Eloise Hardt Movies

A young man searches for his brother and sister many years after the three were sent to separate foster homes in this made-for-TV drama. ~ Jason Ankeny, Rovi

This fun, silly thriller written and directed by Michael Crichton manages to combine the dramatic murders of beautiful models, a secret conspiracy to use TV commercials for mind-control, and an unusual seeing-eye device which makes the wearer invisible. Plastic surgeon Larry Roberts (Albert Finney) becomes the prime suspect after two models on whom he operated are killed. Larry becomes suspicious because both of the women came into his office asking for very precise and seemingly unnecessary physical alterations. Agreeing to operate, because the women's jobs depended on the surgery, Larry must now clear his own name and save his life and career. With the aid of a friend and model Cindy (Susan Dey), Larry discovers and foils the plot led by corporation-head John Reston (James Coburn). Larry must then fight for his life against Reston's thugs who are equipped with the devices, called "Lookers." This is good, if silly fun and Albert Finney does his best with a somewhat implausible script. ~ Linda Rasmussen, Rovi

Based on a novel by the iconoclastic Richard Condon (of Manchurian Candidate and Prizzi's Honor fame), Winter Kills was one of the vanguard efforts in the "JFK conspiracy" school of literature. Jeff Bridges stars as Nick Kegan, the scion of a powerful Kennedyesque family, who has done his best to make himself obscure after the assassination of his older brother, the former president of the U.S. While working as an oil rigger, Nick is introduced to a terminally ill gentleman who claims to have been "the second assassin." His curiosity aroused, Nick begins digging into what was supposed to be a closed case -- and, predictably, what he finds out isn't pretty. This, however, is the only predictable element of this mesmerizingly mazelike yarn. A failure when first released, Winter Kills fared somewhat better when director William Richert arranged to rerelease the film through his own company and restore several scenes that had been cut by its previous backers. Elizabeth Taylor appears uncredited as one "Lola Comante." ~ Hal Erickson, Rovi

Comedy writers David and Jerry Zucker and Jim Abrahams of Airplane and The Naked Gun fame got their start at the University of Wisconsin at Madison, when they formed a theatrical group known as The Kentucky Fried Theater. The Kentucky Fried Movie is based on the KFT's gag-filled theatrical skits. Including well-known stars such as Bill Bixby, Donald Sutherland, Tony Dow, George Lazenby and Henry Gibson, the film has over 22 different segments of varying lengths. Some are seconds long. Longer segments include such highlights as: "Zinc Oxide," which spoofs school educational films; "Cleopatra Schwartz," a spoof of female blaxploitation action films, whose heroine is married to a rabbi; "Sex Record," which depicts a couple who are attempting to follow the step-by-step instructions of a how-to-do-it record; "Catholic High School Girls In Trouble," and "A Fistful of Yen," (the longest episode), which is an elaborate spoof of martial-arts films. ~ Clarke Fountain, Rovi

In a variation of Evan Hunter's famous novel King's Ransom (previously filmed by no less than Akira Kurosawa), outlaws Thorn and Bryan Hazard (Tom Skerritt, Fabian Forte) kidnap a girl whom they believe to be wealthy young Laura Singer (Susannah Darrow). Instead, they have abducted Karen Oliver (Sherry Boucher), the daughter of poverty-stricken Harry Oliver (Woodrow Parfrey). Will Oliver lose everything he owns trying to raise the $100,000 ransom, or will Laura's millionaire father Owen Singer (John Lasell) come through in a pinch? ~ Hal Erickson, Rovi

Two young men pretend to be gay when they are asked to pay a visit to the local draft board. Danny (Kevin Coughlin) and his pal Elliot (Larry Casey) camp it up in front of Army recruiter Dixon (Jack Starrett). When the two return to their apartment to celebrate with their girlfriends, they are shadowed by the suspicious officer. Danny and Elliot move into an apartment complex that caters to homosexuals. Comedy ensues when the two must pretend to be gay and confusion reigns among family and friends. The two end up losing their girlfriends but have a secret admirer in the macho military man this ribald comedy. ~ Dan Pavlides, Rovi

One of the strangest productions ever committed to celluloid, and the first feature with all dialogue recorded in Esperanto, this bizarre supernatural art-horror epic, hailed by Famous Monsters founder Forrest J. Ackerman as "the movie-watching event of a lifetime," actually benefits from the presence of a pre-Star Trek William Shatner, whose operatic style somehow conforms to the story's deranged logic. Shatner plays Marc, a man lost in the mythical land of Nomen Tuum where he comes under psychic attack from both the evil witch Kia (Allyson Ames) and the title demon (Milos Milos), who procures female souls for Satan. The filmmakers reportedly adopted the "universal language" of Esperanto to give the dialogue a mystical feel, but the end product may leave audiences wondering if the entire project is an elaborate put-on. Thoroughly strange, Incubus is certainly not without merit: the film's strength comes primarily from sumptuous location cinematography by Conrad Hall, who may have taken inspiration from the works of Ingmar Bergman and Akira Kurosawa. Believed lost, the only surviving negative of this oddity was eventually rescued from 30 years of oblivion and released to home video. ~ Cavett Binion, Rovi

