Kate Harrington Movies
In the wake of such Satanic-themed thrillers as Rosemary's Baby, The Exorcist and The Omen comes The Sentinel. When New York fashion model (Cristina Raines) splits with her fiance (Chris Sarandon) and moves into an old brownstone, she soon discovers she has more than she bargained for in the lease. As luck would have it, a mysterious blind priest (John Carradine) who lives upstairs happens to be guarding the doorway to Hell, and she has been chosen as his replacement. Incidentally, when the door is finally opened, out spills an assortment of deformed humans whom director Michael Winner hand-picked from hospital wards and circus sideshows. ~ Jeremy Beday, All Movie Guide
- Starring:
- Chris Sarandon, Cristina Raines, (more)
- 1972
- PG
Leon Prochnik adapted the evocative Robert Moresco play Child's Play for the screen, with Sidney Lumet assuming directorial duties. Beau Bridges stars as a young teacher at an exclusive Catholic boy's boarding school named Paul Reis. An outbreak of violence and brutality among the students has Reis perplexed. He suspects that one of the older professors is responsible for inciting the mayhem. The two most likely suspects, played by James Mason and Robert Preston, are long-standing rivals who blame each other for the student turmoil. One of the old enemies goes so far as to discredit the other -- but his motives are at great odds with the religious doctrine taught within the school's walls. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Robert Preston, (more)
Directed by Arthur Hiller from the second of three Academy Award-winning screenplays by Paddy Chayefsky, The Hospital is a black comedy centering on Dr. Herbert Bock (George C. Scott), a bitter, suicidal surgeon. While patients at the hospital die left and right due to the extreme carelessness and ineptness of the staff that surrounds him, the lonely Bock finds himself falling for Barbara (Diana Rigg), the daughter of Edmund (Barnard Hughes), a patient. Meanwhile, a mysterious killer has begun stalking the hospital, taking out staff members. In addition to Chayefsky's Oscar win, The Hospital garnered a Best Actor nomination for Scott, who lost to Gene Hackman for The French Connection. ~ Matthew Tobey, All Movie Guide
- Starring:
- George C. Scott, Diana Rigg, (more)
Paul Newman made his directorial debut and Newman's wife, Joanne Woodward, stars as Rachel Cameron, a 35-year-old unmarried schoolteacher who feels as though she's wasted her life. Rachel's best friend, Calla Mackie (Estelle Parsons), invites her to attend a religious revival meeting. Here Rachel is swept up in the emotional fervor orchestrated by a young guest preacher (Terry Kiser). This is the first of several cathartic incidents which convince Rachel to kick over the traces and express her own needs and emotions. She has a brief sexual liaison with an old family friend (James Olson), and is delighted at the notion that she might have become pregnant. Rachel ends up alone and childless (her "pregnancy" was nothing more than a benign cyst), but still determined to forge a new life for herself. Based the novel A Jest of God by Margaret Laurence, Rachel, Rachel won New York Film Critics awards for both Joanne Woodward and Paul Newman, and an Oscar nomination for Joanne Woodward. ~ Hal Erickson, All Movie Guide
- Starring:
- Joanne Woodward, James Olson, (more)
It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, All Movie Guide
- Starring:
- Richard Widmark, Henry Fonda, (more)
- 1943
In her last 20th Century-Fox vehicle, skating star Sonja Henie plays, Nora, a Norwegian expatriate ice champion. Newly arrived in the U.S., Nora and her millionaire uncle Hjallmar (S. Z. Sakall) are sweet-talked into investing in a failing resort hotel, now a hostelry for showbiz folk. Unemployed musician Brad Barton (Cesar Romero) makes a play for Nora, but she winds up with hotel manager Freddy Austin (Cornel Wilde), leaving Freddy's girlfriend Flossie (Lynn Bari) literally in the cold. The film's finale is the standard fund-raising ice show, with Nora as the center of attention. It is typical of early-1940s musicals that poor Flossie, a likeable character throughout most of the film, turns into a venomous virago in the final reel to "justify" her breakup with Freddy. No matter: the film is redeemed by the sweet sounds of Woody Herman and His Orchestra. ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, Jack Oakie, (more)
- 1941
An average Tim Holt oater from RKO, Riding the Wind is set in the New Mexico desert where the ranchers are at the mercy of nasty Henry Dodge (Eddie Dew), the owner of the Dodge Land and Water Company. Ranchers Clay Stewart (Holt) and Burt Macleod (Earle Hodgins) at first hire lawyer Jackson (Larry Steers) to take care of things legally but the case is stalled in court. In the meantime, the hot-tempered MacLeod suggests dynamiting Dodge's dam, whereas Stewart proposes that the ranchers dig wells and install windmills designed by Ezra Westfall (Charles Phipps). Dodge and his men seek to sabotage these endeavors but Clay and his sidekicks Smokey (Ray Whitley) and Whopper (Lee "Lasses" White) get the last laugh. With Dodge in jail for bribing a judge, Clay, Eza and Ezra's pretty daughter Joan (Mary Douglas) ride on to build more windmills. Heroine Mary Douglas was in reality veteran B-Western leading lady Joan Barclay, a pretty redhead who had begun her career with yet another moniker, Geraine Grear). Miss Barclay was only "Mary Douglas" in this one film. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Tim Holt, Ray Whitley, (more)
- 1941
A remake of the 1933 RKO western of the same name, Come on, Danger! stars Tim Holt in the role originally essayed by Tom Keene. Holt goes after a gang of rustlers, commandeered by an attractive young woman (Julie Haydon in the original, Frances Neal in the remake). The girl has been accused of murder, but the actual culprit is the miscreant who drove the girl into a life of crime in the first place. Leading lady Frances Neal displayed an embryonic star quality in this film, but she retired shortly afterward to marry Van Heflin. Come on Danger was a bit longer than the 1933 version, principally because of the three songs warbled by supporting actor Ray Whitley. ~ Hal Erickson, All Movie Guide
- Starring:
- Tim Holt, Frances Neal, (more)
