William Hansen Movies

This classy and creative low-budget thriller depicts an all-out war of attrition between a group of neglected, disgruntled senior citizens and the heartless city officials who evicted them from their Cincinnati low-rent apartment building, which has been tagged for destruction. Their campaign goes far beyond writing strong letters to their alderman -- they begin by savagely murdering the social worker who orders their removal (Linda Marsh, in a budget Nurse Ratched mode), then take a violent stand against any contractors who attempt to stray onto their turf. Tightly directed from a clever script, portraying its geriatric killers with wit and empathy but never shying away from shocking scenes of violence. ~ Cavett Binion, Rovi

Based on a novel by Michael Crichton, Terminal Man is a sci-fi thriller about a scientist who decides to be the lab rat in an experimental surgery to control his violent tendencies. During the surgical procedure, a miniature computer is implanted in his head. Unfortunately, the mechanism malfunctions, and he becomes a vicious killer. ~ Kristie Hassen, Rovi

Manhattan South detective lieutenant Theo Kojak (Telly Savalas) wastes no time getting the series bearing his name under way in this premiere episode. After a failed armored-car robbery, the three desperate thieves--Jerry Talaba (Harvey Keitel), Jack Murzie (James J. Sloyan) and Mike Amazeen (Jude Farese)--grab six hostages and barricade themselves in a sporting goods store, amply stocked with surplus weaponry. Kojak has only two hours to formulate a plan to defuse the situation before the outlaws begin killing their captives, one by one. ~ Hal Erickson, Rovi

Produced by Dan "Dark Shadows" Curtis, this TV adaptation of Mary Shelley's classic spine-chiller Frankenstein remains fairly faithful to its source. Robert Foxworth stars as Dr. Victor Frankenstein, who comes to grief when he "plays God" by creating a human being from spare body parts. The monster, played by Bo Svenson, is doomed from the start, not only by fate but by his inherited homicidal nature. Susan Strasberg and Heidi Vaughn co-star as the two unfortunate women in Dr. Frankenstein's life. Originally telecast in two parts on ABC's late-night Wide World of Mystery anthology, Frankenstein debuted January 16 and 17, 1973. It was later pared down to a traditional two-hour, single-part TV movie. ~ Hal Erickson, Rovi

The first independent production of former studio mogul Jack Warner, 1776 was adapted from the hit 1969 Broadway musical by Peter Stone and Sherman Edwards. William Daniels, Ken Howard, and Howard Da Silva are among the many actors who recreate their Broadway roles. The story is set during the first Continental Congress, when the Declaration of Independence was drafted by such founding fathers as John Adams (Daniels) and Benjamin Franklin (Da Silva). The script attempts to "humanize" these remote historical figures by contemporizing them -- particularly the character of Ben Franklin. Blythe Danner's character of Martha Jefferson is expanded for the film version to allow for an elaborate outdoor production number. After 1776, Warner made only one more film, the 1972 "grunge Western" Dirty Little Billy. On an added note: the picture was originally rated G with its theatrical running time of 141 minutes. It was later expanded to 166 minutes; the added scenes caused the MPAA to re-rate it PG (for language) in 1992. Both versions are available on video. ~ Hal Erickson, Rovi

Sandcastles dresses up an old story with pretty seascapes and prettier actors. Bonnie Bedelia is a lonely young musician who strikes up an acquaintance with the enigmatic Jan-Michael Vincent. Even though she sees him only while walking along the beach, Bonnie falls in love with this curious young man. When she tells others of her affair, she is informed that no such young man exists...but that he did exist, before he turned criminal and was killed. The truth is out: Vincent is a ghost, returned to Earth to clear his reputation. Sandcastles was shot on videotape by veteran TV-series helmsman Ted Post. ~ Hal Erickson, Rovi

John Astin and Emmaline Henry, who back in 1962 played husband and wife in the short-lived sitcom I'm Dickens-He's Fenster, were reunited in the December 21, 1969 Bonanza episode "Abner Willoughby's Return." Astin is cast as ex-miner Abner, who after 17 years at sea comes back to Virginia City to dig up the gold he buried before his departure. Thing of it is, the hiding place is now on the property owned by Widow Sprague (Emmaline Henry) and her son Charlie (Russell Schulman). When Abner tries to persuade the widow to move, he-and most of the Ponderosa men-are forced to remain on the property due to a quarantine. Written by Jack B. Sowards and Leslie McFarland, "Abner Willoughby's Return" was one of several Bonanza episodes which, for a variety of reasons, were withdrawn from the series' original syndication package; it has since been exhumed for cable-TV play. ~ Hal Erickson, Rovi

Kirk Douglas has an extreme case of mid-life crisis in Elia Kazan's turgid melodrama (adapted from his best-selling novel). Douglas plays successful advertising executive Eddie Anderson, who cracks under the strain of the morning rush hour in Los Angeles and plows his sports car into a truck. Landing in a convalescent home, Eddie remains mute to everyone except his boss Finnegan (Charles Drake). In his recovery room, Eddie dreams about co-worker Gwen (Faye Dunaway), a sexy research assistant at his agency. Meanwhile, the psychiatrist Dr. Liebman (Harold Gould) talks to Eddie's wife, Florence (Deborah Kerr), who reveals that at one time Eddie and Gwen had an affair, but they broke it off. Unfortunately, after that escapade, Eddie's interest in sex vanished completely.

