Lumsden Hare Movies

Ronald Colman plays Robert Clive, a true-life 18th century Britisher who works up the ranks to become leader of Britain's military forces in India. Though produced on a superficially lavish scale, the film inexpensively sidesteps several of Clive's more famous battles with Indian insurrectionists, relegating them to offscreen events described by subtitles. The notorious Sepoy Mutiny "Black Hole of Calcutta" incident, hardly a costly event to recreate, is faithfully presented. In real life, Clive was ruined by a trial in the House of Commons, after which he suffered a nervous breakdown and committed suicide. The film tactfully closes on the trial and Clive's reunion with his faithful wife (Loretta Young). Typically jingoistic in its "White Man's Burden" approach to East Indian affairs, Clive of India is best viewed in context of the time it was filmed (1935), when the sun still hadn't set on the British Empire. ~ Hal Erickson, All Movie Guide

The Holy Wars are given the usual overblown Cecil B. DeMille treatment in The Crusades. It all begins in the 12th-century AD, when Jerusalem falls into the hands of the Saracens, and the Christians are slaughtered or sold into slavery. A holy man known as The Hermit (C. Aubrey Smith) rallies the rulers of England and Europe to launch a Crusade to reclaim Jerusalem in the name of Christianity. Among those embarking upon this massive undertaking is England's King Richard the Lion-Hearted (played as a swaggering roughneck by Henry Wilcoxon), who finances his knights by marrying wealthy French princess Berengaria (Loretta Young) sight unseen. Saladin (Ian Keith), the elegant and well-spoken ruler of the Saracens, attempts to stave off the crusaders by kidnapping Berengaria and holding her hostage. Sensing that he can never win against so formidable a collection of foes, Saladin eventually opens the gates of Jerusalem to all but Richard the Lion-Hearted, with whom he has a personal score to settle. In the film's most memorable scene, the fundamental difference between the boorish Richard and the cultured Saladin is demonstrated when the Saracen ruler delicately cleaves Berengaria's silk scarf in twain with his gleaming sword. It took a great deal of nerve to depict the film's hero as a thuggish brute and the nominal villain as the most sympathetic character in the story, but DeMille gets away with it in The Crusades, and still has time left over to deliver his usual quota of thrills, pageantry, convoluted history and campy dialogue. And yes, that is Ann Sheridan as a Christian captive in the opening scenes. ~ Hal Erickson, All Movie Guide

This first talkie version of Dumas' The Three Musketeers had been planned by RKO Radio as a John Ford production, with Francis Lederer as D'Artagnan. By the time the film emerged on screen, Rowland V. Lee was in the director's chair, with the talented but uncharismatic Walter Abel in the D'Artagnan role. Equally unengaging were Paul Lukas, Moroni Olsen and Onslow Stevens as Athos, Porthos and Aramis, while Margot Grahame was more petulant than menacing as Milady De Winter. Like most filmed adaptations of the Dumas novel, this Three Musketeers concentrates on the episode of the Queen's purloined necklace; the story ends on a misleadingly happy note, with heroine Constance (Heather Angel) alive and kicking at film's end (which she certainly wasn't in the novel). Except for some excellent swordplay -- especially during the opening credits -- this is considered the dreariest of the many versions of The Three Musketeers. ~ Hal Erickson, All Movie Guide

In the tradition of Fox Studios' Oscar-winning Cavalcade, The World Moves On covers over one hundred years in the lives of two Louisiana families: The Girards, of French extraction, and the Warburtons, formerly of Manchester. Forming an alliance by marriage in 1825, the families rapidly corner the cotton business in the South. Years later, three of Girard/Warburton sons split up to head business operations in England, France and Germany: as a result, descendants of the original families find themselves fighting on opposite sides during WW I (this episode is similar to a memorable sequence in the 1928 silent Four Sons, which like World Moves On was directed by John Ford). Surviving the war, Richard (Franchot Tone), the last of the descendants becomes a sharkish Wall Street speculator in the 1920s, ultimately losing his fortune in the Wall Street Crash. Bloody but unbowed, Richard and his wife Mary (Madeleine Carroll) cut their losses and return to their ancestral home, to start all over again. Both The World Moves On and the subsequent Fox production Road to Glory rely to a considerable extent upon stock footage from the grim 1931 French antiwar drama Wooden Crosses. ~ Hal Erickson, All Movie Guide

