Jonathan Harris Movies

John Lasseter, director of Pixar's movie phenomenon Toy Story, has set new standards in computer animation with this effort, another Disney-released children's epic entitled A Bug's Life. Blending classic Disney storytelling characters and the mysterious underground world of bugs, Lasseter has created a film that can be enjoyed by all audiences, and another franchise in the process. A Bug's Life is a computerized retelling of the Aesop fable The Ant and the Grasshopper, made as a cartoon-short by the one-and-only, Walt Disney, in the mid-'30s. However, A Bug's Life has modernized the story with many new twists and celebrity voices. The story focuses on a colony of ants who seasonally gather food for themselves and a wild gang of rowdy grasshoppers. When bumbling worker ant Flik (David Foley) destroys the food supply, the angry grasshoppers, lead by the maniacally warped Hopper (Kevin Spacey), threaten to kill the ants if they don't produce a new supply of food by the time they return -- an impossible feat. Flik leaves the anthill in search of help in the form of bigger bugs, and to wage war against the grasshoppers. What he doesn't know is he has actually discovered a group of down-on-their-luck traveling circus insects in need of a job. When the ants realize that their heroes are really circus performers (and the circus bugs realize these grasshoppers are really big and mean), the situation goes from bad to worse. Ultimately, the ants use their large numbers to overcome the grasshoppers. ~ Chris Gore, All Movie Guide

In this unauthorized sequel to Snow White and the Seven Dwarfs, the animation is so bad that it makes Scooby Doo look like Fantasia. Disney's litigation against the film caused its theatrical release to be delayed for several years. But there was no need to worry -- there is no way that Happily Ever After could ever be confused with the Disney classic. The story takes up where Snow White and the Seven Dwarfs leaves off. After the demise of the evil queen, a group of grotesque creatures are celebrating in the castle, led by Scowl the Owl (voice of Ed Asner) and his bat sidekick Batso (voice of Frank Welker). But soon the scowling brother of the evil queen, Lord Malice (voice of Malcolm McDowell), arrives and busts up the festivities, declaring vengeance upon the cartoon characters responsible for his sister's death. Utilizing the Looking Glass (voice of Dom DeLuise), he locates the whereabouts of Snow White, changes into the form of a dragon, and goes out hunting. While all this is going on, Snow White (voice of Irene Cara) and Prince Charming (voice of Michael Horton) are heading off into the forest to invite the Seven Dwarfs to their wedding. On the way, Lord Malice appears and kidnaps Prince Charming, carrying him off to the Realm of Doom. Snow White breaks free and escapes to the home of the Seven Dwarfs. Since the Seven Dwarfs apparently have exclusive contracts with Disney, Snow White meets instead the female Dwarfelles, who explain that their male cousins are away on business. Like a kiddie-cartoon version of Sigourney Weaver's Ripley character from the Alien movies, Snow White empowers herself and the Dwarfelles, and they head off to rescue Prince Charming from the clutches of Lord Malice. ~ Paul Brenner, All Movie Guide

This routine small tots' animated feature is about a young girl named Rainbow Brite who brings color to the universe. She is forced to do battle with the henchmen of a wicked princess determined to plunge everything into a colorless darkness. Before the princess can carry out her plan, Rainbow joins up with the warrior Krys and some special horses to outsmart and outfight the anti-technicolor faction. ~ Eleanor Mannikka, All Movie Guide

In this made-for-TV shocker, a young sorority pledge (Kay Lenz) gets even for being humiliated in a hazing prank. ~ Jason Ankeny, All Movie Guide

Lamont (Demond Wilson) is convinced that he has lucked upon a bargain when he spends 20 dollars on what he is told is a rare antique commode. What our hero doesn't realize is that he is being played for a sucker by a team of clever con artists. This Sanford and Son episode was adapted from "The Three Feathers," a 1970 installment of the series' British prototype Steptoe and Son. ~ Hal Erickson, All Movie Guide

Once Upon a Dead Man was the pilot film for the TV series McMillan and Wife. The stars are Rock Hudson as wealthy San Francisco police commissioner Stewart McMillan and Susan Saint James as his inquisitive young wife Sally. The plot at hand starts out with a theft at a charity auction. This snowballs into the disappearance of a an Egyptian sarcophagus. Want to bet that a body will tumble out of that sarcophagus before the film is over? Once Upon a Dead Man was telecast as the first McMillan and Wife episode on September 17, 1971. ~ Hal Erickson, All Movie Guide

In this episode, the spelling of the name of Darrin and Samantha's daughter changed from Tabatha to the more familiar Tabitha (though the role continued to be played by Erin Murphy). Doting grandmother Endora casts a spell to transform four-year-old Tabitha into a piano prodigy, much to the astonishment of her music teacher Johann Sebastian Monroe, played by Jonathan Harris, fresh from his three-year stint on Lost in Space. Featured in the cast is Fritz Feld as hand-popping orchestra conductor Maestro Ferranini. Written by Richard Baer, "Samantha on the Keyboard" was first telecast on October 10, 1968. ~ Hal Erickson, All Movie Guide

