Arthur Ayleswofth Movies

Don Ameche is called upon to testify in his married friends' divorce case. Unwilling to take sides, he skips town and hides out at a country inn. A young girl (Ann Sothern) stumbles into Ameche's rural hideaway; she thinks he's an escaped gangster, while he thinks she's a process server. The local sheriff (John Qualen), who also believes Ameche is a gangster, converges on the inn during a snowstorm. Trapped inside by the snow and by the deputies, Ameche and Sothern fall in love. The real gangster (Douglas Fowley) is captured and there's smiles all around at "The End" time. ~ Hal Erickson, All Movie Guide

The second of Paul Muni's biographical films for Warner Bros., the Oscar-winning The Life of Emile Zola is by far the best, even allowing for the dramatic license taken with the material. When first we meet French novelist and essayist Zola, he is starving in a Parisian garret with his painter friend, Paul Cezanne. Each time Zola attempts to write "the truth," he is stymied by governmental censors. Still, he is able to achieve both fame and fortune with the publication of "Nana," an unardorned and best-selling tale of a prostitute (whom we can safely assume was not quite as likeable or attractive as Erin O'Brien-Moore, who plays the novel's "role model"). The lion's share of the film is devoted to Zola's attempts to clear the reputation of Army captain Alfred Dreyfus (Joseph Schildkraut), who has been framed on a charge of treason by his superiors and condemned to Devil's Island. Publishing his famous manifesto "J'accuse," Zola leaves himself wide open for public condemnation and criminal prosecution. Though he delivers a brilliant self-defense in court, Zola is found guilty. Forced to flee to England, he continues railing against the unjust, corrupt military establishment, eventually forcing a retrial and exoneration of Dreyfus. Alas, Zola is killed in a freak accident at home before he can meet the liberated Dreyfus. At his funeral, Emile Zola is eulogized by Anatole France (Morris Carnovsky), who refers to the fallen crusader as "a moment of the conscience of man." For various reasons -- some dramatic, some legal -- the actual facts of "L'affaire Dreyfus" are altered by the Norman Reilly Raine/Heinz Herald/Geza Herczeg screenplay.

The fact that Dreyfus was railroaded because he was Jewish is obscured; in fact, except for a very brief visual reference, the word "Jew" is never mentioned. Only those villains whose names were a matter of public record (Major Dort, Major Esterhazy) are specifically identified. Others are referred to as the Chief of Staff, the Minister of War, etc. to avoid lawsuits from their descendants (remember that the events depicted in the film, most of which take place between 1894 and 1902, were still within living memory in 1937). As for Dreyfus himself, he was not freed and restored to rank in 1902, the year of Zola's death, but in 1906-after being found guilty again in an 1899 retrial (Dreyfus died in 1935, outliving everyone else involved in the case). These historical gaffes can be forgiven in the light of the film's overall message: that a single small, clear voice can fight City Hall. If for nothing else, The Life of Emile Zola deserves classic status due to Paul Muni's towering performance, most notably in the unforgettable summation scene: "By all that I have done for France, by my works -- by all that I have written, I swear to you that Dreyfus is innocent. May all that melt away -- may my name be forgotten, if Dreyfus is not innocent. He is innocent." ~ Hal Erickson, All Movie Guide

Director Leslie Selander exhibits the sure-handed expertise that would endear him to latter-day western cultists in his 1937 formula western Sandflow. Buck Jones plays the son of a crooked land dealer. Seeking redemption, Jones rides through the west to compensate every rancher who was cheated by his dad. Along the way, he rescues his younger brother Robert Terry from a date with the hangman. Sandflow was one of a group of 1937 westerns personally produced by star Buck Jones and released by Universal Pictures. ~ Hal Erickson, All Movie Guide

The disarmingly zany Marry the Girl was one of the better Hugh Herbert "B"-vehicles for Warner Bros. Much of the story takes place within the walls of the ramshackle newspaper syndicate owned by the screwball Radway family. Purportedly the head of the operation, John B. Radway (Hugh Herbert) is under the thumb of his domineering sister Ollie (Mary Boland), while his niece Virginia (Carol Hughes) schemes to abandon journalism in favor of marriage to eccentric caption-writer Dimitri (Mischa Auer). The rest of the plot is a hodgepodge of farce, misunderstandings, and slapstick, all tied in with the solemn pronouncements of psychiatrist Stryker (Alan Mowbray) -- who turns out to be as crazy as the rest. In one of the saner moments of Marry the Girl, a shotgun is fired, whereupon a gaggle of geese in a wall painting suddenly take flight (it's that kind of movie). ~ Hal Erickson, All Movie Guide

This period adventure drama was directed by Tay Garnett and adapted from a story by William Faulkner. The skipper of a slave trading vessel operating along the West African coast in 1860, Captain Jim Lovett (Warner Baxter) is troubled by his flesh-peddling trade. He's marrying the beautiful Nancy Marlowe (Elizabeth Allan) and wants to replace his morally-indefensible business with a more respectable foray into standard goods shipping. So he orders his first mate, Jack Thompson (Wallace Beery) to fire most of the crew and replace them with new hands. However, the ship's swabbies are accustomed to their lucrative line of work and, under the sway of the greedy Lefty (George Sanders), they mutiny, resulting in high seas histrionics and swashbuckling sword fights, with comedy relief provided by Mickey Rooney as Swifty the cabin boy. Lon Chaney, Jr. appears unbilled in the film's opening, where his character is crushed during a ship's launching. ~ Karl Williams, All Movie Guide

