Ernest Harada Movies

High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, All Movie Guide

A rude entrepreneur is transformed into an average Joe by his guardian angel in this comedy. ~ All Movie Guide

A clumsy hipster gets more than he bargained for when he mistakenly picks up a bag full of drug money instead of his clean laundry in this comedy. Interestingly the film features Olympic champions Greg Louganis and Carl Lewis in major roles. ~ Sandra Brennan, All Movie Guide

Twenty-one years after ending its original ABC prime-time run in 1965, the Hanna Barbera animated adventure series Jonny Quest was revived with 13 brand-new episodes as a component of the weekend syndicated package "Funtastic World of Hanna Barbera." All of the original characters were revived: globetrotting research scientist, Dr. Benton Quest; his tousled-haired son, Jonny; Jonny's bodyguard-tutor, Race Bannon; his mystical young Indian friend, Hadji; and the pet bulldog, Bandit. Of the original voice actors, only Don Messick (as Dr. Quest and Bandit) and Victor Perrin (as perennial villain Dr. Zin) were heard on the later series. In the sixth of the "new" episodes, another member of the Quest team was introduced, a "Monolith Man" named Hardrok. Slightly better animated than the original -- and with markedly wittier dialogue as well as a refreshing increase in its sci-fi-fantasy content -- the Jonny Quest (1986 series) was later incorporated in the same package as the 26 "original" Jonny Quest episodes. Under the blanket title "Classic Jonny Quest," this manifest was seen on cable's Cartoon Network from 1992 to 1995. ~ Hal Erickson, All Movie Guide

Gene Wilder's remake of this 1976 French comedy is a Hollywood version of what happens when Theodore (Wilder), an ordinary ad agency executive, is captivated by a gorgeous woman (Kelly Le Brock). The woman just happens to be standing on a grate when her skirt blows up over her waist (a scene first made famous by Marilyn Monroe in The Seven-Year Itch), and one glimpse is enough to change Theodore's whole life. Although he is married, he is willing to risk his happy relationship with his wife for a romp in the hay with the beautiful stranger. Unfortunately, even when he tracks down the object of his lust he is woefully inept at sneaking out on his wife to consummate his desire. Three of his male office mates help him as much as they can, but Ms. Milner (Gilda Radner) is really incensed when she finds out that the object of Theodore's attention is not herself. Stevie Wonder's score included his hit song "I Just Called to Say I Love You", which received an Oscar nomination. ~ Eleanor Mannikka, All Movie Guide

Night Court begins its second season as eccentric Judge Harry T. Stone (Harry Anderson) faces a problem that he can't joke his way out of. It seems that a young novice nun, Sister Sara Williams (Dinah Manoff), has fallen in love with Harry and renounced her vows. The scene in a Japanese restaurant is a riot (and not a quiet riot!) With this episode, Charlie Robinson joins the cast as (seemingly) level-headed court clerk Mac Robinson. ~ Hal Erickson, All Movie Guide

In this made-for-television romantic comedy, a book editor (Tim Matheson) falls for a co-worker (Kate Jackson) and has difficulty balancing his career with his love life. ~ Jason Ankeny, All Movie Guide

Larry Cohen wrote the screenplay to this updating of Mickey Spillane's notorious 1947 novel. Cohen was originally engaged to direct the film as well but was pulled from the director's chair after a week's worth of shooting because he had already run up the budget by $100,000; he was replaced by television director Richard T. Heffron. In this 1982 I, the Jury, Mike Hammer (Armand Assante) is a Vietnam veteran who wears hip duds and drives around in a bronze Trans Am in much the same way as Robert Mitchum's Philip Marlowe was refurbished for Michael Winner's re-make of The Big Sleep. After a cheesy rip-off of a James Bond-style credit sequence, the story kicks in. One-armed detective Jack Williams (Frederick Downs) is murdered. Jack was Hammer's best friend, and Hammer decides that he will become a one-man vigilante squad and seek vengeance on the person responsible for his death. He enlists the aid of his vivacious secretary Velda (Laurene Landon) and is also helped and hindered by police-chief Pat Chambers (Paul Sorvino). Hammer latches on to the killer's trail, then the film veers in a radically different direction from the book, introducing government conspiracies and mind-control techniques by the CIA and the Mafia. Also introduced is Hammer's love interest Charlotte Bennett (Barbara Carrera), an administrator of a kinky sex clinic (depicted as a psychiatrist in the original novel). ~ Paul Brenner, All Movie Guide

Not much time is actually spent in Weasel Creek in this made-for-TV movie, despite its title. Essentially, this is a semiserious "road" picture concerning the misadventures of a rambunctious young girl (Mare Winningham). Linking up with a runaway farm boy (John Hammond), the girl heads to California with only the clothes on her back and the few possessions from her house trailer. En route, the boy stops over in the aptly named Weasel Creek to visit his aunt (Colleen Dewhurst). The film is populated with such familiar rustic types as Barry Corbin, Richard Farnsworth and Trey Wilson. A Few Days in Weasel Creek first aired October 21, 1981. ~ Hal Erickson, All Movie Guide

Summoning the aid of Chief Ironside (Raymond Burr) is a nervous young woman named Jane Spencer (Sian Barbara Allen), who is sure that her father's "accidental" death was actually murder. The only clue the Chief has to go on is a cryptic Japanese ideogram, which may also explain the mysterious contents of a stolen package. Meanwhile, Ironside's assistant Ed becomes attracted to the profoundly troubled Jane. This episode features a neat, menacing peformance by a pre-stardom William Devane. ~ Hal Erickson, All Movie Guide

In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, All Movie Guide