Kenneth Harlan Movies

Having worked as a duo in the first three entries of Monogram's low-budget "Trail Blazers" series, veteran Western stars Ken Maynard and Hoot Gibson were joined by Bob Steele in the fourth, Death Valley Rangers -- reportedly much to Maynard's dismay. Although not much younger than his august partners, Steele was still nimble enough to take care of the more strenuous fisticuffs and he was even somewhat believable in romantic clinches -- as opposed to his co-stars, whose ever expanding waistlines did not allow for tender scenes. This time, "The Trail Blazers," government agents, investigate a series of gold shipment thefts in Death Valley committed by a gang headed by Jim Kirk (Weldon Heyburn, whose name was misspelled "Hayburn" in the on-screen credits!). Kirk has hired a crooked scientist, Doc Thorne (Karl Hackett), who has discovered a method to pour the stolen gold back into the rock, where it will be indistinguishable from virgin ore. Steele infiltrates the gang and with the help of his partners, Death Valley is soon safe from Kirk and his gang. Like most of the "Trail Blazers" Westerns, Death Valley Rangers was filmed at Corriganville, actor Ray "Crash" Corrigan's movie ranch in Simi Valley, California. ~ Hans J. Wollstein, All Movie Guide

In a rather desperate attempt to duplicate the success of Republic Pictures' Three Mesqueteers B-Western series, Monogram producer Robert Emmett Tansey hired tired veterans Ken Maynard and Hoot Gibson to constitute the "Trail Blazers." Maynard and Gibson (playing themselves) are former lawmen hired to look into the disappearance of horses purchased by Commissioner Brent (I. Stanford Jolley) of the Southwestern Railroad Company. The seller of the herd, Betty Wallace (stunt rider Betty Miles), is unaware that her foreman, Tip (Glenn Strange), is also in the employ of Mel Carson (Ian Keith), a crooked saloon owner with interests in a stagecoach line whose existence is threatened by the railroad. Despite their expanding waistlines, Maynard and Gibson manage to catch the crooks and return the stolen horses, well assisted by young, law-spouting Sheriff Bob Tyler (Bob Baker). The latter, a former Universal star, was added to the cast to provide the necessary romantic sub-plot but the cantankerous Maynard disliked him so much that he was gone by the second instalment of the "Trail Blazers," The Law Rides Again. Maynard himself ended his long starring career after the sixth entry, Arizona Whirlwind (1944), replaced in the final two films by Chief Thundercloud. The initial two "Trail Blazers" films were helmed by Alvin J. Neitz (under the pseudonym of Alan James), and proved the final directorial work of this genre-specialist whose career dated back to the silent era. After the demise of the series, Hoot Gibson and new sidekick Bob Steele filmed another three Westerns for Monogram, often mistakenly referred to as "Trail Blazers" entries. ~ Hans J. Wollstein, All Movie Guide

In this flag-waving adventure, the Masked Marvel helps keep the world safe for capitalism by taking on the evil Japanese agent Sakima who is trying to take over the World-Wide Insurance Company. The film was originally a 12-part serial. ~ Sandra Brennan, All Movie Guide

Originally titled Dawn Express, this PRC spy melodrama was hastily rechristened Nazi Spy Ring to keep abreast of current events. Michael Whalen stars as Robert Norton, a scientist who has developed a formula for synthetic gasoline. A group of Nazi spies try to intimidate Norton into parting with his formula, but he is not so easily frightened. The villains then contrive to have Norton suspected of being a Nazi himself so that he'll be more susceptible to their overtures. As one critic pointed out, the hero could have saved himself all this trouble if he'd reported the spies to the FBI in the first reel, but then the movie would have been over in 12 minutes. Nazi Spy Ring is so cheaply produced that the sets constantly threaten collapse -- and indeed, at one point a break-away door fails to break properly, provoking laughter in all the wrong places. ~ Hal Erickson, All Movie Guide

Hoping to increase its box-office allure by adopting the title of a popular song, Deep in the Heart of Texas (clap!clap!clap!clap!) was the first Johnny Mack Brown western of the 1942-43 season. The plot concerns a group of insurrectionists who intend to keep Texas separate from the rest of the USA. Brown is cast as Jim Mallory, son of insurrectionist leader Colonel Mallory (played by William Farnum, who was often called upon to play Brown's dad). At first sympathetic to the separatists out of loyalty to his father, Johnny ultimately realizes that the movement has been corrupted by a criminal element. With the help of governor's emissary Brent Gordon (Tex Ritter), Johnny is instrumental in restoring the Lone Star state to the Union. The title tune is sung con brio by the Jimmy Wakely trio. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown essays the title role in Universal's Fighting Bill Forgo. Returning to his home town, Bill Fargo takes over the operation of his late father's newspaper. He quickly gets swept up in political intrigue fomented by political boss Hackett (Kenneth Harlan), who has a cute habit of rubbing out any and all honest candidates for the sheriff's office. When one of Hackett's victims manages to snap a photograph of his assassins, Bill intends to publish the picture and expose the crooks-provided he lives that long. The musical interludes are provided by Eddie Dean, who'd be promoted to cowboy-star status himself in the late1940s. ~ Hal Erickson, All Movie Guide

