Mickey Hargitay Movies
Though best remembered today as the spouse of
Jayne Mansfield, Hungarian-born bodybuilder
Mickey Hargitay also enjoyed a career as an actor both in the United States and Europe during the late '60s and early '70s. Born
Miklos Hargitay in 1926, he left his native Budapest after World War II and emigrated to the United States, where he performed as an adagio dancer and also owned his own construction business. He became interested in professional bodybuilding in the mid-'50s, and eventually won the Mr. Universe title in 1955. He then joined
Mae West's stage show, where he met and fell in love with
Mansfield. The pair was married in 1957, the same year that
Hargitay made his motion-picture debut in
Slaughter on Tenth Avenue. He would co-star with
Mansfield three times -- in
Will Success Spoil Rock Hunter? (1958),
The Loves of Hercules (1960) (in which he played the title role), and in
Promises! Promises! -- before the couple divorced in 1964.
Hargitay's subsequent roles were primarily in Italian productions; the most notable of these was 1965's
Bloody Pit of Horror, in which he played a crazed nobleman possessed by the sadistic spirit of his ancestor.
Hargitay also appeared in several Italian Westerns and spy films before wrapping up his acting career in a trio of horror films --
Lady Frankenstein (1971), the perverse
The Reincarnation of Isabel, and
Delirium (both 1972).
Hargitay remarried in 1973 and found a second fortune in real estate.
Hargitay later became the president of Graphic Muscle, an internet site devoted to bodybuilding, and the proud father of five children, one of whom,
Mariska Hargitay, achieved her own success in Hollywood. ~ Paul Gaita, Rovi

- 1988
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A pair of Hungarian filmmakers search the United States for the former Mr. Universe and husband of the late Jayne Mansfield, Mickey Hargitay in this comedy drama. ~ Sandra Brennan, Rovi
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- Starring:
- Laszlo Szabo, George Pinter, (more)

- 1972
-
- Add Delirium to Queue
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Italian filmmaker Renato Polselli (aka Ralph Brown) wrote and directed this wonderfully sick and demented giallo thriller, a shining example of the sort of outrageous psychosexual perversity for which the genre has become cherished by cult enthusiasts. Former Mr. Universe Mickey Hargitay was already a sleaze favorite for his turn as Il Boio Scarlatto and his disingenuously tearful tour of his late wife's estate in The Wild, Wild World of Jayne Mansfield. Hargitay only solidifies that image here as Prof. Herbert Lyutak, a perverse sex maniac employed as a criminal psychologist. Lyutak is first seen giving a young woman a ride in his car, eventually attacking her and chasing her through the woods to a creek, where he beats her to death. Lyutak's wife (Rita Calderoni) finds his bloody shirt, but because there is another murder while the demented shrink is consulting the police, he is cleared. Working with the authorities, Lyutak has a family friend (Katia Kardinali) pose as a prostitute to catch the killer, but he simply murders another hooker not far away. The bodies continue piling up, with so many alibis and confusing contradictions that it soon becomes apparent the killings are the work of several hands. Polselli keeps the sleaze factor high throughout, notably in some psychedelic nightmare sequences featuring Lyutak's fantasies of torturing nude women in his basement and in the murder of Kardinali, which features some fairly graphic whipping and kinky sexual allusions. There's also lesbianism, strangulation, and an interesting synth-rock score by Gianfranco Reverberi to keep viewers interested, and the ultimate conclusion is -- in keeping with the title -- a delirious, bloody battle between three psychopaths in a cellar. That's only in the original version, however, because the American re-edit removed most of the sleaze, changed the setting from England to the United States, and added two extra murders and a police shootout, not to mention some dubious Vietnam flashbacks. The ultimate entertainment value to genre enthusiasts, therefore, is highly dependent on which version they see, as the extensive changes reduce a wild, flamboyant shocker to just another dull mystery. Gaetano Cimarosa and Stefano Oppedisano co-star. ~ Robert Firsching, Rovi
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- 1968
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A documentary that covers the life and career of Jayne Mansfield. This program was left unfinished at the time of her death from a fatal car crash. ~ Rovi
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- 1967
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This documentary serves as a low-budget travelogue of Las Vegas. Performances by singer Vic Damone, dancer Juliet Prowse, and sex goddess Jane Mansfield are the highlights of the film that was obviously filmed a few years before the premiere at the Hollywood Theatre on June 23rd, 1967. An ironic footnote; Mansfield died in an auto accident June 29th, 1967, the day after Variety reviewed the feature. ~ Dan Pavlides, Rovi
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- Starring:
- Jayne Mansfield, Vic Damone, (more)

