James Harrell Movies

In this family drama, a white Southerner discovers that his family history isn't what he thought it was -- with the fact that he's half-black only one of his many surprises. Earl Pilcher, Jr. (Robert Duvall) runs a gas station in Arkansas; he's a typical middle-aged Southern man who likes his pickup truck and loves his momma. Shortly after his mother's death, he receives some very unexpected news; she wasn't really his mother after all. It seems that years ago, Earl Sr. (James N. Harrell) raped the family's African-American maid, Willie Mae, who nine months later died while giving birth to Earl Jr. To avoid further scandal, Mrs. Pilcher simply raised Earl Jr. as her own. While the family has kept the matter a secret all these years, Earl Jr. has a half-brother living in Chicago, and it was his mother's wish that the two should some day meet and become friends. Earl travels to Chicago and tracks down Ray Murdock (James Earl Jones), a veteran police officer and Willie Mae's other son. Earl Jr. quickly learns that Ray has little interest in getting to know him better; he knows all the facts behind the matter, and he's always blamed Earl for the death of his mother. However, Earl Jr. isn't used to life in a big city up north, and after he's mugged and carjacked, Ray grudgingly takes in his half-brother, letting him stay in the home he shares with his son Virgil (Michael Beach) and Aunt T. (Irma P. Hall), who raised Ray as a boy. A Family Thing was written by Billy Bob Thornton shortly before his breakthrough as writer, director, and star of Sling Blade. ~ Mark Deming, Rovi

Steve Martin has one of his best roles in Leap Of Faith as Jonas Nightengale, a high-tech faith healer and revival preacher who takes pride in the money he squeezes out of people, convincing himself that he can't deliver hope, but "I give my people a good show." As the film begins, Nightengale's truck caravan breaks down and his troupe finds itself stranded in the backwater town of Rustwater, Kansas. Nightengale figures that as long as he's there, he might as well set up the rubes and put on a performance. With the aid of his assistant Jane (Debra Winger) (who talks to Nightengale through an earpiece, informing him of the physical problems of certain members of his audience), Nightengale puts on a glorious show and rakes in the money. But the local sheriff Will (Liam Neeson) wants to shut down the show because times are bad in Rustwater and he doesn't think folks should waste their money on a charlatan. Nightengale sends Jane to seduce Will, but the sheriff succeeds in getting Jane to fall in love with him. Nightengale also meets someone, Marva (Lolita Davidovich), a local waitress with a crippled brother. The boy thinks Nightengale can heal him. Nightengale tries to make the child understand that he can't help him, but it turns out that Nightengale knows very little about his own faith powers. ~ Paul Brenner, Rovi

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, Rovi

This hard-boiled throwback to the film noir dramas of the 1940s and '50s is directed by filmmaker and actor Dennis Hopper, based on the novel Hell Hath No Fury by Charles Williams. Don Johnson stars as Harry Madox, a drifter who settles in a small Texas town and begins secretly setting small fires, setting up his planned heist of the local bank run by eccentric Julian Ward (Jack Nance). To pay the bills while he puts his robbery scheme in motion, Harry gets a job working at a used car lot owned by the ailing George Harshaw (Jerry Hardin), whose promiscuous vamp of a wife, Dolly (Virginia Madsen), immediately begins a torrid affair with Harry. Harry's also powerfully attracted to the gorgeous Gloria Harper (Jennifer Connelly), an innocent, virginal secretary at the car dealership with a dark secret involving a creepy blackmailer, Frank Sutton (William Sadler). The Hot Spot also stars Charles Martin Smith, Barry Corbin, and Leon Rippy. ~ Karl Williams, Rovi

In this made-for-TV actioner, three rebellious black army officers disobey orders in Vietnam and refuse to destroy a village filled with innocent people. They are sent to Georgia where they undergo a court-martial. The officers know that they are going to be railroaded and so manage to escape. The fugitives end up in Riverbend, hiding in the home of a sympathetic widow. The town is controlled by a brutal, extremely racist sheriff who kills those opposing him and freely takes whatever he wants from the terrified residents. This doesn't set well with one of the officers who, with plans to usurp the sheriff's authority, convinces the others to help him create a secret training camp in the woods. They then begin recruiting the local black men and training them for combat. When they are ready, the angry rebels take over the town, incarcerate the sheriff and all his cohorts and hold the rest of the town hostage in a church until their demands for media attention and an end to racism are met. ~ Sandra Brennan, Rovi

A woman trying to keep a momentary indiscretion quiet finds herself in more trouble than she ever imagined in this comedy written and directed by Robert Benton. Nadine Hightower (Kim Basinger), who is significantly more beautiful than intelligent, is fast-talked into posing for some cheesecake pictures by sleazy photographer Raymond Escobar (Jerry Stiller). When Nadine learns that Escobar plans to use the pictures for a set of racy playing cards, Nadine decides to steal the photos back, and she enlists the help of her soon-to-be-former husband Vernon (Jeff Bridges), who is already engaged to the winner of a local beauty pageant. In the midst of the robbery, intruders shoot and kill Escobar in the next room; Nadine and Vernon grab an envelope marked "Nadine" and make tracks. But the envelope doesn't contain any photos; instead, there are plans for a road to be built in town that reveal dirty dealings by local politicians, and now Nadine and Vernon are on the run from both Escobar's killers and land baron Buford Pope (Rip Torn). Popular country and western group Sweethearts of the Rodeo perform several tunes for the film's soundtrack. ~ Mark Deming, Rovi

