Baxter Harris Movies

1998  
R  
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In the science-fiction thriller Species (1995), Natasha Hentsridge appeared as the beautiful but deadly Sil, a human-alien DNA combo. In this sequel, Hentsridge portrays Eve, a government experiment concocted to gain an understanding of how to combat future aliens, while Michael Madsen and Marg Helgenberger repeat their roles from the earlier film. When astronaut Patrick Ross (Justin Lazard) returns from the first manned Mars expedition, he's infected with the same DNA that spawned Sil and Eve. Hailed as a hero, Ross is pressed into politics by his father (James Cromwell), a senator. Any woman who beds the sexually active Ross is immediately impregnated, with embryos quickly developing and killing the mother. Ross hides the offspring on a family estate, as LA cops begin to detect a pattern in the female deaths. At the lab where scientists are monitoring Eve, Dr. Laura Baker (Helgenberger) realizes that Eve has a telepathic link with Ross, and that these two hybrids hope to couple. Press Lennox (Madsen) and Colonel Burgess (George Dzundza) figure Eve can be used to lead them to Ross. Cleared as a murder suspect, Mars mission astronaut Dennis Gamble (Mykelti Williamson), joins Lennox and Baker and gets in on the action as everyone involved closes in on Ross. Richard Belzer does a cameo as the President of the U.S., while Peter Boyle makes an uncredited appearance as a scientist. ~ Bhob Stewart, All Movie Guide

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Starring:
Michael MadsenNatasha Henstridge, (more)
1998  
 
The question of journalistic ethics is brought into play when the wife of a prominent New Yorker is murdered. The victim's husband blames the killing on a gossip columnist working for a widely circulated checkout-stand tabloid. In pursuing the case in tandem, the detectives and the lawyers again find themselves in the position of setting a precedent that may have long-range repercussions. ~ Hal Erickson, All Movie Guide

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1997  
R  
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A policeman plays Good Samaritan to a visitor from Ireland, only to discover that he has a potentially deadly secret. Belfast-born Frankie McGuire (Brad Pitt) saw his father gunned down by enemy soldiers at the age of eight, and when he grew up he joined the Irish Republican Army, determined that one day his father's death would be avenged. An especially ruthless "volunteer," Frankie is responsible for the death of 13 British soldiers and 11 policemen. After a particularly bloody battle, Frankie sails to the United States in a ragged tugboat he has restored; with a huge bundle of cash, Frankie intends to buy a stock of Stinger missiles from an underground arms dealer in America, Billy Burke (Treat Williams). Upon arrival in New York, Frankie is met by a judge who is sympathetic to the IRA's cause and who arranges a place for him to stay. Using the name Rory Devaney, Frankie moves into the home of Tom O'Meara (Harrison Ford), a scrupulously honest cop. Tom is already in the midst of a personal crisis; his friend and partner Edwin Diaz (Ruben Blades) recently shot a man that he knew was unarmed in the line of duty, and while Edwin wants Tom to help him cover up the matter, Tom's conscience will not allow it. When Tom begins to realize that "Rory" is not simply a man running from the violence of his homeland, he's torn between his sympathy for Frankie's tragic childhood and his desire to see justice served and prevent needless death in Ireland. ~ Mark Deming, All Movie Guide

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Starring:
Harrison FordBrad Pitt, (more)
1997  
PG  
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For the third film in this series, Alex D. Linz replaced Macaulay Culkin as the central figure. Four industrial spies acquire a missile guidance-system computer chip and smuggle it through an airport inside a remote-controlled toy car. Because of baggage confusion, grouchy Mrs. Hess (Marian Seldes) gets the car. She gives it to her neighbor, eight-year-old Alex (Linz), just before the spies turn up. The spies rent a house in order to burglarize each house in the neighborhood until they locate the car. Home alone with the chicken pox, Alex calls 911 each time he spots a theft in progress, but the spies always manage to elude the police -- while Alex is accused of making prank calls. The spies finally turn their attentions toward Alex, unaware that he has rigged devices to cleverly booby-trap his entire house. ~ Bhob Stewart, All Movie Guide

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Starring:
Alex D. LinzOlek Krupa, (more)
1996  
PG13  
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In this comedy, a woman discovers that it's impossible to get ahead in business without a man to guide her -- so she invents one. Laurel (Whoopi Goldberg) is an expert financial analyst with a top Wall Street brokerage; however, she keeps getting passed over for raises and promotions, and she's convinced that no one at her firm takes her seriously because she's a black woman. Frustrated, Laurel and her loyal assistant Sally (Dianne Wiest) open a new firm, but Laurel discovers that her fears were based firmly in reality: male clients don't want to take financial advice from women, especially women of color. So Laurel invents a white man, Robert S. Cutty, to be the firm's top adviser. Speaking on Cutty's behalf, Laurel passes along the fictional man's advice, which her new clients find to be quite sound, and when they stop by to see him, he always manages to be out of the office (and why wouldn't a man so successful be busy?). The ruse seems to work, and soon Laurel's business is going great guns, but an increasingly large number of her clients want to see Cutty face to face, which won't be easy to pull off. However, with the help of a drag queen, Laurel tries to remake herself into Cutty for a night in order to keep her firm afloat. The Associate was based on a novel by author Jenaro Prieto. ~ Mark Deming, All Movie Guide