- 1965
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Ex-Mr. Universe Mickey Hargitay plays the thick, musclebound host for the evil spirit of the notorious "Crimson Executioner," a sadistic Italian Baron in whose former castle Hargitay and a collection of sexy models are staging a Gothic-themed photo shoot. Before long, the sweaty brute is hauling the poor lasses into the dungeon to have at them with a wide assortment of torture devices. The film's ad slicks proudly proclaim this Euro-cheapie as being "Based on the works of the Marquis de Sade." Although this statement is pretty unlikely, it's still hard to refute: Who's to say a movie depicting the torture of numerous scantily-clad ladies isn't something the Marquis wouldn't heartily endorse? Authentic or not, it's certainly a sleazy little film, notable only for the novelty presence of Hargitay (Jane Mansfield's husband). Video-seekers can take their pick from a wide assortment of alternate titles: Bloody Pit of Horror, The Crimson Executioner, The Scarlet Executioner, Virgins for the Hangman and probably half a dozen others. ~ Cavett Binion, Rovi
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- 1965
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In this western, a man exacts bloody revenge upon the avaricious land baron who was responsible for the death of the young man's family. ~ Sandra Brennan, Rovi
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- 1964
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Made in Italy in 1964 as L'Amore Primitivo, the year after Promises, Promises and a full four years before The Wild Wild World of Jayne Mansfield and her unfortunate death, this is one of the rarest-if not the rarest-Jayne Mansfield movies of all time. The film opens to the immortal strains of "Bella Come Te" as Mansfield-playing herself-checks into a fancy hotel and within five minutes comes up with at least 10 different excuses to disrobe, shower and prance around almost naked. Franco and Ciccio (at the time Italy's top funnymen, who also appeared in Dr. Goldfoot and the Girl Bombs and may very well be the two scariest Jerry Lewis imitators of all time) play horny bellhops spying on Mansfield's every move. She eventually settles down, sets up a projector in her room, and invites a very square looking professor into her room to view her new documentary/shock-u-mentary. In the grand tradition of 'mondo' movies Mansfield starts narrating the action as the screen unfolds to show topless Asian women, real animal sacrifices, interracial sex and oriental cock-fighting. Suddenly a witch doctor pounds the drums while a bevy of young girls do the topless Temptation Dance. Then the movie within a movie veers off into hallucination land as Mansfield becomes the native girl and does a breast twirling dance for the drum pounding Franco and Ciccio, featuring one of them twirling his eyebrows in direct sync to Mansfield's breasts. When queried as to the validity of all this wild documentary footage, filmmaker Mansfield espouses that all men, deep down inside, are actually primitive lusting animals. In the explosive finale, she proves her point. While performing a striptease, the bellhops go beserk and the professor turns into a drooling, sex-crazed werewolf. ~ Cub Koda, Rovi
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- 1963
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- Add Promises! Promises! to Queue
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Jayne Mansfield bares almost all (and became the first Hollywood actress to do so) in this nearly universally panned sex comedy from the early 1960s. In the story, poor Sandy is desperate to get pregnant. Unfortunately, her husband, a television script writer, is too wound up over his high stress job to make love to her at night even though he too, wants a child. To help him loosen up, they go on a relaxing cruise and meet another couple. The foursome hit it off and begin drinking heavily. They soon exchange partners and retire to their rooms. Later both wives show up pregnant, but now the question remains: which baby belongs to which father? ~ Sandra Brennan, Rovi
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- Starring:
- Jayne Mansfield, Marie McDonald, (more)

- 1962
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Roger Browne was the latest entry in the Steve Reeves/Gordon Scott beefsteaks--er, sweepstakes--in 1962's Revenge of the Gladiators. Utilizing standing Cinecitta sets and well-worn costumes, the film has the husky Browne rescuing a princess from marauding barbarians. The damsel in distress is played by sword 'n' sandal "regular" Scilla Gabel. The director is Michel Lupo, he of the "Shout 'action', close your eyes and hope for the best" school of filmmaking. If you don't like the action highlights, you'll get a thrill out of watching the actors flap their mouths in a Babel of foreign languages while the English soundtrack tries to keep pace. ~ Hal Erickson, Rovi
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- Starring:
- Roger Browne, Scilla Gabel, (more)

