Mark Harmon Movies

An alternate-universe adventure that will forever change the way comic-book fans view their favorite DC superheroes, Justice League: Crisis on Two Earths finds a heroic Lex Luthor recruiting Batman, Superman, Wonder Woman, Green Lantern, The Flash, and J'onn J'onzz to help save planet Earth from a villainous Crime Syndicate headed up by Superwoman, Ultraman, and Owlman. Featuring the voices of James Woods, Mark Harmon, Chris Noth, Gina Torres, and Bruce Davison. ~ Jason Buchanan, Rovi

NCIS (Naval Criminal Investigative Service) is more than just an action drama. With liberal doses of humor, it's a show that focuses on the sometimes complex and always amusing dynamics of a team forced to work together in high-stress situations. NCIS Special Agent Leroy Jethro Gibbs (Mark Harmon), a former Marine gunnery sergeant, whose skills as an investigator are unmatched, formerly led this troupe of colorful personalities. Gibbs, a man of few words, only needs a look to explain it all. The team includes NCIS Special Agent Anthony DiNozzo (Michael Weatherly), an ex-homicide detective who may come off as the world's oldest frat boy, but whose instincts in the field are unparalleled; forensic specialist Abby Sciuto (Pauley Perrette), a talented scientist whose dark wit matches her Goth style and eclectic tastes, NCIS Special Agent Timothy McGee (Sean Murray), an MIT graduate whose brilliance with computers far overshadows his insecurities in the field and Ziva David (Cote de Pablo), a former Moussad agent who shares a bond with Gibbs over the death of his arch nemesis, Ari, the terrorist who killed former NCIS Special Agent Kate Todd. Assisting the team is medical examiner Dr. Donald "Ducky" Mallard (David McCallum), who knows it all because he's seen it all, and he's not afraid to let you know. Rounding out the team is NCIS director Jennifer Shepard (Lauren Holly) who has a romantic history with Gibbs. From murder and espionage to terrorism and stolen submarines, these special agents travel the globe to investigate all crimes with Navy or Marine Corps ties. The 19 episodes of Season 5 aired from 2007-8 on CBS.

Season Three of NCIs opens on a melancholy note, as the Naval Criminal Investigate Service team headed by the iconoclastic Leroy Jethro Gibbs (Mark Harmon) mourns the death of team member Caitlin "Kate" Todd (Shana Alexander) at the hands of ruthless terrorist Ari (Rudolf Martin) (though actress Alexander had left the series, she would return in "ghostly" form once or twice). Gibbs' response to the loss is encapsulated in the title of the two-part season opener, "Kill Ari", which introduces Cote de Pablo as new NCI member Ziva David, a former Mossad officer who also has a score to settle with Ari. Another new regular is introduced in the episode "Silver War": Lauren Holly as NCIs director Jenny Shepard, who replaces former director Tom Morrow (Alan Dale) when the latter joins the Homeland Security department. Jenny's arrival adds a whole new dimension to the series, inasmuch as she had previously been the partner--and lover--of Leroy Gibbs. In addition to these newcomers, together with longtime series stalwarts Michael Weatherly (Tony DiNozzo), Pauley Perrette (Abigail Sciuto), Sean Murray (Tim McGee) and David McCallum (Donald "Ducky" Mallard), the third season also marks the debut appearances of recurring characters Stephanie Mello as Cynthia Summer and Muse Watson as Michael Franks. Throughout the season, the viewer is offered seconds-lasting flashbacks to the jealously guarded past of NCI team head Gibbs, culminating in the revelation that the first of his three wives was murdered, along with his daughter. This information comes to surface during the two-part finale "Hiatus", wherein Tony DiNozzo is put in charge of the team while Gibbs is recovering from a serious injury which may rob him of his memory--a tragedy that could not happen at a worse time, inasmuch as Gibbs is the only person who knows the modus operandi of a vicious terrorist group which threatens the lives of everyone whom the viewer cares about! Incidentally, there's a bit of benevolent nepotism afoot during NCI's third season. Appearing in key roles as Michael Bellisario and Troian Bellisario--the real-life offspring of series producer/creator Donald P. Bellisario. ~ Hal Erickson, Rovi

Television director Andy Cadiff turns toward feature films to direct the romantic comedy Chasing Liberty, which appears to be loosely based on the 1953 Audrey Hepburn classic Roman Holiday. Mandy Moore stars as Anna Foster, the 18-year-old daughter of President of the United States James Foster (Mark Harmon). Anna has led quite a privileged life, but she has grown to resist the constant presence of Secret Service agents getting in the way of her independence. While on a family trip to Europe, Anna manages to get away from security for a brief time. She inevitably falls into the romantic arms of British boy Ben Calder (Matthew Goode), with whom she enjoys a fresh and clean European vacation. Not wanting to ruin her fun, she doesn't tell him about her upper-class social status. But, alas, Ben surprises her with a secret identity of his own. Jeremy Piven and Annabella Sciorra play two Secret Service agents. Caroline Goodall plays the wise, conventional First Lady. ~ Andrea LeVasseur, Rovi

