Pat Hartigan Movies

Previously filmed in 1923 as a vehicle for Marion Davies, Rida Johnson Young's warhorse theatrical property Little Old New York was dusted off by 20th Century-Fox for Alice Faye, Fred MacMurray and Richard Greene. The latter plays the nominal lead, Scottish inventor Robert Fulton, who in 1807 arrives in New York City with the intention of building a steamboat which will accelerate transportation between the many boroughs. Everyone laughs at "Fulton's Folly" with the exception of gorgeous tavern keeper Pat O'Day (Alice Faye), who offers Fulton shelter and financial assistance. This doesn't sit at all well with Pat's boyfriend Charles Brownne (MacMurray), who like most of the sailors in the region is fearful that Fulton's steamboat will put him out of business. By film's end, however, Brownne has aligned himself with Fulton, if only because of his intense dislike for the villain of the piece, rival mariner Regan (Ward Bond). Several notably 19th century New York personages show up for cute cameo bits, among them Nicholas Roosevelt (Robert Middlemass), John Jacob Astor (Roger Imhof) and Washington Irving (Theodore Von Eltz). ~ Hal Erickson, All Movie Guide

Will Rogers stars as Judge William "Billy" Priest, the common-sense Kentucky jurist created by humorist Irvin S. Cobb. The Judge's easygoing manner bothers many of the self-righteous good citizens of his small 19th-century hometown, imperiling his chances for re-election. The anecdotal plot boils down to a single storyline involving orphaned Anita Louise, reclusive David Landau (secretly Louise's father), and young attorney Tom Brown.The testimony that saves Landau from a murder charge is delivered by Civil War veteran H.B. Walthall, whose stirring loyalty to the Confederacy inspires everyone in town to organize an impromptu parade! Some of the best scenes are highlighted by Will Rogers' affectionate rapport with stereotyped black-actors Stepin Fetchit and Hattie McDaniel, though these scenes are frequently removed from TV showings of Judge Priest due to their undeniably racist overtones. If you haven't guessed by the first frame of the film that John Ford was the director, you'll recognize Ford's personal stamp the moment Will Rogers kneels by his wife's grave and carries on a warm conversation with his long-departed bride. Ford would remake (and improve upon) Judge Priest in 1953 as The Sun Shines Bright, with Charles Winninger as the judge. ~ Hal Erickson, All Movie Guide

William A. Wellman's triangle melodrama "The Steel Highway" -- a title referring to the film's railroad setting -- was changed to the more suggestive Other Men's Women shortly before it's April 19, 1931 New York premiere. Grant Withers and Regis Toomey played lifelong friends and co-workers in love with the same woman, Mary Astor). She, unfortunately, is also Toomey's wife and the two friends have a blow-out on the job. The train derails and Toomey is blinded for life. When the river floods, the repentant Withers concocts a scheme to save an important railroad bridge by driving his engine across, thus stabilizing the construction. Believing his blindness makes him a burden to Astor, Toomey sacrifices himself instead. The ploy fails and Toomey is killed. Toomey and Astor, who had replaced James Hall and Marian Nixon, and Grant Withers were all fine under Wellman's crisp direction but the film was stolen outright by supporting players James Cagney and Joan Blondell, the latter as Wither's former girlfriend. With typical pre-production code frankness, Blondell's tough-talking waitress advises a fresh customer that she is "A.P.O." What does this "A.P.O. means?" the customer asks. Blondell: "Ain't puttin' out!" Blondell and Cagney, who had appeared together in the Broadway play Penny Arcade and its subsequent film version, Sinner's Holiday (1930), would reach stardom in their third film together, the gangster classic The Public Enemy (1931). Overly static at times, Other Men's Women was livened considerably by the climactic bridge collapse, a successful use of miniatures. ~ Hans J. Wollstein, All Movie Guide

Most of Monte Blue's talking-picture career was spent in small character roles, but he was still regarded as a bankable leading man when he appeared in the early Warner Bros. talkie From Headquarters. Blue is cast as gutsy U.S. Marine Captain Slappy Smith, assigned to rescue a passel of tourists from the Central American jungle. While fulfilling his duties, Smith falls in love with one of the unfortunate tourists, beautiful Mary Dyer (Gladys Brockwell). This poses a problem for native gal Innocencia (Ethylene Clair) to whom a drunken Smith had previously pledged eternal devotion. Much of the film is stolen by Guinn "Big Boy" Williams as slow-witted Sergeant Wilmer. ~ Hal Erickson, All Movie Guide

Warner Baxter, sporting a black mustache and a musical-comedy Mexican accent, stars as the Cisco Kid, the "Robin Hood of the Old West" created by O. Henry. Edmund Lowe co-stars as Cisco's "friendly enemy" Sgt. Mickey Dunne, the role that was originally to have gone to Raoul Walsh. Both men are madly in love with dusky beauty Tonia Maria (Dorothy Burgess), and in fact Cisco is so "far gone" that he composes a song in the girl's honor (actually, "My Tonia", first heard during the opening credits, was written by Fox studio tunesmiths Lew Brown, B.G. DeSylva and Ray Henderson). Alas, Tonia ends up betraying Cisco to Sgt. Burke. But the crafty, cold-blooded Cisco arranges for Tonia to be killed in the trap set for him (this plot resolution is faithful to O. Henry's original conception of the Cisco Kid, who wasn't really meant to be a "good guy"). ~ Hal Erickson, All Movie Guide

