Ann Harding Movies

Susan Glaspell's famous short story and one-act play Trifles is the source of this episode, in which Millie Wright (June Walker) is arrested for the murder of her husband. When Millie is released for lack of evidence, two of her neighbors, Sarah (Ann Harding) and Mary (Frances Reid), try to find out what really happened to the late Mr. Wright. They uncover some disturbing evidence -- but are forestalled from informing the authorities upon uncovering some even more disturbing evidence. ~ Hal Erickson, All Movie Guide

In this romantic drama a woman with a scandalous past tells all in an autobiography. It seems the woman, an artist, received special favors from a politician in exchange for a few favors from her. The pushy magazine editor who tries to convince her to write her memoirs, despises everything she stands for, yet in the end cannot help falling in love with her. ~ Sandra Brennan, All Movie Guide

"Promise to Murder" is a 60-minute TV play adapted from the Oscar Wilde short story "Lord Arthur Saville's Crime." Louis Hayward stars as a moderately successful London barrister who, at the insistence of his aristocratic aunt, agrees to have his palm read by a fortune teller (Peter Lorre). Rather disturbingly, within the next few weeks several of the palmist's prophecies come true. What really bothers the nervous barrister is that one, final prediction--that he would end up committing murder. Previously dramatized as a segment of the 1943 omnibus feature film Flesh and Fantasy, "Promise to Murder" was originally broadcast live as part of the CBS anthology Climax! ~ Hal Erickson, All Movie Guide

Devotion is a stiff, static early talkie in which everybody speaks in stage British and suffers in dinner jackets. Ann Harding is desperately in love with London barrister Leslie Howard. To be nearer to him, she dons a disguise (wig and spectacles) and takes a job as the governess to Howard's son. Though Howard is lauded as brilliant, he's as dense as Lois Lane when it comes to penetrating a cheap pair of glasses. The plot begins to move (and about time!) when a wastrelly artist, played by Robert Williams, is successfully defended in court by Howard. Invited to the barrister's home, Williams goes on the make for Ms. Harding; only then does Howard acknowledge the fact that Our Heroine is alive. ~ Hal Erickson, All Movie Guide

Whenever a vaudeville comic of the 1920s wanted to get a quick laugh, he'd announce to his audience "Next Week: East Lynne." To many playgoers, this hoary stage adaptation of Mrs. Henry Wood's 1861 novel represented the height of Victorian nonesuch. Still, there were several silent film versions of East Lynne, all of which made money. 1931 yielded no fewer than two adaptations, one set in modern times and retitled Ex-Flame. Fox Studios' version restored the original title and the 1860s setting, but couldn't do much with that creaky plot. Ann Harding portrays Lady Isabel Carlisle, who nearly a decade of family hardships learns that her son has fallen ill. Despite being nearly blind as the result of a bomb explosion, Lady Carlisle returns home to see her son one last time--just before dying herself. ~ Hal Erickson, All Movie Guide

Edward Arnold made the first of his two screen appearances as Bayard Kendrick's blind detective Captain Duncan McLain in MGM's Eyes in the Night. The plot is set in motion by Norma Lawry (Ann Harding), whose stepdaughter Barbara (Donna Reed) has been keeping company with washed-up actor Paul Gerente (John Emery). Norma feels that Gerente, an ex-lover of hers, is a bad influence for Barbara, but the girl merely assumes that Norma wants Gerente all to herself. When the ageing actor is murdered, Barbara assumes that Norma committed the crime. Rather than go to the police, Norma heads to her old friend Duncan McLain, but when the detective arrives at the scene of the murder, the body has disappeared. Detecting the odor of violets in the room, McLain uses this tiny clue to build a case against a gang of Nazi spies, headed by the Lawry's butler Hansen (Stanley Ridges), with whom the late Mr. Gerente had been collaborating. Just knowing who did it isn't enough in this case, however: getting the drop on McLain and his associates, the villains hold the detective and Lawry prisoner until they are able to get their hands on a secret formula developed by Barbara's father (Reginald Denny). In true movie-serial fashion, it is McLain's faithful seeing-eye dog Friday (played by "himself") who saves the day. A "B" picture with "A" entertainment value, Eyes in the Night proved successful enough to warrant a sequel, 1945's The Hidden Eye. ~ Hal Erickson, All Movie Guide