A high-strung mom and her punky daughter learn what it's like to walk in each other's shoes -- literally -- in Disney's second update of their 1977 teen fantasy comedy. The new-millennium Freaky Friday has disgruntled teen Anna Coleman (Lindsay Lohan) living, sans father, with her uptight therapist-author mom Tess (Jamie Lee Curtis) and bratty brother Harry (Ryan Malgarini). The angst between the two reaches a fever pitch on the eve of Tess' wedding rehearsal: Anna wants to ditch the proceedings for an all-important band audition, but Tess sees the conflict as a show of resentment toward imminent step-dad Ryan (Mark Harmon). When the whole clan goes out to dinner at their favorite Chinese restaurant, their sage waitress (Lucille Soong) picks up on the tension between the mother and daughter and casts a spell on them via two magic fortune cookies. The next day, Tess and Anna must put up with life in each other's bodies -- until, as the fortune says, they can come to a greater understanding of one another. Freaky Friday was previously remade for TV in 1995 with Shelley Long and Gaby Hoffman in the leads. ~ Michael Hastings, Rovi

Based on a true crime story, the two-part TV movie And Never Let Her Go recounts the disappearance of Anne Marie Fahey in June of 1996, and the subsequent arrest and conviction of her accused murderer. Hired as a secretary by powerful Delaware attorney and gubernatorial aide, Thomas Capano (Mark Harmon), Anne Marie enters into a torrid and ofttimes abusive affair with her kinky boss. When Anne Marie's relatives report that she is missing, the governor of Delaware solicits the aid of the U.S. Department of Justice to solve the case. Although detective Frank Gugliatta (Paul Michael Glaser) and assistant U.S. attorney Colm Connolly (Steve Eckholdt) suspect that Capano has done away with Anne Marie, they are stymied by a lack of tangible proof...notably, the girl's body. It is not until Anne Marie's diary turns up in a most unexpected manner that Gugliatta and Connolly are able to fully act upon their suspicions -- and even then, the ultimate solution rests with the cooperation (or lack of same) of Capano's brother, Gerry (David Hewlett). Oscar winner Olympia Dukakis appears as Thomas Capano's formidable mother. Filmed in Toronto and told largely in flashback, And Never Let Her Go was originally telecast by CBS on April 1 and 4, 2001. ~ Hal Erickson, Rovi

Haley Joel Osment stars in this melodramatic war drama about Japan's attempted incursion into California's water just after Pearl Harbor. Japanese sailor Matsuo (Yuji Okumoto) falls overboard off the coast of Passerville. He eventually finds refuge in an old factory where four boys, including Pee Wee (Osment) and Duke (Trevor Morgan), usually play. Meanwhile, Duke's parents (Mark Harmon and Pam Dawber) befriend Japanese-American Abe Tanaka (Noriyuki "Pat" Morita) as he his forced to move to a relocation camp. ~ Jonathan Crow, Rovi

This family drama by actress and first-time director Anne DeSalvo centers around four adult sisters who are forced to re-evaluate their situations after tragedy strikes. The oldest of the clan, Grace (Mercedes Ruehl), is called upon to be the tower of strength, even though she is widely perceived to be a replica of their mother Dolly (Cloris Leachman), a woman who, like Grace, has unfailingly devoted much of her life to a husband who doesn't appreciate her as he should. Christine (Sean Young) is separated from her job-obsessed husband Paul (Jamey Sheridan), and contemplates divorcing him even though they have a young daughter. Another sister, Denise (Dinah Manoff), rejects the idea of marriage despite the advances of boyfriend Lawrence (Mark Harmon); youngest sister Dolores (Lily Knight) has become mentally challenged due to an accident, and has trouble relating to her older siblings. Dolores has found a romantic interest, but the family feels she is unable to cope with such an attachment at her age. Through the aid of Dolly's sisters Splendora (Lee Grant) and Loretta (Edith Fields), the family tries to retain its bond and deal with unexpected tragedy. ~ Jason Clark, Rovi

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

A battered wife desperately searches for a way to escape her abusive marriage. That she is married to a prominent police officer only ensures that almost no one will believe her. Opportunity seems to knock after she finds herself attracted to a charming fellow she meets in cooking class. He is attracted to her too, and hope blossoms until he starts acting as crazy as her husband. ~ Sandra Brennan, Rovi

Set in beautiful British Columbia, Canada, this magical family tale centers on a divorced radio talk show psychiatrist who has been so immersed in his career that he has neglected his two kids, Ashley and Josh. To rectify the situation, he takes them to a beautiful lakeside cabin in Glenorky, BC, the supposed home of a giant mythological reptilian monster. Though he has ostensibly come to spend time with the kids, the lure of working on his book is too strong and soon he is locked away in the cabin amidst papers, a cellular phone and a lap-top, busily clacking away while the children head out to explore. It is Ashley who first sees the mythical monster. She tells her dad, and of course, he initially disbelieves her, but the girl seems so earnest that he begins to wonder. His investigation of the matter leads him down a magical road to reconciliation with his children and the rediscovery that there is a wonderful life outside of his career. He even manages to find a little love along the way. This film is also known as Glenorky. ~ Sandra Brennan, Rovi

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, Rovi