Over ten years after making the original Texas Chainsaw Massacre, Tobe Hooper returns to his deranged family of reclusive cannibals for another round of chainsaw chases and non-stop screaming. Hooper brings a real budget this time (having recently directed Poltergeist for Steven Spielberg) and the talents of veteran make-up artist Tom Savini. This means he can make things bigger, louder, and gorier than ever before -- and they are. He also brings a wacky, self-deprecating sense of humor, as if deliberately flaunting Texas Chainsaw Massacre's status as one of the first and still greatest "splatter" movies. The result is an impish take-off on the original film (and contemporary horror movies in general) that elevates its own clichés -- buckets of blood and gore, droll dialogue, the screaming female lead -- to the level of high camp. The movie is loosely concerned with a small-town disc jockey named "Stretch" (Caroline Williams, who does most of the screaming) and an embittered Texas Ranger named "Lefty" (Dennis Hopper). They team up and decide to put an end to the murderous activities of the Sawyer family once and for all (that is, of course, until Texas Chainsaw Massacre III). The real highlight of the film is when Stretch and Lefty find their way into the Sawyer family hideout -- a ruinous, winding abattoir underneath an abandoned amusement park -- and engage in a chainsaw-battle-to-the-death with Leatherface (Bill Johnson) and the rest of the clan. Jim Siedow is back from the first film as the acerbic Drayton Sawyer, the family cook and owner of the Last Roundup Rolling Grill. Chop-Top (Bill Moseley) and Leatherface do most of the movie's dirty work. ~ Anthony Reed, Rovi

Released in the mid-1980s, this farm drama stars Jessica Lange and Sam Shepard as Jewell and Gil Ivy, who run a small farm in Iowa that has been in Jewell's family for several generations; her father Otis (Wilford Brimley) lives with them, along with their three children. While the work is hard and the earnings are slim, the Ivys have been able to get by, like most of their neighbors, until a one-two punch threatens to devastate the Iowa farming community. First, a tornado devastates the area, then the Farmers Home Administration calls in the loans on most of the farmers in the area, which they are in no position to repay. With thirty days to "voluntarily liquidate" their property, the Ivys, like most of their friends and neighbors, are desperate to find a way to hold on to their property, and when the stress causes Gil to buckle, Jewell must step in to keep the clan going. In addition to starring as Gil, Sam Shepard also contributed (without credit) to William D. Wittliff's screenplay; Wittliff was also slated to direct, but shortly after shooting began he was replaced by Richard Pearce. ~ Mark Deming, Rovi

Jane Fonda stars in this made-for-TV movie, which uses the backdrop of World War II and urbanization to tell the story of one woman's fight to keep her family together. Gertie Nevels (Fonda), the wife of a Kentucky sharecropper, wants nothing more than to one day own her own farm. Thriftily hiding her savings from husband Clovis (Levon Helm), she prepares to make her dream come true -- until Clovis summons her to come join him in Detroit, where he's gone to work in a factory to help with the war effort. Arriving with her children in tow, Gertie finds Clovis all settled into a tenement-like block house and living the life of a union man. Soon, though, the downside of urban life -- from monstrous neighbors and repressive schools to the pitfalls of the industrial landscape itself -- threaten Gertie's family both individually and as a whole. Despite Clovis' freewheeling way with money and his propensity to blame her for the family's problems, Gertie continues to save money. A lifelong whittler, she begins selling hand-crafted wooden dolls, and when the union goes on strike, Gertie finds herself supporting the family. Adapted from Harriet Arnow's novel by Hume Cronyn and Susan Cooper, who would go on to collaborate on the similarly themed Foxfire in 1987, The Dollmaker was directed by feature and TV veteran Daniel Petrie. It debuted on ABC on May 13, 1984, and earned Fonda an Emmy for her work. ~ Brian J. Dillard, Rovi

Ellen Burstyn plays Edna McCauley, the wife of a man (Jeffrey DeMunn) who is killed in an auto crash. Edna herself survives, but not before enduring an "out of body" experience. Crippled in the accident, Edna heads to her hometown in Kansas to recuperate. There she discovers that she has the power to heal people, presumably a byproduct of her brief trip into the beyond. She accepts her gift, but resists the notion that she has been blessed with divine powers. On the other hand, her young lover (Sam Shepard) believes that she is the embodiment of Jesus Christ. It is his method of proving his hypothesis that brings the film to its startling conclusion. Both Ellen Burstyn and Eva Le Gallienne (as Burstyn's grandmother) were nominated for Academy Awards. ~ Hal Erickson, Rovi

A low-budget, sepia-toned mini-classic that shows the dignity and humanity of the human spirit, The Whole Shootin' Match is the story of two young Texas men chasing their dreams to get rcih. ~ Tana Hobart, Rovi

In a spin off from the actual event of U.S. President Kennedy's assassination, this drama examines what the trial of Lee Harvey Oswald may have been like had he not been shot by Jack Ruby. This made-for-television movie was aired in two parts. ~ Kristie Hassen, Rovi

This novel fusion of car-chase film and spooky horror became a surprise box-office hit in 1975. The story begins with car enthusiasts Frank (Warren Oates) and Roger (Peter Fonda) taking their wives, Kelly (Lara Parker) and Alice (Loretta Swit), on a vacation in a recreational vehicle. Their camping trip goes horribly awry when Frank and Roger accidentally stumble upon a group of hooded cultists committing a human sacrifice. The cultists give chase and the two couples barely escape with their lives. They go to the local police for help, but the officers can find no evidence to back up the story and send the two couples on their way. As they try to continue their vacation, strange events continue to occur that culminate in four protagonists and their cultist tormentors having a brutal automotive showdown on the open road. The end result of all this genre-hopping suffers from a lightweight approach that downplays the story's darker and more interesting elements, but still manages to deliver plentiful action and a few genuine chills. As a result, Race With the Devil became an unexpected success for 20th Century Fox and remains something of a cult favorite. ~ Donald Guarisco, Rovi