In this, its third cinema incarnation, David Belasco's hoary old Girl of the Golden West received the full swagger treatment from the otherwise lady-like Ann Harding as the gun-toting saloon belle who falls for a handsome outlaw (James Rennie). Again, the story's climax is the dramatic poker game between Harding and Sheriff Jack Rance, the stakes of which is the outlaw's freedom. Unfortunately, Miss Harding insisted that her husband, phlegmatic stage actor Harry Bannister, play the sheriff, a casting decision that somewhat upset the story's apple cart. A Broadway veteran but a cinematic novice, Bannister reportedly insisted on lecturing director John Francis Dillon on the finer aspects of art in general and film-making in particular. Needless to say, Mr. Bannister's screen career, like his marriage to Ann Harding, proved short-lived. The "Girl" herself, however, enjoyed incredible stamina and would experience two subsequent remakes: a lavish 1938 musical version starring (of course) Jeanette MacDonald and Nelson Eddy (with Walter Pidgeon as Rance) and a 1942 war-time Italian production featuring Isa Pola, Michel Simon and Rossano Brazzi as the leads. ~ Hans J. Wollstein, All Movie Guide

The first of the filmizations of Philip Barry's play, Holiday centers around a society wedding. Julia Seton (Mary Astor) intends to marry John Case (Robert Ames), a young Wall Street lion with "radical" ideas that go against the grain of Julia's conservative family. Julia's freewheeling younger sister Linda (Ann Harding), thrilled at the prospect of the unorthodox Case shaking up her household, finds herself drawn to the young man herself. When John shows signs of toning down his recklessness and becoming just another stuffy old financier, Linda is crushed, but eventually the two free spirits are united. Edward Everett Horton, who plays an "idle rich" family friend in Holiday, recreated the role (albeit as a more responsible character) in the 1938 remake. ~ Hal Erickson, All Movie Guide

It Happened On Fifth Avenue was easily the most ambitious movie made by the then-newly-organized Allied Artists for at least a decade after its release -- actually, as a "Roy Del Ruth Production," it was made through rather than by Allied Artists, which may explain why it stands so far apart from the Bowery Boys movies and other productions normally associated with Allied during this period. And amazingly, it works, mostly thanks to a genial cast and a reasonably light touch by director/producer Roy Del Ruth, and in spite of a script that needed at least one more editorial pass. Victor Moore is the star and dominant personality -- if there is one in what is, basically, an ensemble cast -- as Aloyisius T. McKeever, a genial hobo whose annual routine for finding winter quarters is to wait for multi-millionaire Michael O'Connor (Charlie Ruggles) to lock up his Fifth Avenue mansion and head to Virginia, and move in during the man's absence. He chances to meet Jim Bullock, a homeless WWII veteran (displaced, ironically, by one of O'Connor's development projects), and gives him shelter in the mansion. They become a trio when O'Connor's free-spirited daughter Trudy (Gale Storm) shows up, fleeing her finishing school, and the two men -- thinking she's an impoverished runaway from an abusive father -- take her in. She goes along with the masquerade and gradually falls in love with Jim, who also chances to meet two former army buddies (Alan Hale, Jr., Edward Ryan) who -- you guessed it -- are also desperately trying to find homes, in their cases for their wives and growing families. Now there are nine people living in the shelter of O'Connor's Fifth Avenue mansion, and in between setting up housekeeping, Jim and his two buddies manage to come up with an idea about how to build homes for veterans and their families. Trudy, her identity still a secret to the other, gets her father to meet the "squatters" incognito, in hope that he'll take to Jim, but a series of misunderstandings and his own impatience and lack-of-faith leads him to reject everything decent he sees about Trudy's friends. In desperation, to keep them from being evicted and arrested, she calls in reinforcements in the person of her mother (Ann Harding), long estranged from her father. O'Connor is still not convinced of Jim's worth, and definitely doesn't see him as a potential husband for Trudy -- and, in a comic mix-up, he ends up going head-to-head with Jim for the property where he plans to build those houses for veterans, causing them to lock horns once more. Matters do eventually fall into place, as they usually do in Christmas movies of this sort, which more closely resembles The Bells of St. Mary's or One More Spring -- to name another movie about displaced New Yorkers -- than It's A Wonderful Life (with which it is usually compared). It Happened On Fifth Avenue is usually defined as a Christmas movie, in part because of its plot time-line, but more than that, it's a movie that, like George Seaton's Miracle On 34th Street -- made the same year -- sings of the generosity of the human spirit, and the feeling of renewal that was in the air in the immediate post-World War II era, a funny, gentle, warm look at people making their way in a time when, for the first time since the Great Depression and the outbreak of the Second World War, cautious optimism seemed an appropriate approach to life. And not for nothing was this reportedly lead actor Don Defore's personal favorite of all of his movies. ~ Bruce Eder, All Movie Guide

