Jesse Spencer Movies

Season 5 finds medical misanthrope Greg House more irascible than ever. As the season opens, House's best (well, only) friend James Wilson returns to Princeton-Plainsboro after three months of grief leave following his fiancée Amber's death, only to announce he's leaving. The reason, Wilson (Robert Sean Leonard) claims initially, is that everything reminds him of Amber. But that's not good enough for House (Hugh Laurie), who neglects his duties to get to the bottom of it. After enduring some of House's trademark harassment, Wilson confesses Amber isn't the reason he's leaving -- House is. Their "bromance" isn't dead though, especially after a wild road trip the two take to the funeral of House's father. Meanwhile, love blossoms among the staff, with relationships developing between Cameron and Chase (Jennifer Morrison, Jesse Spencer), Thirteen and Foreman (Olivia Wilde, Omar Epps), and possibly even House and new adoptive mom Cuddy (Lisa Edelstein), who share a few tender moments between bickering sessions. The season takes a darker turn toward its conclusion, as the good doctors face an inexplicable tragedy that deeply affects them all, but House in particular, who also turns to stronger medication to control his pain. ~ Dianne Zoccola, Rovi

Although he has recovered from the gunshot wound administered by the husband of a former patient at the end of House's second season, Season Three finds the unabashedly misanthropic Dr. Gregory House (Hugh Laurie) still suffering from a plethora of emotional wounds, wracked with self-doubt about his efficiency as a nephrologist specializing in unusual medical cases, and asking himself if he should actually start treating (and regarding) his patients as human beings. This self-reflection doesn't last long, and soon House is his old obnoxious self, the holy terror of Princeton-Plainsboro Teaching Hospital. Nor does he let up on the overuse of prescription drugs like Vicodin and Ketamine to ease the agony of his leg pain (an experimental treatment to alleviate the pain this season only makes matters worse). In fact, one of the year's most omnipresent--and ominous--storylines involves a detective named Michael Tritter (David Morse), who enters the clinic as a patient and ends up as Inspector Javert to House's Jean Valjean, dogging the doctor's trail and persecuting his colleagues in hopes of ultimately throwing House in the slammer for drug abuse and falsifying perscriptions. In other major Season Three developments, a romance blossoms between House's longtime associates Dr. Robert Chase (Jesse Spencer) and Dr. Allison Cameron (Jennifer Morrison). And after a medical misjudgment which totally shatters his self-confidence, Princeton-Plainsboro's ace neurologist Eric Foreman (Omar Epps) abruptly resigns. ~ Hal Erickson, Rovi

Season Two of House begins as the gloriously obnoxious and abrasive Dr. Gregory House, head nephrologist at Princeton-Plainsboro Teaching Hospital, stubbornly (and somewhat perversely) trying to save the life of a seriously ill death-row inmate over the objections of his colleagues. Perhaps House is being more contrary than usual because he doesn't like being forced to work in close quarters with his ex-girlfriend Stacy (Sela Ward). Elsewhere, House's colleague Dr. Allison Cameron (Jennifer Morrison) is herself faced with a life-or-death crisis when evidence indicates that she is HIV-positive; House's superior-in-name-only Dr. Cuddy (Lisa Edelstein) clashes with him over the treatment of a man who suffered an injury while working on Cuddy's roof; neurologist Eric Foreman (Omar Epps) briefly becomes House's boss, with both men pushing the envelope to see which one will go ballistic first; and after separating from his wife, oncologist James Wilson (Robert Sean Leonard) moves in with House--who despite his anger over having to share his space with anyone is reluctant to let Wilson leave because the guy is such a great cook! And in the two-part episode "Euphoria", House races against time to determine the malady that is causing a wounded policeman to literally laugh himself to death--things getting uncomfortably personal when Foreman begins showing the same symptions! The second ends when House is shot and wounded by the husband of a former patient--and those fans aware of the series' many references to Sherlock Holmes will get a kick out of the name of the assailant. Among the honors bestowed upon House during its second season on the air was the prestigious Peabody Award for "Best of Electronic Media." ~ Hal Erickson, Rovi

The misanthropic title character of the Fox hospital series House growls, grunts, glowers, winces and limps his way through a variety of curious and bizarre medical cases during the series' first season on the air. For starters, Dr. Gregory House (Hugh Laurie) must determine if a schoolteacher is suffering from a fatal tumor that is somehow causing her to speak fluent gibberish. Other patients suffer from hallucinations, the consequences of rough sex, and a apparent case of stigmata. Through it all, House maintains his nasty, abrasive façade, breaking as many rules as humanly possible to get the right results and save the lives of his charges--even those who flat-out don't want to be saved. Among the season's high points is a wager made by Princeton-Plainsboro Teaching Hospital's dean Lisa Cuddy (Lisa Edelstein) that House can keep away from his precious Vicodin for a week, which results in unexpected side effects that may adversely affect House's patient. Then there's the story arc involving billionaire Edward Vogler (Chi McBride), who wants to purchase Princeton-Plainsboro and fire House as an economy measure--and, failing that, force the reluctant House to dismiss at least one member of his loyal medical team. Finally, House endures a visit from his ex-girlfriend Stacy Warner (Sela Ward), whose husband may be dying and whose lingering presence will vex our "hero" throughout most of the next season. House closed out its successful first season by garnering an Emmy award for series writer-producer David Shore, honoring his teleplay for the episode "Three Stories". ~ Hal Erickson, Rovi

Based on the true story of a youth from Brisbane, Australia, who overcame family dysfunction to become a world-class athlete, director Russell Mulcahy's drama centers on young Tony Fingleton's (Jesse Spencer) relationship with his distant father, Harold (Geoffrey Rush), and the dedication it took to win his respect. Born into a large family and convinced by his father that he will never amount to the achievements of his brothers, Tony attempts to win his father's respect by becoming a champion swimmer. Despite his best efforts to please his father, Tony also begins to realize his own self-worth in the process. ~ Jason Buchanan, Rovi

Filmed in London and Wales, this two-part adaptation of the oft-dramatized R.D. Blackmore novel Lorna Doone was praised for its realism, though one or two nitpickers pointed out that the costumes were not all "in period" for 17th century Scotland. This time around, Amelia Warner starred as the titular Lorna, whose romance with young John Ridd (Richard Coyle) was imperiled by the bloody, long-standing feud between the Doones and the Ridds. The show was stolen by Martin Clunes in the flashy role of the redoubtable Jeremy Stickles. Lorna Doone aired over BBC1 on December 24 and 26, 2000. ~ Hal Erickson, Rovi