Me, Gangster was director Raoul Walsh's third 1928 film -- and, according to some historians, the blueprint for such future Walsh crime dramas as Me and My Gal, The Roaring Twenties and White Heat. Told in the form of a diary, the story details the rise and fall of gangster boss Jimmy Williams, played by future serial favorite Don Terry. Shown to be a layabout and ne'er-do-well in his youth, Jimmy falls in with a gang of petty thieves, working his way up the professional ladder through a combination of brains and cold-blooded ruthlessness (not unlike the characters played by frequent Raoul Walsh collaborator James Cagney). He finally comes acropper when he tries to pull off a $50,000 heist by himself, which earns him a stiff jail term. The death of his beloved mother Lizzie (Stella Adams), combined with the good influence of heroine Mary Regan (June Collyer), prompts Jimmy to try to turn over a new leaf upon his arrest. Alas, he must now contend with his former gangland buddies, who don't cotton to "turncoats" and begin drawing up plans to put Jimmy "on the spot" for keeps. On the whole, Me Gangster is a bit more sentimental than one might expect from Raoul Walsh, but at least it's honest sentiment and doesn't weaken the picture as a whole. Filmed silent, Me, Gangster was released with a Fox Movietone music score. ~ Hal Erickson, All Movie Guide

The Devil's Skipper was based on Demetrios Contos, a seafaring yarn by Jack London. Effectively cast against type, Belle Bennett plays a wronged woman who becomes the most brutal and feared slave-ship captain on the Seven Seas. Though her crews constantly threaten to mutiny, "The Devil Skipper" (Bennett) is protected by her first officer Montague Love, who has carried a torch for her for nearly thirty years. Capturing an enemy ship, Bennett prepares to turn over pretty passenger Mary McAllister to her lustful crew -- only to discover that the helpless girl is Bennett's own daughter. Suddenly concerned only with McAllister's safety, Bennett lets down her guard long enough to be overtaken by her vengeful crew, leading to an operatic death scene. Gino Corrado, who later found his cinematic niche as Hollywood's favorite head waiter, appears in the opening scenes as Bennett's treacherous lover. ~ Hal Erickson, All Movie Guide

Enchanted Island is more than a little beholden to Shakespeare's The Tempest. For 15 years, Tim Sanborn (H. B. Walthall) and his daughter Alice (Charlotte Stevens) have been happily marooned on a desert island. Suddenly, three shipwrecked strangers wash up on shore. Afraid that Alice will be compromised by the male mariners, Sanborn passes the girl off as a boy (now we're into Twelfth Night territory). The nicest of the castaways (Pierre Gendron) proves that his intentions are honorable, but there's a volcano to contend with before a happy (or at least satisfying) ending can be realized. ~ Hal Erickson, All Movie Guide

Tenement gal Nora Denahy (Gladys Hulette) is the "Bowery Cinderella" in this standard melting-pot drama. While on a slumming party, wealthy Ned Chandler (Ernest Hilliard) is smitten by Nora. He offers to take her away from her shabby environment, if only she will become his wife. Nora is tempted, but her heart belongs to struggling playwright Larry Dugan (Pat O'Malley). It hardly seems necessary to reveal which of her two beaux ultimately marches Nora down the altar. One of the highlights of Bowery Cinderella is a precision-dance performance by the chorus of The Music Box Revue. ~ Hal Erickson, All Movie Guide

The 1926 Ranson's Folly was the second screen version of the rough-and-tumble novel by journalist Richard Harding Davis. Richard Barthelmess plays Lt. Ranson, an army officer who, out of boredom, bets his friends that he can successfully pull off a stagecoach robbery armed with nothing more than a pair of scissors. Disguised as the notorious masked bandit "the Red Rider," Barthelmess makes good his wager. Unfortunately, the army paymaster is murdered shortly thereafter. All evidence points to the Red Rider -- and, of course, to the innocent Barthelmess. It appears as though the genuine culprit is the father of Barthelmess' sweetheart Dorothy Mackaill. This turned out to be the case in the original Davis novel, but screenwriter Lillie Hayward has a few surprises of her own up her sleeve. ~ Hal Erickson, All Movie Guide

This melodrama required less stunts than usual from dog star Rin-Tin-Tin and more "acting." Always the trouper, Rin-Tin-Tin proved to be the histrionic equal of his co-stars. Slasher (Rin-Tin-Tin, a famed fighting dog, falls off the train that is carrying him. He is found, broken in spirit, by Donald Cass (John Harron). The dog is regenerated by Donald's love. Donald is equally devoted to his sweetheart, May Barton (June Marlowe), a minister's daughter. A wealthy young woman donates a large sum of money to the church and is later found murdered. The sinister Jamber Niles (Pat Hartigan) knows that the money is in Donald's safekeeping, and he attacks the young man. Slasher springs into action and kills his master's assailant. Jamber's half-wit brother Cuckoo (Victor Potel) sets a pack of bloodhounds on Donald and May, but once again Slasher comes to the rescue and fends them off. Evidence proves that Jamber was the woman's murderer. Donald, May, and the loyal Slasher look forward to a happy life together. ~ Janiss Garza, All Movie Guide

Zane Grey's 1925 story of the great Buffalo hunts became a sprawling silent Western produced by Paramount and starring the studio's stalwart Jack Holt as a trader who uncovers a scheme to blame the Indians for a Buffalo massacre. The film's highlight, a breathtaking shot of wagons careening across a frozen lake, was used again in the studio's equally fine 1933 remake. To match the old footage, director Henry Hathaway employed some of the same actors and stunt performers. The original Thundering Herd has gained the reputation, along with the same year's Wild Horse Mesa (also starring Holt), as the finest Grey adaptation ever produced. Both Tim McCoy and Gary Cooper earned bit parts in this epic Western filmed on locations at Lone Pine, California. ~ Hans J. Wollstein, All Movie Guide