Social butterfly Rena Allen (Doris Nolan) is bored unto tears by her stuffy fiance Throckton Van Cortland (Gerald Oliver Smith). She runs off to the country, where she falls in love with struggling playwright Ken Durkin (Michael Whalen). He is astonished by her uncanny ability to critique his work and offer advice, but the audience knows that Rena is the niece of prominent Broadway producer Robert Hartley (Nigel Bruce). The audience also knows -- but Rena doesn't -- that Durkin is himself a runaway socialite. Elated when his play is purchased by Hartley, Ken is offended when he discovers that Rena was responsible for this stroke of fortune and storms out of her life (the fact that he'd also been deceiving her doesn't seem to bother him too much). It takes a night together in the small-town jail of rustic sheriff Chic Sale for Rena and Robert to kiss and make up. ~ Hal Erickson, All Movie Guide

In 1929, Bette Davis made her Broadway debut in the now-forgotten stage play Broken Dishes. But Davis did not appear in the 1931 film version Too Young to Marry, nor was she in the 1935 remake Love Begins at 20, even though it was filmed by her home studio of Warner Bros. Patricia Ellis essays the ingenue role of Lois Gillingwater, the daughter of henpecked husband Horatio Gillingwater (Hugh Herbert) and his domineering wife Evalina (Dorothy Vaughan). Hoping to escape her untenable home life, Lola makes plans to marry Jerry Wayne (Warren Hull), whom her mother despises. Horatio isn't much help in this matter, since he's become innocently enmeshed in a stolen-bond scheme. Ultimately, the worm turns when Horatio, his inhibitions shed by a few stiff drinks of gin, tells off his wife, recovers the bonds, and enables Lola and Jerry to march happily down the aisle. ~ Hal Erickson, All Movie Guide

In her much vaunted screen debut, Metropolitan Opera star Gladys Swarthout takes on David Belasco's 30-year-old operetta about the female leader of a gang of vigilantes battling usurpers plotting to steal valuable land grants. The masked Don Carlos (aka Rosita Castro) uses her operatic voice as a call to arms, singing Ralph Rainger and Leo Robin's "If I Should Love You," "Thunder Over Paradise," "Where Is My Love?," and other selections, but her attempt to lynch accused bandit leader Joe Kincaid (Charles Bickford) fails when government agent Jim Kearney (John Boles) puts a stop to the unlawful proceedings. Despite interference from Don Castro (H.B. Warner), who has promised his daughter to Don Louis Espinoza (Don Alvarado), Kearney falls in love with the songstress, unaware that she is Don Carlos. But when Kincaid and his hordes storm the Castro rancho, Kearney is battling right alongside the lovely vigilante. Rose of the Rancho had previously been filmed in 1914 by Cecil B. De Mille as a vehicle for silent star Bessie Barriscale. ~ Hans J. Wollstein, All Movie Guide

Another above-average entry in Paramount's Zane Grey series, Arizona Raiders was adapted from Grey's Riders of Spanish Peaks. Buster Crabbe, here billed under his given name of Larry, stars as outlaw Laramie Nelson, who at the beginning of the picture manages to escape a "necktie party." A sense of obligation which Laramie himself cannot explain leads him to rescue another miscreant, Tracks Williams (Raymond Hatton), from a similar demise. The two desert rats team up with a third, handsome young Lone Alonzo Mulhall (Johnny Downs), whereupon the threesome engage in numerous adventures, many of them humorous in nature. Marsha Hunt, as much of a "regular" in the Zane Grey series as Crabbe and Hatton, plays the self-reliant ingenue. ~ Hal Erickson, All Movie Guide

John Wayne stars in this Western as a law student seeking revenge on the ruthless land baron who killed his parents; after he is thwarted in the courts, he chooses to explore frontier justice instead. ~ Jason Ankeny, All Movie Guide

The Girl of the Ozarks is little Edie Mosely (Virginia Weidler), who's left on her own when her mother dies. Soft-hearted newspaper editor Tom Bolton (Leif Erikson) wants to adopt the little mischief-maker, but before he can do this he must find himself a bride. Edie plays matchmaker between Tom and eligible bachelorette Gail Rogers (Elizabeth Russell), but not before stirring up a passel of trouble in her small mountain community. The characters are pure "Beverly Hillbillies," right down to Henrietta Crossman as Edie's pipe-smokin' granny. Girl of the Ozarks was preteen Virginia Weidler's first starring feature, and she handles the assignment with the assuredness of a veteran. ~ Hal Erickson, All Movie Guide

The Secret Bride is Ruth Vincent (Barbara Stanwyck), the daughter of Governor Vincent (Arthur Byron). Attorney general Robert Sheldon (Warren William) falls in love with Ruth and they marry, but Sheldon insists that their marriage be kept secret. It seems that the Governor has been accused of accepting $10,000 in bribes, and Sheldon doesn't want to be accused of complicity while he investigates the matter. In the course of events, two murders occur, and it's up to Ruth to straighten the mess out. But how will she be able to manage this without involving herself or her secret husband in the scandal? It's funny how the various TV cable services tend to trot out The Secret Bride whenever a real-life political scandal bursts onto the scene. ~ Hal Erickson, All Movie Guide