Kathleen Harrison Movies

The star of this slapstick comedy is not a person but an antique Bentley sports car, the source of several misadventures. Murdoch Troon (Stanley Baxter) is a simple civil servant who has his heart set on romancing Claire (Julie Christie in an early role), the daughter of wealthy businessman Charles Chingford (James Robertson Justice). As a part of his scheme to appear irresistible, Murdoch takes driving lessons so he will be able to impress Claire in the Bentley. Both the lessons and his driving test produce moments of hilarity, and as might be expected, there cannot be a movie featuring a car without a wacky, wild chase. ~ Eleanor Mannikka, All Movie Guide

In this British comedy drama, a dotty old widow finally finds a new love and happiness until her unruly sons bust out of prison and beg her to hide them. ~ Sandra Brennan, All Movie Guide

Alfred Lynch and Sean Connery star as a pair of klutzy RAF members, during World War II, who are more interested in running petty confidence scams that toting rifles. Though they doggedly avoid extra effort of any kind, Pope (Lynch) and Pascoe (Connery) are sent on a top-secret mission. The more the duo screws up, the more they succeed in pulling off their assignment, and through no real input of their own they become heroes. On the Fiddle more closely resembled an American service comedy than a British film, thus it was logical that its U.S. title was Operation SNAFU. During the James Bond craze, the film was retitled Operation Warhead and Sean Connery's participation was played up in the ads -- complete with the anachronistic inclusion of bikini-clad starlets! ~ Hal Erickson, All Movie Guide

Max Bygraves, a popular British comedian who once in a while entertained thoughts of a dramatic career, is costarred with Barbara Murray in A Cry from the Streets. The two play a pair of ingenuous social workers, assigned to one of the grubbiest neighborhoods in London. They join forces to help a group of castoff orphan children. The episodic structure of Cry from the Streets gave the film a semi-documentary feel, even though every incident herein was carefully written and rehearsed beforehand. Based on the novel The Friend in Need by Elizabeth Coxhead, the film was filmed in 1957, released in 1958, and reissued in some markets as Cry from the Street (singular) in 1959. ~ Hal Erickson, All Movie Guide

Ian Carmichael plays the "white sheep" in a family of successful thieves. Everyone in the clan has made a healthy career out of crime except poor Ian, so he decides to redeem himself with a single spectacular caper. Somehow this involves a passel of Arabs and an unctuous TV news team, all of whom converge in a slapstick free-for-all. Jailed, Carmichael realizes that he's doomed to honesty, and vows to pursue the straight and narrow with leading lady Belinda Lee. Though a British film, The Big Money seems geared exclusively for American audiences with its garish Technicolor, hyperactive musical score and sledgehammer humor. Made in 1956, the film wasn't widely shown in the US until it was released to television in 1962. ~ Hal Erickson, All Movie Guide

In this comedy, the lives of two families get turned topsy-turvy when their respective young sons win a large football pool. The two share the winning ticket and the trouble begins when their parents get greedy and begin trying to devise way to get the hefty pot all to themselves. ~ Sandra Brennan, All Movie Guide

Dirk Bogarde digressed from his usual lightweight image to portray a smarmy murderer in Cast a Dark Shadow. He kills his first wife (Mona Washbourne), hoping to claim her inheritance. Surprise! The inheritance is a myth. Thus Bogarde sets his sights on barkeeper Margaret Lockwood, whom he knows to be heavily insured. But Lockwood is possessed of a naturally suspicious nature, making Bogarde's second murder plot a bit more delicate than his first. Cast a Dark Shadow is a too-literal adaptation of Janet Green's stage play Murder Mistaken. ~ Hal Erickson, All Movie Guide

Anna Neagle is so overpoweringly good in Lilacs in the Spring (aka Let's Make Up!) that a times it's easy to forget that her co-star is Errol Flynn! Based on Glorious Days, a play by Robert Nesbitt, the film offers Neagle in four different characterizations. Suffering a concussion while serving in WW II, service performer Catherine Beaumont (Neagle) imagines herself to be Nell Gwynn, and still later fancies herself to be Queen Victoria (both of these historical personages had been played by Neagle in previous films). Finally, Catherine conjures up memories of her own mother Lillian Grey (also Neagle), who married song-and-dance man John Beaumont (Errol Flynn) during WW I, then nearly lost him when he "went Hollywood." Though he'd been having an overabundance of personal problems, Errol Flynn conducted himself with utmost professionalism throughout Lilacs in the Spring, delighting co-workers and movie audiences alike. The film was a hit, prompting a second, less-successful Anna Neagle-Errol Flynn pairing, King's Rhapsody. ~ Hal Erickson, All Movie Guide

Based on a novel by John Brophy, Turn the Key Softly takes place within a single day. The film follows the exploits of three newly released female convicts. Monica (Yvonne Mitchell) is full of hatred for the man who led her into a life of crime. Stella (Joan Collins) is an impulsive streetwalker who is determined not to return to her old lifestyle. And Mrs. Quillam (Kathleen Harrison), an elderly shoplifter, misses out on her chance to start anew in a most ironic fashion. Slightly hoked up with a rooftop chase, Turn the Key Softly is an otherwise straightforward psychological drama. ~ Hal Erickson, All Movie Guide

Mr. Henry Lord (Stanley Holloway) and his wife Lilian (Kathleen Byron) have been asked to move from their home to make room for the 1950 Festival of Britain. But Mr. Lord, as the title makes clear, has no intention of doing so. The government tries all sorts of persuasion and coercion, but ends up stumbling over its own feet. What starts out as a minor legal skirmish snowballs into a nationwide cause celebre, as often happens in whimsical British comedies like Mr. Lord Says No. Based on Michale Clayton Hutton's The Happy Family, the film also features such delightful British supporting players as Naunton Wayne, Dandy Nichols, George Cole, Miles Malleson and the ubiquitous Laurence Naismith. ~ Hal Erickson, All Movie Guide

Widely considered to be the definitive of the many film versions of Charles Dickens' classic novel is this 1951 British adaptation, starring Alastair Sim (entitled "Scrooge" in its U.K. release). Sim plays Ebenezer Scrooge, a London miser who, despite his wealth, refuses to make charitable contributions and treats his sole employee, Bob Cratchit, as an indentured servant. On Christmas Eve, Scrooge is visited by the ghost of his late business partner, Jacob Marley, who was as selfish as Scrooge in life and has been condemned to an eternity of wandering the Earth in shackles. Marley informs Scrooge that he's to receive a trio of spirits that night who will take him on a journey through Christmases Past, Present, and Yet to Come. As Scrooge encounters each apparition, he is taken on a tour of his life and realizes what a wretch he is, transformed by greed from an idealistic youth into an embittered ogre. Infused with a new, cheery outlook, Scrooge sets about earning his redemption. ~ Karl Williams, All Movie Guide

The presence of Peter Lorre assured a modicum of American business for the British meller Double Confession. It all begins when the wife of Jim Medway (Derek Farr) turns up dead. Since the evidence points to murder, the embittered Medway does his best to pin the "killing" on his wife's lover, Charlie Durham (William Hartnell). But as Scotland Yard inspector Tenby (Naunton Wayne) finally proves, appearances are deceiving--if not downright fraudulent. Lorre's role is largely peripheral, but he does supply a few moments of genuine menace. Filmed in 1950, Double Confession was based on John Garden's novel All on a Summer's Day. ~ Hal Erickson, All Movie Guide