Fox Harris Movies

An interstellar musician (Kyle T. Heffner) finds himself on board the spaceship Bounty after traveling through the cosmos as a light-beam for over 20 years. There, he must flee from two crooks (Scott Williamson, John Durbin) who are intent on unleashing a vial of deadly gas aboard the ship. ~ John Bush, Rovi

In a future where the planet Earth has been poisoned by radiation, a fearless warrior named Dow (David Carradine) stands as mankind's last hope against a tyrannical ruler known only as The Warlord (Sid Haig) and his murderous band of mutant warriors. Accompanied only by the beautiful but fierce warrior Danny (Dawn Wildsmith) and the unpredictable Ammo, Dow attempts to conquer the desert savages who seek to rule the world. By summoning the courage and resourcefulness that will allow the fearless trio to do battle with an army of relentless killers, they make one last heroic attempt to save the world or die trying. ~ Jason Buchanan, Rovi

This bizarre comedy spoof on spaghetti westerns was made in a hurry on location in Almeria, Spain. Simms (Joe Strummer), Willy (Dick Rude), and Norwood (Sy Richardson) are inept hitmen who decide to rob a bank. They encounter the MacMahon's (The Pogues), a quintet of caffeine-addicted gunslingers who ride motorcycles across the range wreaking havoc. Elvis Costello has a reoccurring role as a waiter who is always ready with a new tray of coffee. ~ Dan Pavlides, Rovi

A surprisingly slick flick from Emperor of Exploitation Fred Olen Ray, the story (which Ray co-wrote with T.L. Lankford, borrowing heavily from the director's earlier Biohazard) begins when a satellite carrying top-secret bio-engineered mutants plummets to Earth and disgorges its slavering contents in a scrap-yard outside Los Angeles. Hot on the beast's slimy trail are a pair of L.A. cops (Russ Meyer-veteran Charles Napier and the miscast Ann Turkel), who butt heads with their chief (Bo Svenson), the military, and the scientists who bred the monster -- until the inevitable confrontation, which features a no-holds-barred grudge match between the toothy slime-demon and a chainsaw-wielding Napier. Campy, fun performances by the talented leads (especially Julie Newmar as a psychic who assists the investigation) elevate this material far beyond the limitations of its hoary premise and Alien-esque monster. ~ Cavett Binion, Rovi

Alex Cox's directorial debut was a wickedly funny and willfully bizarre story that became a major cult item once it began making the art-house rounds a year after its release (an initial run in a string of Southern grind houses and drive-ins, where it was billed as an action film, was a resounding failure). Having lost his job and his girlfriend, punk rocker Otto (Emilio Estevez) meets a guy named Bud (Harry Dean Stanton) who offers him $25 to drive his wife's car out of a "bad area." When a handful of angry people start chasing Otto, he realizes that something is up, and he discovers that Bud repossesses cars for a living. With few immediate prospects, Otto joins Bud at the repo yard and is soon "ripping" cars with the best of them. When an anonymous source posts a $20,000 reward for a missing 1964 Chevy Malibu, it turns out that what's valuable isn't the car itself, but what's in the trunk, which is very hot, glows brightly, and kills anyone who comes in contact with it. A vaguely surreal modern-noir science-fiction comedy with echoes of Kiss Me Deadly (1955), Repo Man is packed with more incongruous sight gags than anyone can absorb in one viewing; keep your eyes peeled for the air fresheners, the generic newspaper box, and the watches without hands. Harry Dean Stanton gives a superb comic performance as the intense but laid-back Bud, Emilio Estevez delivers perhaps the best work of his career as the petulant but goofy Otto, and Tracey Walter is hilarious as the spaced out repo-yard man Miller. Iggy Pop wrote and performed the theme song and The Circle Jerks appear as a lounge band. ~ Mark Deming, Rovi

In Richard Benjamin's directorial debut, Mark Linn-Baker stars as Benjy Stone, junior writer on the popular 1950s TV comedy/variety series The King Kaiser Show. Kaiser (Joseph Bologna)'s guest star this week is Hollywood matinee idol Alan Swann (Peter O'Toole), a swashbuckling Errol Flynn type, right down to his indiscriminate womanizing and fondness for mass quantities of booze. Stone is assigned to keep the actor out of trouble during rehearsals and deliver him sober to the performance. Becoming fast friends, Stone and Swann alternate baby-sitting responsibilities: Swann takes the young writer to the Stork Club and on an early-morning jaunt through Central Park with a "borrowed" police horse, while Stone takes Swann to his home, where the star is fawned over by Benji's mom (Lainie Kazan) and asked embarrassing questions about his love life by Uncle Morty (Lou Jacobi). Despite a few anxious moments, all goes well until Swann, panicking at the discovery that King Kaiser's show will be telecast live and not on film, walks out just before airtime. Shamed by Benjy into honoring his committment, Swann makes a spectacular, timber-smashing entrance, saving the show and rescuing Kaiser from being rubbed out by a gangster (Cameron Mitchell) whom the comedian has offended. The film co-stars Jessica Harper, Gloria Stuart and Selma Diamond, a real-life comedy writer for Sid Caesar. My Favorite Year was converted into an unsuccessful Broadway musical in the early 1990s. ~ Hal Erickson, Rovi

Director Wim Wenders made his American film bow with the ultra-stylish Hammett. Based on the speculative novel by Joe Gores, the story concerns real-life detective novelist Dashiell Hammett (Frederic Forest), who early in his career is involved in a complex mystery that will profoundly influence his later works. While hacking away for pulp magazines, Hammett is asked by Jimmy Ryan (Peter Boyle), his old boss at the Pinkerton agency (and the model for the writer's "Continental Op" character), to help out on a particularly difficult case. Before long, Hammett is prowling the nooks and crannies of San Francisco in search of a missing Chinese prostitute-blackmailer (Lydia Lei). Among the several delectable "inside jokes" in Hammett is the presence of Elisha Cook, who'd appeared in the 1941 film adaptation of Hammett's Maltese Falcon, as Eli the Cab Driver. Cinematographers Philip H. Lathrop and Joseph Biroc work overtime to invest Hammett with the "feel" of a classic 1940s detective yarn. ~ Hal Erickson, Rovi