Kathryn Harrold Movies

Burdened with guilt over her past behavior, Gabrielle (Eva Longoria) throws herself into a "mission" -- to stage a fashion show featuring her female friends on Wisteria Lane. Meanwhile, Susan (Teri Hatcher) is caught in the middle when she finds out about Gabrielle and John (Jesse Metcalfe) -- while John's mom, Helen (Kathryn Harrold), thinks her son is fooling around with Susan. Bree (Marcia Cross) uses her own judgment in dealing with the repulsive behavior of her son, Andrew (Shawn Pyfrom). And Lynette (Felicity Huffman) suffers unexpected consequences when she "steals" a nanny for her kids. ~ Hal Erickson, Rovi

Four friends struggle to find themselves in the decade that brought us disco, platform shoes, and those smiley-face buttons in this miniseries, which first aired in April of 2000 on NBC. Byron Shaw (Brad Rowe), his girlfriend Eileen (Vinessa Shaw), and his sister Christie (Amy Smart) are all at Kent State University on May 4, 1970, when National Guardsmen open fire on students protesting the war in Vietnam, leaving four people dead. Byron's high-school buddy Dexter Johnson (Guy Torry) is also there -- but as a Guardsman rather than a student. Dexter quits the Guard in disgust and moves to Watts, where he opens a movie theater and becomes a key figure in the Black Power movement. Byron quits law school and takes a job with Richard Nixon's re-election campaign -- just as the Watergate scandal begins to break, Byron becomes an informant to the Justice Department and is nearly killed by a sniper. Eileen embraces the feminist movement and later seeks a career in the advertising industry, where she discovers that women's rights have not advanced terribly far. And Christie becomes a successful model, but fame and fortune do not bring her happiness as she's lured into a religious cult known as "The Path." The 70's soundtrack is loaded with period-appropriate hits, including classic tunes by Stevie Wonder, Jefferson Starship, Marvin Gaye, and Three Dog Night. ~ Mark Deming, Rovi

Los Angeles district attorney Jess Kostner (Lori Laughlin) inaugurates her own personal descent into hell when she agrees to prosecute an accused rapist named Sean Ferguson (Tracey Walter). Having just recovered from a nervous breakdown brought about by the mysterious death of her mother, Jess is in no mood to discover that Sean's defense attorney is her own ex-husband Don Shaw (Bruce Greenwood). Things get really dicey when Ferguson's victim Connie (Lauren Tom) refuses to appear in court. Jess manages to persuade Connie to testify, only to be plunged into the abyss of guilt and self-loathing when Connie is "mysteriously" killed just before her testimony. The only positive aspect of this sordid affair is Jess' growing relationship with amiable courtroom spectator Adam Stiles (Joe Flanigan). Ultimately, the trial--and acquittal--of Sean Ferguson is revealed to be an elaborate charade, designed as a prelude to a uniquely perverse form of vigilante justice! Boasting so many plot twists that one virtually needs a scorecard to keep abreast of new developments, Tell Me No Secrets debuted January 20, 1997 on ABC. ~ Hal Erickson, Rovi

Relationships, contract negotiations, and the familiar Larry Sanders Show theme of paranoia-fueled hyper-competitiveness drive the second season of HBO's popular satire of late-night talk shows. While season one introduced viewers to the sometimes grating character quirks that would become the show's trademark, season two played those quirks to the hilt for maximum comic effect. Starting off with a somewhat introspective two-part cliffhanger in which Larry (Garry Shandling) begins to question his abilities as his ratings begin to slip, the second season also began to reveal the more emotional side of the characters, endearing them to the audience as they became more accessible while simultaneously becoming even more outlandish in many respects. While episodes such as "The Breakdown" and "Artie's Gone" displayed the genuine care that the characters began to develop for one another, episodes such as "Hankerciser 2000" and "Larry's Birthday" provided perfect contrast with their sharp and cynical wit. ~ Jason Buchanan, Rovi

In this made-for-cable adaptation of Roderick Thorp's crime thriller, Peter Weller stars as a Hollywood cop whose murder investigation runs into a wall of police corruption. ~ Jason Ankeny, Rovi