Who better to direct an affectionate spoof of Alfred Hitchcock's 1954 suspense classic Rear Window than Hitchcock himself? Babs Fenton (Mary Scott), a housewife with a highly fertile imagination, wonders just what is going on between Mr. and Mrs. Blanchard (Dayton Lummis, Meg Mundy) in the house next door. By and by, Babs becomes convinced that Mr. Blanchard has murdered his wife, and inveigles her own long-suffering husband John (Robert Horton) into playing detective. The clues, motive, and opportunity are all there -- but the outcome isn't quite what Babs had anticipated. ~ Hal Erickson, Rovi

The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper. Among those involved are Dix (Sterling Hayden), an impoverished hood who sees the upcoming jewel heist as a means to finance his dream of owning a horse farm. Hunch-backed cafe owner (James Whitmore) is hired on to be the driver for the heist; professional safecracker Louis Ciavelli (Anthony Caruso) assembles the tools of his trade; and a bookie (Marc Lawrence) acts as Emmerich's go-between. The robbery is pulled off successfully, but an alert night watchman shoots Ciavelli. Corrupt cop (Barry Kelley), angry that his "patsy" (Lawrence) didn't let him in on the caper, beats the bookie into confessing and fingering the other criminals involved. From this point on, the meticulously planned crime falls apart with the inevitability of a Greek tragedy. Way down on the cast list is Marilyn Monroe in her star-making bit as Emmerich's sexy "niece"; whenever The Asphalt Jungle would be reissued, Monroe would figure prominently in the print ads as one of the stars. The Asphalt Jungle was based on a novel by the prolific W.R. Burnett, who also wrote Little Caesar and Saint Johnson (the fictionalized life story of Wyatt Earp). ~ Hal Erickson, Rovi

Of the many film versions of Louisa May Alcott's Little Women, this 1949 MGM adaptation is by far the prettiest. Set in New England during the Civil War, the film relates the various adventures of the March sisters: Jo (June Allyson), Beth (Margaret O'Brien), Amy (Elizabeth Taylor) and Meg (Janet Leigh). Jo emerges as the main character, as she leaves hearth and home to try her luck as a novelist in New York. Moments of high comedy (the sisters' amateur theatricals) are counterpointed with grim tragedy (the death of the youngest March girl), with romantic interludes provided by the faithless Laurie (Peter Lawford) and the loyal Professor Bhaer (Rossano Brazzi). Unlike Selznick's 1933 Little Women or Gillian Armstrong's 1994 adaptation, this 1949 version tends to be more an extension of the old Hollywood contract-player typecasting system than a heartfelt evocation of the Alcott original. Even so, Little Women is consistently pleasing to the eye, especially when seen in its original Technicolor hues. ~ Hal Erickson, Rovi

This grade-A example of "film noir" stars Mark Stevens as Brad Galt, an embittered ex-convict who returns to the private detective business upon his release. Sour and surly, Galt behaves himself only when he's around his faithful and adoring secretary Kathleen (top-billed Lucille Ball). When Galt's crooked former partner Tony Jardine (Kurt Krueger) inaugurates an affair with socialite Mari Cathcart (Cathy Downs), Cathcart's waspish art-collector husband (Clifton Webb) arranges Jardine's murder, carefully pinning the blame on Galt. On the lam from the cops, Galt must rely on Kathleen to help gather enough evidence to prove his innocence. Best scene: Cathcart's abrupt but chillingly casual murder of his partner-in-crime (William Bendix). The deliberate lack of background music serves to enhance the gloomy atmosphere of The Dark Corner. ~ Hal Erickson, Rovi

In a harem in a Middle Eastern palace, the guardian leads the women he protects in telling the tale of Halroun-Al-Raschid (Jon Hall), the Caliph of Bagdad, who found himself an enemy close to home in the form of his half-brother Kamar (Leif Erickson), who was ineligible for the throne because of his mother's having been a slave. Halroun and his followers initially put down Kamar's attempt at usurpation, until Halroun's ambitious vizier Nadan (Edgar Barrier) changes sides. In the confusion of the ensuing battle, Halroun is wounded -- spotted by the young acrobat Ali (Sabu), he is sheltered by a group of traveling players led by Ahmad (Billy Gilbert), whose ranks also include a player and storyteller (and, if he is to be believed, former sailor) named Sinbad (Shemp Howard) and a man named Aladdin (John Qualen) who is searching for a magic lamp -- and a dancer named Scheherazade (Maria Montez), who had beguiled Kamar and welcomes his ascent to the throne, because she has been told that she is destined to marry a king. She loves the wounded man in her care, whose identity she doesn't know, but is intent on marrying Kamar, now that he is Caliph. But her plans are thwarted by Nadan, who wants no competition from her in his sway over Kamar, and has arranged to have her killed; but when an avaricious officer (Turhan Bey)instead sells her and the entire performing troup to a dishonest slave trader (Thomas Gomez). From that moment, complications ensue for all concerned, as the new Caliph goes after his beloved, the deposed king Halroun tries to protect her and regain his throne, and Nadan hopes to come out sitting on the throne himself. Treachery and narrow escapes, and even a few thwarted plans ensue on all sides as the hero Haroun has to watch out for Scheherazade and himself from several sides at once, all while keeping his identity from her. ~ Bruce Eder, Rovi