Director William "One Take" Beaudine slapped together Foreign Agent in a week or so, enabling Monogram to ship the picture to theaters before its subject matter grew stale. Set in a Hollywood movie studio (sure looks like the cramped Monogram headquarters), the story concerns a gang of Nazi agents who want to get their filthy mitts on a searchlight filter developed by studio technician Jimmy (John Shelton). Unable to alert the authorities, Jimmy is forced to turn sleuth himself to rout out and round up the villains-all played by such overly obvious types as Hans Schumm and Ivan Lebedeff (a Lithuanian actor, here cast as a Japanese!). Heroine Gale Storm sings two songs, including the deathless "It's Taps for the Japs." Jack Mulhall, who used to star in films of this nature, plays a bit role as a studio film editor. ~ Hal Erickson, All Movie Guide

After an opening scene at a Washington DC cocktail party where it is demonstrated that "loose lips sink ships", the plot proper gets under way, wherein a group of six men conspire to undermine America's war effort. What is the connection between these six men, all of them outwardly respectable members of Washingtonian society? Hero Don (Clayton Moore) and heroine Alice (Joan Barclay) suspect that the answer lies with the mysterious, wryly philosophical Dr. Melcher (Bela Lugosi), a world-famous plastic surgeon. It turns out that Melcher is part of an elaborate espionage scheme hatched by the dreaded Black Dragon Society of Japan. ~ Hal Erickson, All Movie Guide

Believe it or not, this bizarre wartime "B"-picture was based on a true story. In the early stages of WWII, a prominent American businessman offered one million dollars to anyone who could nab Adolf Hitler and bring him to justice, dead or alive. This real-life character is herein played by Russell Hicks; accepting his offer, no questions asked, are ex-convicts Ward Bond, Warren Hymer and Paul Fix. Joining the Canadian Air Force, the three heroes-by-default strong-arm their way into Nazi Germany, then gain access to Hitler by posing as musicians. Robert Watson, frequent Hitler impersonator during the war years, co-stars as Der Fuhrer, who turns out to be a craven coward once he's shorn of his postage-stamp mustache (we're not making this up.) The quasi-comic tone of the film turns dead serious at the end, as a wild-eyed Ward Bond makes a long patriotic speech while facing a firing squad (previously shown mowing down little children in their bedclothes!). One of the oddest scenes in the picture finds the three former convicts busting out of the Dachau concentration camp -- and this before the world at large was unaware of the horrors going on behind the walls of this infamous death factory. Only one quibble: Why are there shadows of flames playing against Bond's face in the final scene, when there isn't any fire? ~ Hal Erickson, All Movie Guide

In yet another full-length version of an earlier serial, Dick Tracy (Ralph Byrd) is out to get the bizarre Ghost, a dastardly member of the vigilante group known only as the Council of Eight. ~ John Bush, All Movie Guide

The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell's (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by "John Doe." Angered at the ill treatment of America's little people, the fabricated Doe announces that he's going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who'll do anything for three squares and a place to sleep. "John Doe" and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses -- ghost-written by Mitchell, who, it is implied, has become the publisher's mistress. The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement -- until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra's "social statement" films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes. ~ Hal Erickson, All Movie Guide

Muggs Maloney (Leo Gorcey) is supposed to be preparing for the Golden Gloves competition but he doesn't want to train anymore in a stuffy slum building. His friend Danny (Bobby Jordan) lures him upstate to what he thinks is going to be a training camp, but instead turns out to be a Civilian Conservation Corps camp, where young men sign up to do land reclamation in exchange for support for their families -- Muggs feels cheated, but his mother can use the money and the labor is keeping him in shape, so he sticks it out, even saving the life of another boy, though his pugnacious, self-centered attitude quickly alienates most of the camp from him. When Willie (Bobby Stone), one of the few friends he has, tells Muggs that he stole $100 from the captain's office to send to his mother, Muggs decides to help him out by taking up a local fight promoter (Carleton Young) on his offer of a prize fight; he wins and tries to replace the money, but gets caught by the captain. Muggs won't squeal on Willie and is dismissed from the camp, but Danny won't let the issue go and forces Willie to confess his role in the crime. ~ Bruce Eder, All Movie Guide