Man Against the Mob is a variation on the 1981 theatrical feature True Confessions. This made-for-TV effort stars George Peppard as a tough LA cop in the late 1940s. Investigating a brutal homicide, Peppard discovers that the killing is more than the sex crime it seems to be at first glance. The trail of evidence leads Peppard to a group of visiting Chicago mobsters, and ultimately to several of Los Angeles' more "respectable" citizens. Man Against the Mob is ordinary at best, but thanks to George Peppard's performance the film scored excellent ratings when first telecast in 1988. A 1989 TV-movie followup, Man Against the Mob: The Chinatown Murders failed to match the ratings of the first effort. ~ Hal Erickson, Rovi

Orson Welles made his final screen appearance as, appropriately enough, Orson Welles (or "Danny's Friend") in Henry Jaglom's "emotional vérité" comedy Someone to Love. The film begins as filmmaker Danny (Henry Jaglom) prepares to spend the night at his girlfriend Helen (Andrea Marcovicci)'s apartment. Helen has just adjusted to sleeping alone after the breakup of her previous relationship and tells Danny that if he stays with her, she won't be able to go to sleep. Fascinated by the explanation, Danny sends out telegrams to a bunch of his Hollywood friends to meet on Valentine's Day at a Santa Monica theater, the Mayfair, that is about to be torn down to make way for a shopping mall. Danny figures that he will throw a party for his lonely celebrity friends. He also reasons that he could introduce his brother, real estate developer Mickey (Michael Emil, Jaglom's real-life brother), to some romantic companions. The party would also be a handy way to get some film footage. The day of the party, Danny's friends arrive --a famous movie star (Sally Kellerman); a pop singer named Blue (Stephen Bishop); a jazz pianist (David Frishberg); a sophisticated continental woman named Yelena (Oja Kodar); and, bringing up the rear and ensconced in the back of the theater, Danny's Friend (Orson Welles). With his camera crew in tow, Danny takes to filming his guests as they answer questions about love and loneliness. ~ Paul Brenner, Rovi

Filled with enough cameos to keep film buffs entertained, this otherwise routine action-comedy by John Landis boasts Michelle Pfeiffer as one of its major attractions. She plays Diana, a woman prone to having affairs with some very dangerous men, and Jeff Goldblum is Ed Okin, an aerospace engineer whose lot is thrown in with Diana's when the woman is caught in a bind at the airport. The beautiful Diana is an airhead on the scale of the Hindenberg, her only concerns are clothes and men -- which she either most attractively wears or wears out, depending. While Ed is at the airport one day trying to sort out his life, Diana arrives with six smuggled emeralds in tow and is immediately welcomed by several hired assassins. Fear and expediency propel her into Ed's car, and the two are off on a series of narrow escapes that has them pursued by everyone from Iranians to baddies played by well-known international directors (Roger Vadim) or singers (David Bowie) or comedians (Dan Aykroyd). ~ Eleanor Mannikka, Rovi

Los Angeles is the playing field for producer/ writer/ director Bobby Roth's Heartbreakers. Peter Coyote and Nick Mancusco play a couple of thirty-something holdovers from the 1960s. Coyote is an artist specializing in S&M poses, while Mancusco is heir apparent to a large garment-manufacturing firm. Curiously, it is the hedonistic Coyote who desires a lasting relationship with a woman, while the "conservative" Mancusco is dedicated to the proposition of one-night stands. Carol Laure and Carol Wayne are the ladies who strain Coyote and Mancuso's friendship--and in so doing, force both arrested adolescents to do some growing up. ~ Hal Erickson, Rovi

In this drama, a college professor gets romantically involved with a student until he learns that she earns tuition working as a part-time hooker. ~ Sandra Brennan, Rovi

A suicidal patient is placed in a mental hospital for observation. A psychiatrist realizes that the fellow contains telepathic powers with which he's capable of transferring his own fear-filled nightmares into the minds of others. When he directs his ephemeral madness into the minds of the doctors and patients around him, the hospital turns into a nightmarish melee. ~ Rovi