Based on the novel and play by James M. Barrie, The Little Minister turned out to be Katharine Hepburn's best vehicle since Little Women. John Beal plays the Reverend Gavin, the sobersided new cleric of a tiny Scottish village. Almost against his better judgment, Beal falls in love with Babbie (Hepburn), a feisty gypsy girl whom the villagers regard as a pariah. Thanks to this "unholy" alliance, the little minister is nearly run out of town, but when he is accidentally stabbed in a fracas, the townsfolk come to their senses. Previously filmed in 1921, The Little Minister was afforded sumptuous production values by RKO Radio (its elaborate Scottish-village set would later pop up in innumerable films, notably Laurel & Hardy's Bonnie Scotland), and benefits immeasurably from the spirited performances of all concerned. Alas, the film was too expensive to post a profit, and despite respectable business it ended up $9000 in the red. ~ Hal Erickson, All Movie Guide

Czech leading man Francis Lederer made his Hollywood film debut in the appropriately titled Man of Two Worlds. Based on the novel by Ainsworth Morgan, the film casts Lederar as Algo, a naïve Eskimo hunter introduced to civilization by avuncular English sportsman Sir Basil (Henry Stephenson). Unschooled in the ways of British society, Algo falls in love with Joan (Elissa Landi), unaware that her friendliness is merely a courtesy and nothing more. Ultimately disillusioned, the sadder-but-wiser Algo returns to the snowy wastes whence he came. Apparently audiences weren't as captivated by Francis Lederer as RKO Radio had hoped they would be: Man of Two Worlds ended up posting a $220,000 loss at the box office. ~ Hal Erickson, All Movie Guide

Hollywood responded to the exigencies of the Depression with such glorious nonsense as International House. The plot is motivated by a revolutionary television device called the Radioscope, which its Chinese inventor (Edmund Breese) is offering to the highest bidder. All interested parties are obliged to converge at International House, an ultra-modern hotel in the bustling Chinese community of Wu Hu. Among those parties is American envoy Stu Erwin, Russian general Bela Lugosi (a hilarious, pratfalling performance), the general's ex-wife Peggy Hopkins Joyce (a much-married showgirl of the era, who like Zsa Zsa Gabor was famous for being famous), and that celebrated aviator Professor Quail, better known as W.C. Fields. The lunacy begins even before Fields arrives, thanks to the antics of the hotel's doctor George Burns and nurse Gracie Allen. When Erwin comes down with the measles (he is always struck down by a childhood disease whenever he's about to marry his fiancee Sari Maritza), the hotel is quarantined. The guests make the most of their enforced stay by watching the many variety acts broadcast over the radioscope device: Rudy Vallee, singing a love song to his megaphone; Baby Rose Marie (the same), belying her 11 years by belting forth a hotcha jazz number; radio humorists Stoopnagle and Budd, showing off their own goofy inventions; and Cab Calloway, singing a paean to marijuana titled "Reefer Man" (only in recent years has this peppy number been seen with any regularity on television). There's also an elaborate production number on the dance floor of the hotel, featuring Sterling Holloway and a bevy of beauties dressed as cups and saucers. Once Fields drops in via his art-deco autogyro, the film is firmly in his pudgy hands. Erwin outbids the others for the radioscope, while Fields escapes in his aircraft with Peggy Hopkins Joyce in tow (she keeps insisting that she's sitting on something, whereupon Fields replies "I lost mine in the stock market"). A truly unique filmgoing experience, International House is a must-see for any aficionado of 1930s musical comedies. PS: The film's now-famous "outtake," showing Fields calmly advising the cast and crew not to panic while the set is rocked by a California earthquake, was actually staged several days after the genuine quake. ~ Hal Erickson, All Movie Guide

Edmund Gwenn makes his American film debut in this lighthearted adaptation of Frederick Jackson's stage play The Bishop Misbehaves. The central character is a Bishop (Edmund Gwenn) who harbors a fondness for detective stories. This harmless pastime gets him mixed up in the travails of heroine Hester (Maureen O'Sullivan), who hopes to wreak vengeance against the man who stole her father's invention. The key to the plot solution is a packet of valuable patent papers, for which the Bishop, Hester, and handsome American tourist Donald (Norman Foster) put their lives on the line. Hester and Donald are briefly kidnapped by a team of holdup men, but they escape in time to beard the villain in his den -- with, of course, the considerable aid of the "misbehaving" Bishop. ~ Hal Erickson, All Movie Guide

