Robert H. Harris Movies

It's love at first spark plug for Herbie, the spunky Disney Volkswagen, in Herbie Goes To Monte Carlo. Herbie reunites with Jim Douglas (Dean Jones), his driver from the original The Love Bug, as they participate in the annual Monte Carlo road rally. Herbie holds his own in the qualifying races, but he blows a gasket over a lovely powder-blue Lancia named Giselle. Jim also catches the eye of the attractive driver of Giselle, the fresh-faced Diane Darcy (Julie Sommars). With the love bug biting again, the romantic infatuations of man and metal end up interfering with the auto race. ~ Paul Brenner, Rovi

When his clothing company is burglarized, former mobster Burt Dresslor (Charles Cioffi) balks at cooperating with the police. But after a night watchman is murdered, Stone (Karl Malden) and Keller (Michael Douglas) take special interest in the situation whether Dresslor likes it or not. Complicating matters is the discovery that Dresslor's business has been electronically bugged--and the two detectives can't be certain if the Feds or Dresslor's ruthless chief competitor is responsible. This episode, which features a pre-stardom appearance by Tom Selleck, was directed by series costar Michael Douglas. ~ Hal Erickson, Rovi

In one of his last TV roles, Sam Jaffe guest stars as Alex Zubatuk, a retired cobbler. When Zubatuk comes forth and confesses to a killing, detectives Stone (Karl Malden) and Keller (Michael Douglas) are reluctant to take the old man at face value. And for good reason: what the viewer knows (but the detectives don't) is that the meek, self-deprecating Mr. Zubatuk is taking the rap to protect the grandson of his best friend Victor Karlinsky (Victor Karlinsky). The real killer is played by prolific character actor Zooey Hall, here billed as David Z. Hall. ~ Hal Erickson, Rovi

John Milius's first directorial effort in its own small way set the stage in the 1970s for a subgenre of action films that depict a nostalgia for historical figures tinged with a hard-edged skepticism. Warren Oates stars as John Dillinger, whose short-lived career as Public Enemy No.1 was, at least according to Milius, promoted by Dillinger with a self-absorbed boosterism, comforting his victims by telling them, "Someday you'll tell your grandchildren about this." The film captures the highlights of Dillinger's criminal career, as seen through the eyes of Melvin Purvis (Ben Johnson), the FBI agent whose obsession with capturing Dillinger led to Dillinger's death in the back alley of Chicago's Biograph Theater. ~ Paul Brenner, Rovi

This time Inspector Erskine (Efrem Zimbalist Jr.) is on the trail of armed robbers Beau Parker (Andrew Prine and Cass Linden (Melissa Murphy), a modern-day Bonnie and Clyde. Tagging along for the ride is Cass's baby-faced kid sister Mary Linden (Jo Ann Harris), who not only gets a thrill out of being an outlaw, but in her own way may be even more dangerous than her older sibling. Mary Ann is especially adept at taunting and tormenting her victims--and though she hasn't killed anyone yet, give her time! ~ Hal Erickson, Rovi

The oft-told story of the rise and fall of the James Younger gang is given the Dragnet treatment in The Great Northfield, Minnesota Raid. With meticulous attention to detail, the film recreates the outlaw gang's most infamous escapade: the September 7, 1876, robbery of "the biggest bank west of the Mississippi" in Northfield, MN. Cliff Robertson plays Cole Younger, and Robert Duvall appears as Jesse James, herein depicted as a pair of vengeance-driven sociopaths, but no worse than the greedy railroad magnates who've driven them into a life of crime. Younger is also quite the manipulator, convincing the immigrant farmers of Northfield that the bank is completely impervious to robbery, thereby increasing the deposits that he intends to steal. Duvall's Jesse James is a cold-blooded murderer, but, like Younger, not without his own personal charm. The climactic raid is filmed cinéma vérité style, looking more like a haphazard CNN news event than a well-oiled machine (this film is not, thankfully, the standard "slick" Hollywood product). Though it drags in spots, The Great Northfield, Minnesota Raid is a superb, iconoclastic reproduction of an era long past. ~ Hal Erickson, Rovi

George Hamilton produced and stars in this appealing bio-pic about real-life stunt daredevil Evel Knievel. Knievel's famous motorcycle stunts and early life are remembered in flashback by the performer in the moments before a big jump. The cast includes familiar drive-in movie faces like Vic Tayback, Sue Lyon, Cheryl Rainbeaux Smith, and Dub Taylor, and much of it was filmed on location in Knievel's hometown of Butte, Montana. Though Hamilton is quite good in the lead, most fans prefer the real thing -- Knievel portraying himself in the later Viva Knievel! (1978). ~ Robert Firsching, Rovi