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Starring:
Whoopi GoldbergDianne Wiest, (more)
1995  
R  
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A Brooklyn cigar shop is the setting for this drama from director Wayne Wang that interweaves the stories of several characters that have fractured family relationships in common. Harvey Keitel is Auggie Wren, poetic owner of the Brooklyn Cigar Company, a store that he considers the center of the world -- a place where all of humanity eventually parades through. One of his regular customers is Paul Benjamin (William Hurt), a writer and a broken shell of a man whose pregnant wife was shot and killed near the store. When Paul's life is saved one day by a young black man named Rashid (Harold Perrineau, Jr., the writer and his rescuer strike up a friendship and begin searching for Rashid's long-lost father (Forest Whitaker). At the store, Auggie is surprised by the appearance of Ruby (Stockard Channing), an ex-girlfriend who informs him that her pregnant, drug-addicted daughter Felicity (Ashley Judd) may also be his -- and is in dire need of help. Screenwriter Paul Auster based the script for Smoke on a 1990 short story he wrote for "The New York Times." He also wrote and directed the film's sequel (of sorts), Blue in the Face (1995). ~ Karl Williams, All Movie Guide

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Starring:
William HurtHarvey Keitel, (more)
1994  
 
A threatening phone call leads to censure proceedings against Joel Thayer (David Groh), a prominent New York judge. When the case arrives at the office of D.A. Adam Schiff (Steven Hill), his subordinate Claire Kincaid (Jill Hennessy) surprises him by resigning. It seems that Kincaid once clerked for Judge Thayer -- and there is talk that a romance developed, one that may have been decidedly (and injuriously) one-sided. Future Malcolm in the Middle star Jane Kaczmarek appears as Janet Rudman. ~ Hal Erickson, All Movie Guide

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1992  
R  
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Bernard Rose followed his moody fantasy-thriller Paperhouse (1988) with this modern horror tale, based on Clive Barker's short story "The Forbidden". Compiling a thesis on urban legends, University of Illinois in Chicago graduate student Helen Lyle (Virginia Madsen) becomes aware of the prevalent superstition surrounding the legend of "Candyman" (Tony Todd)--a hook-wielding phantom who will appear if his name is recited five times into a mirror--among the tenants of Chicago's Cabrini Green project. A senior professor, hearing of Helen's research, explains the historical basis for the legend, detailing how Candyman is believed to be the vengeful spirit of a former slave who, though initially respected in academia, was set upon and mutilated by an angry mob when accused of taking a white mistress. When the clinically-detached Helen flaunts her intellectual confidence by reciting Candyman's name five times, she sets in motion an inevitable series of supernatural events -- culminating in a series of grisly killings, after which Helen is invariably found holding the bloody murder weapon. Though she is captured by the police, it becomes evident to Helen that Candyman is guiding her fate every step of the way. ~ Cavett Binion, All Movie Guide

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Starring:
Virginia MadsenTony Todd, (more)
1992  
R  
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Driven by an extravagant, tour-de-force performance by Al Pacino, Scent of a Woman is the story of Frank Slade (Pacino), a blind, retired army colonel who hires Charlie Simms (Chris O'Donnell), a poor college student on the verge of expulsion, to take care of him over Thanksgiving weekend. At the beginning of the weekend, Frank takes Charlie to New York, where he reveals to the student that he intends to visit his family, have a few terrific meals, sleep with a beautiful woman and, finally, commit suicide. The film follows the mis-matched pair over the course of the weekend, as they learn about life through their series of adventures. Though the story is a little contrived and predictable, it pulls all the right strings, thanks to O'Donnell's sympathetic supporting role and Pacino's powerful lead performance, for which he won his first Academy Award. Scent of a Woman is based on the 1975 Italian film Profumo Di Donna. ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Al PacinoChris O'Donnell, (more)
1992  
PG13  
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When Sherri Finkbine (Sissy Spacek), the host of the Sixties children's television program Romper Room, learns that her unborn child has been damaged by her use of the drug thalidomide, she and her husband decide to abort the fetus, setting in motion the media controversy that is the subject of Joan Micklin Silver's made-for-cable drama. ~ Jason Ankeny, All Movie Guide

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Starring:
Sissy SpacekAidan Quinn, (more)
1991  
R  
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The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, All Movie Guide

