Derek Aylward Movies

In this crime drama, a playboy gambler has a passionate one-night stand with a beautiful woman. During the night, he briefly leaves and when he returns, finds her dead. Not wanting his name in the papers, the man tries to avoid the police. He soon finds himself victimized by extortionists, headed by his own boss and the girl, who only feigned death. They try to force him into breaking a notorious crimelord out of prison, but he is not so easily swayed. ~ Sandra Brennan, All Movie Guide

Two teenagers leave their small village behind and travel to London to make a life for themselves in the big city. Joe (Robin Askwith) convinces his girlfriend Carol (Janet Lynn) he has a job waiting in the motor trade and other connections. They spend the night together in a hotel and are swindled out of their money. Joe has no trouble convincing Carol to become a prostitute, and she continues the practice after landing a job as a successful model. Carol and Joe get work in pornographic films before they consider moving back to the quiet village once again. The seamy side of West End London is graphically illustrated. Jess Conrad, Stubby Kaye, Harry Baird and Pearl Hackney also appear in this exploitation film. ~ Dan Pavlides, All Movie Guide

Written by Roger Woddis, this episode of The Prisoner guest stars Patrick Cargill (also seen in the previous episode "Free for All") as super sadistic New Number Two. Delighting in tormenting the villagers, Number Two drives at least one of them, Number 73 (Hilary Dwyer), to suicide. Hoping to avenge the woman's death, Number Six begins his own campaign of psychological warfare, utilizing such "weapons" as his collection of Bizet recordings! In addition to resembling an installment of the much later CBS series, Survivor, this episode also predates American Gladiators by offering an "extreme sport" known as Kosho. Originally slated as the 14th episode of The Prisoner, "Hammer into the Anvil" was seen as episode number 10 when it first aired in England on December 10, 1967. It was placed in its original chronology for American television, where it was first seen on August 31, 1968. ~ Hal Erickson, All Movie Guide

Peter Finch portrays the titular flamboyant Irish poet/playwright in The Trials of Oscar Wilde. The storyline, lifted to a great extent from actual court records, recounts Wilde's late 19th century libel action against the Marquis of Queensbury. The author loses, whereupon he himself is tried for sodomy due to his homosexual affair with the Marquis' son, Lord Douglas. Wilde is sentenced to prison; the public humiliation leads to the once-proud writer's immortal poem The Ballad of Reading Gaol--and to his premature death in 1900. The film had to tiptoe around certain touchy legalities, in that sodomy was still a punishable offence in British courts in 1960. The US title for this film was The Trial of Oscar Wilde, effectively killing the ironic double meaning of the plural British title. In certain regions, the film was shown as The Man with the Green Carnation. ~ Hal Erickson, All Movie Guide

The life of the founder of modern Methodism is dramatized in John Wesley. Originally intended for church assembly showings, the film stars Leonard Sachs in the title role. The screenplay charts the Methodist Movement from its inception in 18th century England to the present day. Produced by the Radio and Film Commission of the Methodist church, the film was financed by the contributions of some 500 churches. Unfortunately, the budget didn't allow for a professional cast, thus many potentially worthwhile scenes are laid low by amateurish acting. On the other hand, the film is quite slick and accomplished on a technical level, thanks to the first-rate cinematography of Hone Glendenning and the assured direction of Norman Walker. ~ Hal Erickson, All Movie Guide