Ty Hardin Movies

It has now become a film-review clich to preface a write-up for I Married a Monster From Outer Space with the cautionary "Don't be misled by the title." The fact remains, however, that this one of the better and more intelligent horror outings of the late 1950s. The "I" of the title is Marge Farrell (Gloria Talbott), who can't help noticing that her husband Bill (Tom Tryon) has been acting very strangely since their dark-and-stormy wedding night. For one thing, the formerly demonstrative Bill behaves listlessly, as though possessing no emotions whatsoever; for another, though he spends much of his free time at Grady's Bar, Bill never takes a drink (now that is weird!) It isn't long before Marge discovers that Bill, along with several of his male friends, have been taken over by aliens from the Andromeda Nebula, who have arrived on earth to replenish their species. There's only one flaw to this plan: the aliens are unable to procreate! Once the authorities are alerted, a posse of non-possessed men attack the alien spaceship, paving the way for the not-altogether-predictable finale. ~ Hal Erickson, All Movie Guide

The fourth season of the ABC western Cheyenne made TV history as the only instance in which the title character never appeared! Embroiled in a bitter contract dispute with Warner Bros., actor Clint Walker, aka Cheyenne Bodie, walked off the set and refused to return until his demands (which by Hollywood standards were perfectly reasonable)were met. Taking a "We made you, we can break you" stance with Walker, Warner Brothers likewise dug in its heels, proceeding with Season Four of Cheyenne minus the show's star. And how was this done? Simple. Although the program was still officially titled Cheyenne, the season actually consisted of two other western series, appearing in rotation. One of these was Sugarfoot, starring Will Hutchins as a gangly frontier lawyer, a series that had already been seen in the 1957-58 on an alternate-week basis with Cheyenne. The other show was Bronco, a virtual carbon copy of Cheyenne starring newcomer Ty Hardin. Both Cheyenne Bodie and Bronco Layne were Civil War veterans who chose to drift throughout the west after the conflict, taking whatever odd jobs that suited them and getting involved in the lives of other westerners all along the way. There was even a marked physical resemblance between Clint Walker and Ty Hardin,even though Walker had dark hair and Hardin was a blonde. The principal difference between Bronco and its inspiration was that Bronco Layne tended to cross paths with genuine western celebrities like Wild Bill Hickok, Jesse James and the Younger Gang. This "revised" version of Cheyenne ran throughout the 1958-59 season, by which time Warner Bros. had agreed to Clint Walker's terms and invited him back to the fold. ~ Hal Erickson, All Movie Guide

A Confederate veteran captain, Bronco, gets involved in the cattle wars of New Mexico and there meets Billy the Kid in this episode from the television series. ~ Kristie Hassen, All Movie Guide

Jeff Chandler stars as American brigadier-general Merrill, commanding a regiment in Burma during World War II. Surrounded on all sides by the Japanese, Merrill's Marauders nonetheless accomplish their objective-only to be ordered into another mission with barely a chance to breathe. Again and again this happens, and again and again the Marauders remain fiercely loyal to the dauntless Merrill. This "war doesn't take vacations" theme is a common one running through the combat films of director Samuel Fuller; only the censorship strictures of 1962 prohibit Fuller from fully illustrating the sheer Hell that was the Pacific War. Adapted by Fuller and producer Milton Sperling from a novel by Charlton Ogburn Jr., Merrill's Marauders represented Jeff Chandler's last film work. ~ Hal Erickson, All Movie Guide

This WW II adventure chronicles the real-life courage of President John F. Kennedy when he was a Navy lieutenant in charge of the illustrious PT 109. Among the adventures they had was the courageous rescue of Marines stranded upon the isle of Choiseul. As they flee, their little boat is split in half by a Japanese destroyer. The survivors then make a long, dangerous swim to an island. One of them is too badly injured to do it, so Kennedy helps him. Later, the future leader braves many dangers to get to another island to radio for help. This video also contains a newsreel chronicling the President's assassination and a cartoon short featuring Foghorn Leghorn. ~ Sandra Brennan, All Movie Guide