As part of a law-school assignment, Mark (Don Mitchell) writes a defense brief for convicted murderer Gerry Foster (James Wainwright), thereby reopening an old case in which Ed (Don Galloway) was the arresting officer. Mark begins to regret getting involved in the project when Foster declares that Ed framed him. Ed and Mark end up working in concert to determine the truth--and both men are astonished by what they find! ~ Hal Erickson, Rovi

Chuck (Tom Stern) and his brother Wes (Jeremy Slate) are the wealthy siblings who plan to rob Caesar's Palace more for fun than profit. They ingratiate themselves to the Hell's Angels of Oakland, lead by Sonny Barger (himself). The brothers plan to use the gang as a diversion during the staging of the planned heist. When Betsy the biker babe (Conny Van Dyke) mistakenly reveals the plan, the brothers are forced to take other measures when they become separated in this boring biker movie that features real Hell's Angels gang members. ~ Dan Pavlides, Rovi

A cinematic take on a 1960s best-seller, Valley of the Dolls traces the ups and downs of three young women as fame, booze, pills, and men consume their lives. Well-bred, small-town Anne Welles (Peyton Place star Barbara Parkins) arrives in New York eager for fame but settles for a job assisting theatrical attorney Henry Bellamy (Robert H. Harris). The job leads her to cross paths with Helen Lawson (Hollywood veteran Susan Hayward), the grand dame of Broadway musicals, and Neely O'Hara (sitcom star Patty Duke), an up-and-coming performer whom Lawson unceremoniously boots from her latest show. Neely lands on her feet thanks to a series of nightclub gigs, and soon she and Anne befriend Jennifer North (Sharon Tate), a buxom starlet. As Neely becomes a huge star of stage and screen and Jennifer appears topless in a string of European "art" films, Anne becomes a wealthy cosmetics spokeswoman and suffers though a passionate but failed affair with aspiring writer Lyon Burke (Paul Burke). As the pressures of fame and failed romance take their toll on all three women, they take refuge in food, sex, liquor, and pills -- especially Neely, who becomes downright monstrous (the titular "dolls" are the uppers and downers to which she becomes hopelessly addicted). Although the film's characters are fictitious composites, Neely most closely resembles Judy Garland; Garland herself was originally cast as Lawson, but she was replaced after only a few days by Hayward. Although the film's trailer played up the story's titillating subject matter, the script for Valley of the Dolls actually toned down Jacqueline Susann's novel. And despite the fact that Dionne Warwick can be heard singing "(Theme From) The Valley of the Dolls" twice during the film, contractual snags kept her from releasing the soundtrack version; a different arrangement later became a number two pop hit in 1968. ~ Brian J. Dillard, Rovi

Erskine (Efrem Zimbalist Jr.) launches an investigation into the beating death of drug addict Joseph Spooner. Veteran police detective Frank Harris (Andrew Duggan) was the last to see Spooner alive, and is the chief suspect in his death. Making matters worse is influential news commentator Tom Barrett (Larry Gates), who has publicly accused Harris of police brutality--making it all but impossible for the man to receive a fair trial. ~ Hal Erickson, Rovi

A dazed man, David Stillwell (Gregory Peck), wanders down the stairs of a New York skyscraper during a power blackout, only vaguely aware of who he is, where he's been, and why he has this nagging feeling that danger lurks all about him. Stillwell does know that many of the people in the building are acquainted with him -- and that he is somehow linked with the death of wealthy philanthropist Charles Calvin (Walter Abel), who has fallen 27 floors to his death (a special effect that was remarkable for its time). From this point onward, everyone Stillwell meets is connected with Calvin's death, or is in some way threatening Stillwell's well-being. When he seeks the help of Dr. Pepper-imbibing private eye Ted Caselle (Walter Matthau), he is told that "you don't want to remember" -- shortly before Caselle is murdered by persons unknown. Only the enigmatic Sheila (Diane Baker) evinces any real sympathy, and she too is part of the conspiracy aimed at silencing and/or neutralizing the dumbfounded Stillwell. Mirage has far too many twists of plot to go into here, but if you stay with it, everything is satisfactorily explained. Less than three years after its initial release, the black-and-white Mirage was remade in color as Jigsaw. ~ Hal Erickson, Rovi