Robertson Hare Movies

While his icy wife is away tending to a sick friend, Benedict Boniface (Alec Guinness) has an affair with Marcelle Cot (Gina Lollobrigida), the pretty but neglected wife of the pompous architect Henri (Robert Morley). When Henri unexpectedly returns, Marcelle and Benedict don disguises and hide out to avoid being caught by her husband. The comedy of errors allows for several sight gags and farcical bedroom situations. Peggy Mount is particularly effective as the dominating wife who makes her husband tremble with fear by her very presence. ~ Dan Pavlides, Rovi

This comedy features a 12-step Program for habitual hoods. The recovering criminal takes a job as a department store Santa, and again finds himself confronted with temptation. ~ Sandra Brennan, Rovi

Wonderful to Be Young! was released in Britain as The Young Ones. Given the later output of director Sidney J. Furie, one might suspect that the original title was meant as irony, but in fact this is an upbeat, life-affirming vehicle for British pop singer Cliff Richard. In this one, Richard, the son of millionaire Robert Morley, wants to buy a piece of property before his father can use it for avaricious purposes. Having no spending money of his own (!), Richard puts on a Big Show with his friends to raise the necessary funds. Morley outwits his son, leading one of the kids to kidnap the old guy out of vengeance. But Richard comes to the rescue with several more swingin' tunes. ~ Hal Erickson, Rovi

Three Men in a Boat is the second film version of the comic novel by Jerome K. Jerome. The titular trio is played by popular British comedian Jimmy Edwards, up-and-coming leading man Laurence Harvey and stalwart character actor David Tomlinson. Escaping their dull weekday pursuit, the three pals take a pleasure excursion down the Thames in a small boat, encountering all sorts of comic and romantic complications. Jill Ireland makes an early screen appearance as a young lady who briefly bewitches the bookish Harvey. Though dated, Three Men in a Boat was just as capable of eliciting laughter as it had been in its first cinematic incarnation in 1933. ~ Hal Erickson, Rovi

Sadie (Joan Collins) is marooned on a desert island. Stranded along with Sadie are three men; no, not Gilligan, the Skipper and the Professor, but instead Kenneth More, George Cole and Robertson Hare. The two least likely suitors (Cole and Hare) actively pursue Sadie, while the one she's truly interested in (More) ignores her. When the foursome is rescued, Sadie gets to marry the man of her dreams--only to be shipwrecked again. ~ Hal Erickson, Rovi

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, Rovi

In this British comedy, set in Tangleton, a small English village, a handyman finds himself in trouble when he inadvertently assists two London reporters in their investigation of corruption in the town's postwar plans. To protect themselves, the town fathers have the handyman destroy several incriminating housing forms. Unfortunately an errant gust of wind sends the flying. Enlisting the aid of an eccentric inventor, the handyman succeeds in getting the corrupt officials out of office. ~ Sandra Brennan, Rovi

Another cheeky entry from the Aldwych Theatre farceurs, Banana Ridge is based on a play by Aldwych perennial Ben Travers. Alfred Drayton plays a wealthy, respected gentleman suddenly confronted with old flame Isabel Jeans. She shows up out of nowhere, claiming that her illegitimate son is his. The possibility of scandal creates a brouhaha with Drayton's wife Adela Dixon, and daughter Nova Pilbeam. Old chum Robertson Hare offers to help Drayton out--and nearly wrecks his own marriage in the process. ~ Hal Erickson, Rovi

In this comedy, an impoverished bumbler becomes a waiter at a fancy party and finds himself mistaken for one of the wealthy guests by another drunken guest. Soon he is mingling with the elite and meets a beautiful girl. He decides to make the illusion real and after the party goes to his banker and blackmails him into hiring him. Soon he is promoted to a higher position until he is transferred the Paris branch where he begins living a happy, financially secure existence with the beautiful girl in his arms. ~ Sandra Brennan, Rovi

British groom-to-be Billy Milton is labelled a "beast" by French floozie Ellen Pollock as Milton marches down the aisle. The groom's father, Robertson Hare, endeavors to prove his son's innocence. Removing his trademarked monocle, Hare poses as the boy's maiden aunt to get the goods on Pollock. Leading lady June Clyde, who moved from Hollywood to England in pursuit of better film roles, stands around a lot as the beautiful bride. Aren't Men Beasts? was based on the stage farce by Vernon Sylvaine. ~ Hal Erickson, Rovi

Another of the delightful Aldwych Theater farces, Pot Luck once again teams those flawless farceurs Tom Walls (who also directed) and Ralph Lynn. Walls is cast as retired Scotland Yard detective Patrick Fitzpatrick, who harbors a deep resentment for his pompous successor Reggie Bathbrick (Ralph Lynn). When a rash of art thefts breaks out in London, Fitzpatrick takes on the investigation himself, for the sole purpose of humiliating Bathbrick. As usual, Ben Travers' dialogue is chock full of familiar catch phrases, cleaned-up expletives and hilariously atrocious puns. Cast as Lynn's pretty daughter is Diana Churchill, in one of her first important screen roles. ~ Hal Erickson, Rovi

Leslie Henson stars as Lord Pye, a pompous member in good standing of his local Purity League. Lord Pye would not be so complacently puritanical if he knew that his stepdaughter Benita (Frances Day), whom he has never met, is a saucy cabaret dancer. Briefly stranded in London when he misses his train, His Lordship wanders into the very nitery where his stepdaughter is performing. Still unaware of Benita's identity, he loosens up and begins outrageously (but harmlessly) flirting with the girl. Meanwhile, the new Lady Pye (Marie Lohr), Benita's mother, shows up in London unannounced to visit her daughter. Oh Daddy, indeed! ~ Hal Erickson, Rovi