In December of 1944, the Allied high command is convinced that German forces in Belgium are in a low state of readiness, and perhaps even about to withdraw. Only one officer on the front lines, intelligence specialist Lt. Col. Kiley (Henry Fonda), believes otherwise -- that the Germans are actually planning an attack. His opinion is rejected by his immediate superior (Dana Andrews) and his commanding general (Robert Ryan). Kiley spots several suspicious signs of German activity behind enemy lines on a reconnaissance flight, and he is at the front looking for evidence when the German counter-offensive starts. Taking advantage of Allied unpreparedness and a weather front that grounds all aircraft, their heavy tank units, supported by infantry, roll over the American forces, assaulting the lines at five different points in an attempt to ultimately divide the Allied forces in the west. The German top tank officer, Colonel Hessler (Robert Shaw), has planned his operation perfectly, but he is in a race against time, to take as much territory as possible before the weather front moves out and American aircraft can fly again, and to capture the American fuel supplies so that the offensive can continue right to the port of Antwerp. He has the total dedication of his men, but engenders doubts from his aide, Conrad (Hans-Christian Blech), who is weary of the fighting and wonders what it is all for. Meanwhile, Kiley is trying to uncover the weak spot in the German offensive, and he crosses paths with several other key players in this drama: Charles Bronson as a combat officer charged with the defense of the collapsing American position, James MacArthur as a neophyte lieutenant who becomes a leader, and Telly Savalas as a conniving sergeant in command of a tank who unexpectedly finds a nobler, less mercenary side of himself. ~ Bruce Eder, All Movie Guide

In this explicitly violent espionage drama, spies and counterspies collide in Athens as they endeavor to lay claim to a vital piece of microfilm that contains info regarding the identity of several key agents. ~ Sandra Brennan, All Movie Guide

Set in the wilds of South Africa, this Italian adventure chronicles the travails of three fugitive killers who search the jungle for a fabulous gold mine. ~ Sandra Brennan, All Movie Guide

Opening with a montage depicting its subject's Civil War exploits, Custer of the West carries us across four years of fighting in less than four minutes of screen time. The Civil War ended, George Armstrong Custer (Robert Shaw) longs for action and to hold onto his rank of general, so General Phil Sheridan (Lawrence Tierney) sends him West, admitting that there will be no nobility to his cause there -- the government and the people want the land, and that means getting the Indians off of it by any means necessary. He arrives in time to see a party of Cheyenne (whom the real Custer never fought) kill a pair of miners by sending them rolling down a long hill in a runaway wagon -- that motif is repeated, in ever more striking, elaborate, and violent fashions, in two subsequent action scenes. Custer organizes his command around Major Marcus Reno (Ty Hardin), depicted as an ambitious officer with a drinking problem, and Captain Benteen (Jeffrey Hunter), a humane officer with a strange, almost mystical streak, who understands the Indians better than anyone else in Custer's command. Also present are Mary Ure as Custer's loving wife and Robert Ryan in a very flamboyant performance as a larcenous sergeant who comes to no good end after being stricken with gold fever. After getting his command into the shape it needs to be -- mostly by running everyone except a lone sergeant into the ground in an extended drill -- he carries out his mission, quietly detesting the motives behind his orders but executing them out to the letter. Regarded as a hero in the East, Custer returns to Washington only to jeopardize his career by testifying about the corruption he's found around him in the West. He is left a political pariah but once more. Sheridan intercedes, again getting Custer posted with the Seventh Cavalry now engaged against the Sioux. He is, by this time, disillusioned with the army that he serves and the politicians and the business interests in whose service it functions. Though he craves the glory that comes with battle, he sees soldiering of the type he is being asked to carry out as little more than organized slaughter, even relying on machines to do the killing in ever more indiscriminate ways with none of the contest between men, of strategies, and arms and resourcefulness -- that was his real joy. The demons and goals that drive him culminate with Custer's disastrous action at Little Big Horn, which is beautifully (if not necessarily accurately) staged, in a stunning visual and aural denouement. ~ Bruce Eder, All Movie Guide

In this western, a no-good town leader forces a traveling cowboy and his family into an unnecessary duel. ~ Iotis Erlewine, All Movie Guide