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Starring:
Kevin CostnerSissy Spacek, (more)
1990  
 
The then-contemporary "Preppie Murder" case was the obvious inspiration for this 1990 episode of Law & Order. A wealthy and well-connected young man is charged with the murder of his girlfriend. The efforts of Stone (Michael Moriarty) and Robinette (Richard Brooks) to prosecute the case are stymied by a huge publicity blitz, and by the Defense's strategy of putting the dead woman's character on trial. "Kiss the Girls and Make Them Die" was originally telecast October 11, 1990, as a last-minute replacement for the scheduled episode "Poison Ivy" (which was moved up to November 20). ~ Hal Erickson, All Movie Guide

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1990  
PG13  
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There's no point in recounting the many production problems and personal hostilities which plagued the filming of Mermaids: the end result is all that matters. Set in the 1960s, the film details the relationship between an unorthodox, unmarried vagabond mother (Cher), and her two daughters. The 15-year-old (Winona Ryder), continually embarrassed by her flamboyant mother, wants to be the world's greatest Catholic; the nine-year-old (Christina Ricci) would be satisfied with becoming the world's champion swimmer. Moving with her family to New England, the older daughter falls in love from afar with the groundskeeper (Michael Schoeffling) from a nearby convent, while Mom takes up with a lonely salesman (Bob Hoskins). Mermaids is perceptively adapted from the warmly comic novel by Patty Dann. ~ Hal Erickson, All Movie Guide

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Starring:
CherBob Hoskins, (more)
1984  
R  
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Though some viewers might be put off by its length, graphic violence, and absence of likable characters, Sergio Leone's final film is also a cinematic masterpiece. Spanning four decades, the film tells the story of David "Noodles" Aaronson (Robert De Niro) and his Jewish pals, chronicling their childhoods on New York's Lower East Side in the 1920s, through their gangster careers in the 1930s, and culminating in Noodles' 1968 return to New York from self-imposed exile, at which time he learns the truth about the fate of his friends and again confronts the nightmare of his past. The acting, the re-creation of the time period, the cinematography, and the music are all superb. However, even more important is Leone's ability to make the film work on so many different levels: it's both a criticism of gangster-film mythology and a continuation of the director's exploration of the issues of time and history. Strange as it may seem, the violence and gore in the first half of the film turn into a sad elegy about wasted lives and lost love. The film's strengths emerge only in its full 229-minute version -- the 139-minute and other edited versions don't make nearly the same impact. ~ Yuri German, All Movie Guide

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Starring:
Robert De NiroJames Woods, (more)
1984  
 
Originally made for television, the story focuses on a reporter trying to track down a killer while he wins his wife back. ~ John Bush, All Movie Guide

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1982  
 
Filmed on location in New York, Dreams Don't Die is a story of survival. Ike Eisenmann stars as Danny, a young "graffiti artist" whose talents do not go unnoticed by a sensitive cop (Paul Winfield). With no father of his own, Danny latches onto the cop. This in turn leads to an intensive effort by Danny to track down a local drug lord. In his last film role, James Broderick is uncharacteristically cast as the villain. Made for television, Dreams Don't Die premiered May 21, 1982. ~ Hal Erickson, All Movie Guide

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1979  
R  
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Norman Jewison's blackly satirical look at the American justice system has gained in stature as one of the more incisive social commentaries of its time. Al Pacino plays Arthur Kirkland, an incorruptible attorney who attempts to initiate reforms in the Maryland justice system. Kirkland is haunted by the fates of two past clients, one of whom committed suicide in jail; the other is still alive but is locked up on a trumped-up traffic violation. The ability of power and money to distort the pursuit of justice becomes all too clear as Kirkland finds out how deeply the rot has spread. He finally retaliates by representing a repulsive judge (John Forsythe) accused of rape. Pacino's and Forsythe's performances are intense and powerful. Many critics found the film biting and almost painful in its razor-sharp indictment of the justice system, while others declared the script too outrageous. ~ Don Kaye, All Movie Guide

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Starring:
Al PacinoJack Warden, (more)
1979  
R  
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"For God's sake, GET OUT!" was the ad campaign for the 1979 shocker The Amityville Horror. The film was based on the allegedly true story of the luckless Lutz family, who move lock, stock, and barrel into a new home, only to find that it is possessed by the demonic spirits of its previous owners. Variations of the Seven Deadly Plagues emanate from virtually every household fixture, while other forms of otherworldly mischief are suffered by the Lutz children. Enter kindly Father Delaney (Rod Steiger), who does his utmost to exorcise the house. The Amityville Horror was frequently greeted with laughs from its first-run audiences, especially after it was discovered that the "actual" events depicted in the film (based on a book by Jay Anson) were complete fabrications. ~ Hal Erickson, All Movie Guide

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Starring:
James BrolinMargot Kidder, (more)