Always Goodbye was credited to two directors: Kenneth MacKenna told the actors where to move and when to speak, while William Cameron Menzies concerned himself with the overall production design. Elissa Landi plays Lila, who has been jilted by practically every man she has ever met. Middle-aged diamond dealer Lewis Stone falls in love with Landi, but she spurns him until convinced that he intends to extend the relationship to the altar. While wearing a few of Stone's diamonds just for a lark, Landi is mistaken for an heiress by callow John Darrow and crooked Paul Cavanaugh. Darrow pursues Landi for her looks, while Cavanaugh goes after her for her gems. 20th Century-Fox's 1938 programmer Alway Goodbye is not a remake. ~ Hal Erickson, All Movie Guide

The Crusader was one of the earliest efforts from Majestic Pictures, for many years the most ambitious of the independent production firms. H.B. Warner plays the title character, incorruptible district attorney Phillip Brandon. Hoping to silence Brandon, a gang of crooks uncover some unsavory information about his wife Tess's (Evelyn Brent) past. The villains further lure Brandon's daughter Marcia (Marceline Day) into a compromising situation, in which Joe Carson (Walter Byron) clearly intends to deflower the girl against her will. When all of this intrigue results in murder, it is Tess's former sweetheart, amiable bootlegger Jimmie Dale (Lew Cody), who comes to the rescue of the good guys. Modern audiences will likely be astounded by the liberal use of profanity in The Crusader, notably the moment in which unscrupulous reporter Eddie Crane (Ned Sparks) shouts "Hot damn! What a story!" ~ Hal Erickson, All Movie Guide

The George du Maurier novel Trilby, about a hypnotist who controls a female musician, was originally filmed as Trilby, a 1920s silent. In the 1931 talkie, the emphasis shifts from the music student to the teacher, Svengali. John Barrymore gives a scenery-chewing performance as Svengali, who is originally seen tutoring Honori (Carmel Myers). Trilby (Marian Marsh) is making her living as a nude model, but she wants to use her musical talents to earn money and hopes to settle down with Billee (Bramwell Fletcher). Unfortunately, his upper-class family simply wouldn't approve. Svengali falls for Trilby and starts teaching her music while manipulating her hypnotically. Eventually, she becomes so dependent on him that she can't perform outside of his presence. This film became so well-known that the word "Svengali" became incorporated into the English language, meaning "someone who, with evil intent, tries to persuade another to do what is desired." A British version of the film was released in 1955. ~ Michael Betzold, All Movie Guide

Warner Oland made his first appearance in the role of Earl Derr Biggers' sagacious, aphorism-spouting oriental detective Charlie Chan in the 1931 Fox production Charlie Chan Carries On. It all begins when Chan, on vacation from his job with the Honolulu police, tries to solve the murder of a wealthy American in a London hotel. The trail of clues leads Chan on a not-so-merry chase through Nice, San Remo, Hong Kong and Hawaii. The solution to the mystery lies in the words spoken by a temporarily blinded witness -- or at least that's what she seems to be. According to contemporary reviews, the film was enlivened by the dumb-blonde dialogue delivered by Marjorie White and by the bumbling villainy of Warren Hymer. Though Charlie Chan Carries On is no longer available, its quality can be adequately gauged by a viewing of its 1940 remake, Charlie Chan's Murder Cruise. ~ Hal Erickson, All Movie Guide

Set in Canada, Under Suspicion finds heroine Alice Freil (Lois Moran) heading above the border to escape a trumped-up criminal charge. After a suspenseful train trip to Jasper National Park, Alice links up with RCMP officer John Smith (J. Harold Murray). Lost in the wilderness, hero and heroine surviving a raging forest fire and manage to corral the genuine villain. Every so often, Mountie Smith lifts his voice in song, proving no competition for Nelson Eddy (or even Dudley Do-Right). For its first showing in Brooklyn, Under Suspicion was pepped up by having the projectionist hold a red gel over the projection lens during the fire scenes. ~ Hal Erickson, All Movie Guide