- 1960
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This was one of the earlier movies to follow from Italy in the wake of the success of Hercules starring Steve Reeves, and marked an attempt to add some star power to the notion of a mucleman movie, not so much in the title role as the female lead. Mickey Hargitay, a body-builder, plays the Greek hero, while his then-wife, Jayne Mansfield, then one of Hollywood's reigning sex queens, has two roles in the film. Hercules learns of the murder of his wife and seeks vengeance, only to learn that the kingdom from which the murderers came is besieged from within, by a usurper to the throne. Jayne Mansfield portrays the king's daughter, who sympathizes with Hercules and opposes the usurper; she and Hercules are parted when he is wounded battling a three-headed dragon and given aid by a group of Amazons, who bring him to their queen (also played by Mansfield). She proceeds to woo the strongman, not knowing that she has a unique way of terminating her relationships -- transforming her lovers into trees. Hercules manages to escape with his life while the queen is done in by one of her victims. He eventually returns to free the princess and her kingdom. ~ Bruce Eder, Rovi
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- Starring:
- Mickey Hargitay

- 1957
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Though Slaughter on Tenth Avenue's background music relies heavily on the Richard Rodgers composition of the same name, the film itself bears no relation to the ten-minute ballet for which Rodgers wrote the piece. Instead, this Albert Zugsmith-produced crime meller attempts to expose waterfront union racketeering. In trying to solves a murder on the docks, deputy DA Richard Egan runs up against the stevedores' code of silence. It also dawns on Egan that his own boss (Sam Levene) shows little interest in pursuing justice in this instance. The DA is finally able to mount a case, but at the crucial courtroom moment he may have to pull out due to lack of evidence--a lack engineered by crooked boss Walter Matthau, who has several local politicians in his pocket. A last-minute dockside battle enables Egan to bring the racketeers to justice. Slaughter on Tenth Avenue was based on New York district attorney William J. Keating's memoirs The Man Who Rocked the Boat. ~ Hal Erickson, Rovi
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- Starring:
- Richard Egan, Jan Sterling, (more)

- 1957
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Jayne Mansfield recreated her starmaking stage role in this film adaptation of George Axelrod's Broadway comedy. Mansfield plays a Monroe-like movie queen whom adman Tony Randall hopes to sign for a product endorsement. Through a fluke, the press believes that Randall is having an affair with Mansfield; she eagerly pounces on the attendant publicity, much to the dismay of her body-builder beau (Mickey Hargitay, then married to Mansfield). At the behest of his ad agency, Randall is forced to propose to Mansfield on a coast-to-coast TV show, which breaks the heart of his true love (Betsy Drake). Both Randall and Mansfield are saved from a marriage neither one wants by the last-minute arrival of Mansfield's hometown boy friend (Groucho Marx). Director Frank Tashlin uses Will Success Spoil Rock Hunter as an excuse to take satirical potshots at everything from TV commercials to the unwieldiness of CinemaScope. ~ Hal Erickson, Rovi
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- Starring:
- Jayne Mansfield, Tony Randall, (more)

- 1971
- R
This lurid but entertaining Italian/Spanish twist on the Frankenstein legend begins with Baron Frankenstein (Joseph Cotten) being assisted in his research by his sultry daughter Tania (Sara Bay). The doctor's first attempt at a stitched-together creation results in a lumpy, pop-eyed monstrosity with little of the expected respect for its creator. In fact, the monster begins its rampage by murdering the Baron and escaping into the surrounding village. The younger Frankenstein returns from medical school with newly-acquired surgical expertise and a desire to follow in her late father's footsteps. She soon begins work on a creation of her own by transplanting the brain of her brilliant but deformed assistant Charles (Paul Müller) into the body of a brawny handyman. The result is a handsome and powerful male creature not only capable of destroying the original monster, but virile enough to satisfy his creator's overwhelming sexual appetites. Tania is apparently quite eager to test the latter, and she does quite frequently, as indicated in the film's numerous softcore sex scenes. This lengthy romantic interlude is cut short when the first monster returns to finish what he started. Directed by Mel Welles (who B-movie fans will remember as Gravis Mushnik from Roger Corman's cult classic Little Shop of Horrors), this film plays like a sexually-obsessed version of an early Hammer production. ~ Cavett Binion, Rovi
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- 1972
- NR
- Add The Reincarnation of Isabel to Queue
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Delirium director Renato Polselli delivers yet another delectable slice of cinematic sleaze with this sadomasochistic shocker set in a gothic castle, and culminating with the sacrifice of seven naked virgins during a bloody satanic orgy. Lurid depictions of whippings, torture, and beatings abound in a truly diabolical tale of inhuman cruelty starring Euro sleaze-queen Rita Calderoni and prolific actor/bodybuilder Mickey Hargitay. ~ Jason Buchanan, Rovi
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