In this sequel to the 1944 teenage comedy Janie, Joan Leslie replaces Joyce Reynolds in the title role, playing the virtuous but amorous daughter of Edward Arnold and Ann Harding. Janie marries the soldier (Robert Hutton) she'd met in the earlier film, hoping to help him set the course of a successful civilian life. Robert Benchley (who'd died the year before this film was released) is a delight as the husband's dry-witted stepfather, doing his best to help the young couple in spite of themselves. Complications ensue when hubby's former girl friend (Dorothy Malone) shows up. Janie Gets Married ends with the old flame extinguished and Janie and her husband in each other's arms. ~ Hal Erickson, All Movie Guide

More so than most wartime films, Mission to Moscow must be viewed within the context of its times. Requested by President Roosevelt to make a film supportive of America's Russian allies, Warner Bros. turned to the memoirs of Ambassador Joseph H. Davies, who spent several years prior to WWII in the Soviet Union. As played by Walter Huston, Davies is a pillar of incorruptable integrity, reporting the facts "as I saw them" (only in later years was Davies revealed to be something less than a paragon of virtue who was willing to alter opinions for political, personal and financial expedience). Sent to Moscow by FDR as a means of finding out if Russia is a potentially trustworthy ally in case of war, Davies and his family are given the royal treatment by the Commissars, who display the social, technological, agricultural and artistic advances made under the Stalin regime. Invariably, the Russian citizens are shown to be singing, smiling, freedom-loving rugged individuals-in contrast to the Nazis, who are depicted as humorless automatons. In its efforts to present the USSR in the best possible light, the film glosses over the notorious Purge Trials of 1937, presenting the trials as scrupulously fair and the defendants as unabashed traitors to the Soviet cause. At one point, Russia's annexation of Finland in 1939 is "justified" by Davies' explanation that the Soviets merely wanted to protect their tiny neighbor from Nazi domination! It is unfair to label Mission to Moscow as Communistic or even left-wing, since it was merely parroting the official party line vis-a-vis US/Soviet relations in 1943. Even so, screenwriter Howard Koch found it very difficult to get film work after the war because of his contributions to this "Pinko" project (conversely, Jack Warner pulled a Pontius Pilate, washing his hands of the matter by insisting that he was strongarmed into making the film). Seen objectively, Mission to Moscow is top-rank entertainment, superbly and excitingly assembled in the manner typical of Warners and director Michael Curtiz. The huge cast includes Gene Lockhart as Molotov, attorney Dudley Field Malone as Winston Churchill, Maynart Kippen as a benign, pipe-smoking Stalin, Charles Trowbridge as Secretary Cordell Hull, Leigh Whipper as Hailie Selassie, Georges Renavent as Anthony Eden and Alex Chirva as Pierre Laval, along with the more familiar faces of Ann Harding (as Mrs. Davies), George Tobias, Eleanor Parker, Moroni Olsen, Minor Watson, Jerome Cowan, Duncan Renaldo, Mike Mazurki, Frank Faylen, Edward van Sloan, Louis-Jean Heydt, Monte Blue, Robert Shayne and even Sid (sic) Charisse. Original prints of Mission to Moscow include a 6-minute prologue delivered by the real Joseph Davies. ~ Hal Erickson, All Movie Guide

This drama is an adaptation of a popular 1927 play and tells the story of a pair of married liberals who are content to remain faithful in spirit only. The ends up having an affair with a musician while her husband heads for Europe. When he returns he tells her about his affair with a French woman. The wife is devastated, for never did she believe her husband would actually sleep with another. In the end, they decide to re-adopt traditional marital morals and remain monogamous. ~ Sandra Brennan, All Movie Guide

The tragic death from peritonitis of leading man Robert Williams marred the production of this oppressive triangle drama set in a French penal colony in Vietnam. Arriving at torrid Lao Bao, Therese Du Flos (Ann Harding) discovers that her fiancé, André Verlaine (Melvyn Douglas, who had replaced Williams) has become an alcoholic due to the pressures of the lonely job of running the prison. Distraught and fighting to regain her inner strength, Therese becomes a target for visiting Captain Remy Baudoin (Adolphe Menjou), a bounder who persuades her to leave the outpost with him. But André's faithful servant Nham (Clarence Muse) kills Baudoin, and when an uprising seems imminent, Therese stoically stands by her man. ~ Hans J. Wollstein, All Movie Guide