As originally conceived by executive producer Irwin Allen, the weekly, 60-minute Lost in Space was to have been a relatively serious sci-fi opus called The Space Family Robinson. Set in 1997, the series focused on astrophysicist Dr. John Robinson (Guy Williams), his wife, Maureen (June Lockhart); and their children, Judy (Marta Kristen), Will (Bill Mumy), and Penny (Angela Cartwright), all of whom were blasted into space on the "Jupiter II." Placed in suspended animation, the family was on a mission to colonize a planet in the Alpha Centauri star system four light years from Earth. But the Jupiter II's computer malfunctioned, the ship was thrown way off course, and the family woke up several years ahead of schedule to find themselves lost in space. In the series pilot, the main characters were joined by Jupiter II's pilot, Don West (Mark Goddard) -- and no one else. CBS was impressed by Space Family Robinson, but the network insisted upon a title change and also demanded that a villain be added to the proceedings. Thus the project was re-christened Lost in Space, and the pilot episode was reshot so the Jupiter II's malfunction was due to the treachery of an enemy spy named Dr. Zachary Smith (Jonathan Harris), who had sabotaged a robot aboard the ship and programmed it to kill the Robinsons and abort the mission. Unfortunately for Dr. Smith, he was accidentally trapped in the Jupiter II and hurtled into space along with the Robinsons, hence the new title of the pilot show, "The Reluctant Stowaway" (portions of the original pilot, which was top-heavy with expensive special effects, were edited into the series' first five episodes). It had been planned that both Dr. Smith and the killer robot would be eliminated from the series after its inaugural five-episode story arc, but CBS saw potential in both characters and insisted that they be retained.

The network's decision proved to be a brilliant one in terms of the series' ratings: gradually morphing from a cold-hearted assassin to a supercilious, cowardly buffoon, Dr. Smith was easily the show's most popular character -- next to the now-benign robot, who turned out to be a veritable cornucopia of useful technical information and also came in handy when warning the Robinson family of impending danger. Between the Lost in Space pilot and the series proper, it had also been decided to drop the original intention of serializing the episodes, though each installment ended with a coming-attractions "cliffhanger." Finally, what started out as a straightforward, straight-faced endeavor gradually evolved (or, in the minds of less enchanted viewers, devolved) into a semi-humorous exercise in Batman-style camp, replete with such colorful guest villains as a scurvy space pirate (with a robotic parrot), a Brandoesque space-cruising cycle bum, and even a huge talking carrot! The first season, filmed in black-and-white, found the Robinsons stranded on an uncharted planet. The series switched to color for the second season, in which the "Jupiter II" was repaired and the space travelers blasted off -- only to be marooned on another mysterious planet. Season three did a more efficient job of living up to the series' title, as the Jupiter II hopped from planet to planet, galaxy to galaxy, though no closer to "home" than before. The 83 episodes of Lost in Space have flourished in syndication and on such cable-TV services as The Sci-Fi Channel ever since the series' initial CBS run, which lasted from 1965 to 1968. ~ Hal Erickson, All Movie Guide

Fed up with the loud and incessant talking of fellow men's club member Jamie Tennyson (Liam Sullivan), pompous Col. Archie Taylor (Franchot Tone) decides to place a most unusual wager. With $500,000 at stake, Taylor bets that Tennyson cannot remain silent for a full year. Deeply in debt, Tennyson accepts the wager, and even permits himself to be placed in a glass cage in the club's basement, so that Taylor and the other members can monitor his silence. Though the story contains no science-fiction or fantasy trappings whatsover, the ironic ending is very much in keeping with the standards set by previous Twilight Zone episodes. First telecast April 28, 1961, "The Silence" was scripted by Rod Serling -- and though Serling denied it at the time, the story would seem to have been influenced by Anton Chekhov's "The Bet." ~ Hal Erickson, All Movie Guide

The lush romanticism of director Frank Borzage (Seventh Heaven, Street Angel) is subsumed by the plodding reverence of producer Rowland V. Lee's screenplay (co-written with Howard Estabrook), based on the best-selling novel by Lloyd C. Douglas. Howard Keel stars as a stalwart Simon-Peter, the apostle of Christ called "the fisher of men" and the "Rock" upon whom the Christian Church was founded. The film, on the surface, deals with Simon-Peter's conversion from a self-sufficient fisherman to a believer in the inspirational teachings of Christianity. Simon-Peter also serves the needs of the real story: how Simon-Peter succeeds in joining together two lovers from the other side of the tracks. John Saxon is Voldi, an Arab prince who wants to follow in his father's footsteps as the chief of an Arab tribe and marry his beloved, Fara (Susan Kohner). But Fara, wants to see her father, Herod Antipas (Herbert Lom), dead for the misery he has inflicted upon her mother -- abandoning her for the lustful Herodias (Martha Hyer). When Voldi and Fara hear the teachings of Christ, they realize that their love must be put in abeyance to their Christian beliefs. ~ Paul Brenner, All Movie Guide

Framed for robbery, 18th century medical student Alan Ladd is sentenced to a New South Wales penal colony. En route to the prison, Ladd is tormented by sadistic ship's captain James Mason, while Mason's beloved Patricia Medina takes a fancy to the new prisoner. Once at the colony, Ladd is befriended by governor Sir Cedric Hardwicke, since the populace is in desperate need of a qualified physician. Mason's efforts to continue persecuting Ladd are foiled when Mason is killed by a group of disgruntled aborigines. Though it sounds a lot like Captain Blood, Botany Bay was based on a novel by Charles Nordhoff and James Norman Hall (of Mutiny on the Bounty fame). ~ Hal Erickson, All Movie Guide