drama Tattoo with Bruce Dern. During the rest of the '80s, she mostly did bad TV movies and theatrical thrillers. Only a few have survived on home video, such as the comic strip-based adventure Jane and the Lost City and the costume adventure Intimate Power with F. Murray Abraham.

In the late '90s, Adams remarried and worked in television back in Sweden. She was the host and director of Kafé Luleå and a regular cast member on Radioskugga and Vita Lögner. In the States, she could be seen offering commentary in numerous James Bond-related documentaries. She was also a guest star on an episode of That '70s Show. In 2003, she offered up her celebrity personality to the convention-goers of Spyfest '03 in Long Beach, CA. ~ Andrea LeVasseur, All Movie Guide
1975  
R  
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In the year 2018 violence has been outlawed and corporations have replaced government as the ruling party following the demise of politics. With the absence of war or conflict, a forcibly passive population's bloodlust is satisfied by a brutal new sport known as Rollerball. A high-octane melding of the outlawed sports of the past, the worldwide phenomenon of Rollerball has resulted in a corporate-backed sensation. The most popular athlete in the world, Jonathan E. (James Caan) has steadily risen through the ranks to become a legendary veteran of the sport. When the corporate backers of Rollerball begin to fear that Jonathan's popularity has instilled him with a potentially dangerous amount of power, a thunderous struggle between man's free will and the oppression of the masses threatens to shatter the fragile strings that the puppet masters use to manipulate mankind. His determination to remain with the sport flying in the face of the very reason Rollerball was conceived, the corporate rulers hatch a plot to abandon the rules in hopes that Jonathan will be killed and their grip of power will remain an unyielding chokehold on an increasingly bloodthirsty populace. ~ Jason Buchanan, All Movie Guide

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Starring:
James CaanJohn Houseman, (more)
1974  
PG  
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The Man With the Golden Gun, Roger Moore's second outing as James Bond (Live and Let Die was the first), whisks our hero off to Hong Kong, Macau, Thailand, and then the South China Sea in search of a solar energy weapon. His opponent is Scaramanga (Christopher Lee), who rules the roost on a well-fortified island. Scaramanga's aide-de-camp is Nick Nack, played by future Fantasy Island co-star Herve Villechaize. Britt Ekland plays the bikinied Mary Goodnight, whose clumsy efforts to help Bond thwart Scaramanga are almost as destructive as the elusive solar device. The Man With the Golden Gun was adapted by Richard Maibaum and Tom Mankiewicz from Ian Fleming's last James Bond novel, which had to be published posthumously in "rough draft" form. ~ Hal Erickson, All Movie Guide

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Starring:
Roger MooreChristopher Lee, (more)
1973  
 
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In this Canadian romance, Scott (David Selby) was so smitten by the looks of a pretty girl that he spends years looking for her. He keeps his searches a secret from his live-in lover, whom he stays with the entire while. When Scott actually meets the girl, he discovers that she has been similarly motivated, even though she is married and has had two children in the meantime. They share a romantic assignation and discover that the ideal figure they were each searching for is absent. ~ Clarke Fountain, All Movie Guide

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1971  
PG  
In this comedy a golden-boy tennis player in search of Life's meaning is corrupted by Hollywood, too much praise, and the temptation to sell out. His life therefore, becomes a metaphor for the morals of Hollywood society. ~ Sandra Brennan, All Movie Guide

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