Dorian Harewood Movies
African American leading man Dorian Harewood attended the University of Cincinnati before establishing his theatrical reputation, first in the cast of the Broadway rock musical Two Gentlemen of Verona, then in the road company of Jesus Christ, Superstar. He won a Theatre Guild Award for his work in the 1974 production Don't Call Back. In films since 1976's Sparkle, Harewood is best known for his powerful supporting roles, most notably the unfortunate "grunt" Eightball in Stanley Kubrick's Full Metal Jacket (1987). His television resumé includes the part of Alex Haley's father in the 1979 miniseries Roots: The Next Generation and the title roles in the made-for-TV movies The Jessie Owens Story (1984) and Guilty of Innocence: The Lenell Geter Story (1987); he has also played recurring roles on such series as Glitter, The Trials of Rosie O'Neill, and Viper. Harewood has always attributed much of his success to actress Bette Davis, who while lecturing at the U. of Cincinnati encouraged the young actor to aggressively pursue his dreams of stardom. Dorian Harewood is the husband of actress Ann McCurry. ~ Hal Erickson, All Movie Guide- 1977
Kojak moved from its familiar Sunday-night stamping grounds to a Tuesday slot with this episode, in which a young Dorian Harewood) is cast as Jake Riley, a prizefighter falsely accused of his wife's murder. Escaping custody, Riley takes several hostages in a local church and demands that the authorities provide him with $200,000 in ransom money and an escape route. Racing against time, Kojak (Telly Savalas must simultaneously talk sense to the desperate fugitive and locate the actual murderer. Featured in the supporting cast is Ken Foree, best known to contemporary horror fans as the protagonist in George Romero's Dawn of the Dead. ~ Hal Erickson, All Movie Guide
- 1977
In this made-for-television drama, a doctor feverishly works to save a city from a potentially devastating epidemic. ~ Sandra Brennan, All Movie Guide
When the nuclear submarine he captains is rammed by a freighter while surfacing in Atlantic waters just off the coast of Rhode Island, Navy Captain Paul Blanchard (Charlton Heston) is able to radio for help. However, his sub's condition calls for urgent attention. Downed in extremely deep water near an even deeper ocean trench, the sub is perched precariously in waters too deep for conventional rescue efforts and is in danger of plummeting into the ocean trench. When the sub's escape hatch is blocked by debris from an undersea earthquake, the situation becomes even grimmer. Despite assurances that all will be fine, Captain Bennet (Stacy Keach), who is coordinating the official Navy rescue effort, has already warned Blanchard's wife to expect the worst. However, another Navy captain (David Carradine), who is working on an experimental deep-sea exploratory vessel for the Navy, hears of the incident and volunteers his help. This story is based on the novel Event 1000 by David Lavalle. ~ Clarke Fountain, All Movie Guide
- Starring:
- Charlton Heston, David Carradine, (more)
A trio of musically talented Harlem sisters rise to become major stars of the '50s. Unfortunately, their sudden popularity causes much turmoil in their lives. ~ Sandra Brennan, All Movie Guide
- Starring:
- Philip Michael Thomas, Irene Cara, (more)
- 1975
Given the title Foster and Laurie and the added fact that the protagonists are two cops, one might deduce that this TV movie was the pilot for a potential series. Not this time: The two leading characters are killed almost before the opening credits fade! In flashback, the film traces the law-enforcement careers of African American Gregory Foster (Dorian Harewood) and Italian American Rocco Laurie (Perry King). Friends as well as partners, Foster and Laurie endeavor to improve community relations in their crime-ridden Lower East Side precinct--which results in their being murdered by three militant extremists, who hope to intimidate the rest of the force (at the time the film was made, this motivation for the crime was still pure speculation). The killings have the opposite effect, as the rest of department rallies against its enemies, inspired by the memory of their fallen comrades. Foster and Laurie was based on the book by Al Silverman. ~ Hal Erickson, All Movie Guide