Then after the interview with Dr. Liebman, following a terrible nightmare, Eddie breaks out of his self-imposed silence and declares to Florence that he is tired of his unfulfilling life of "arrangements." Eddie returns to work, but the return is marked by Eddie insulting a major client, alienating his co-workers, and then taking off in a private plane in which he flies madly over the skies of L.A. His lawyer Arthur (Hume Cronyn) keeps Eddie from being thrown in jail and also talks Eddie into giving Florence the power of attorney. Eddie proceeds to travel to New York, where he runs into Gwen, who now has a child. Eddie is in New York to visit his senile father, Sam (Richard Boone), but when his family attempts to put Sam in a nursing home, Eddie takes him away with him to their old family estate on Long Island. Eddie calls up Gwen, and she travels to Long Island to resume their affair. Meanwhile, Eddie's loved ones search for Sam, and they are closing in on Eddie's Long Island sanctuary. ~ Paul Brenner, Rovi

In this film based on a true story, Burt Lancaster plays Robert Stroud, a withdrawn prison inmate who cures a sick bird that flies into his cell and eventually becomes a world-renowned ornithologist -- all while serving a life sentence. An overbearing warden (Karl Malden) eventually transfers Stroud to the notoriously brutal prison on Alcatraz, but he is able to continue his research, abort a riot, start a romance, and eventually get his story out through a determined reporter (Edmond O'Brien). Directed with his usual solid craftsmanship by John Frankenheimer, Birdman Of Alcatraz tells a quietly moving tale for which Lancaster, Telly Savalas (as one of Stroud's fellow inmates), and Thelma Ritter (as Stroud's mother) all received Oscar nominations. ~ Don Kaye, Rovi

In this high-gloss soap opera (not dissimilar to the then-popular Peyton Place), Guy (Richard Burton) is a doctor who returns to the New England town where he grew up to help care for his good friend Larry (Tom Drake), who is dying of Hodgkins Disease. Guy gets to know Larry's wife Margaret (Barbara Rush), and a strong attraction quickly develops between them; before long, they're having an affair. His betrayal of his friend notwithstanding, Guy is deeply upset by Larry's rapid decline into illness; when it becomes obvious that Larry cannot be saved, Guy cuts off his life support to end Larry's suffering. Guy is then arrested for murder, as the police believe that he killed Larry to marry his wife, who is now carrying Guy's baby. Fran (Angie Dickinson) is a nurse who was attracted to, and spurned by, Guy; while she harbors bitterness against him, she also knows that Guy's actions were well-intended. Fran falls into an affair with Bert (Jack Carson), a local political figure who wants to see Guy behind bars. Bert persuades Fran to pose for a set of nude photos, and he then gives them to newspaper editor Parker Welk (Henry Jones) as blackmail to keep her quiet about Guy's innocent intentions and Bert's infidelity. The film was based on a best-selling novel by Charles Mergendahl. ~ Mark Deming, Rovi

25-year-old Julie Harris convincingly recreates her Broadway role of 12-year-old tomboy Frankie Addams in the 1952 screen version of Carson McCullers' play. Feeling rejected when her older brother goes off on his honeymoon without inviting her along, Frankie runs away from her middle-class southern home. She endures several other adolescent traumas, not least of which is the sudden death of her bespectacled young cousin John Henry (Brandon De Wilde). With the help of warmhearted housekeeper Berenice Sadie Brown (Ethel Waters), Frankie eventually makes an awkward transition to young womanhood. One of several Stanley Kramer productions released by Columbia in the early 1950s, The Member of the Wedding wisely used several of the original Broadway cast members. Co-starring as a drunken soldier who tries to take advantage of the vulnerable Frankie is former child actor Dick Moore, making his last screen appearance. The Member of the Wedding was remade for television in 1983 (and unofficially "reworked" into the 1991 sleeper My Girl). ~ Hal Erickson, Rovi

Elia Kazan directed this, one of Hollywood's early attacks on racism, starring Jeanne Crain as Patricia "Pinky" Johnson. Patricia is a light-skinned black woman who is studying nursing at a New England medical institute. A white doctor, Thomas Adams (William Lundigan), has fallen in love with Patricia and wants to marry her, but Patricia refuses his proposal. Convinced their interracial union would never work out, Patricia believes Thomas would never be able to endure the acrimony that would be heaped upon their marriage. Patricia leaves New England to return to her childhood home in the South, where her grandmother (Ethel Waters) works for rich widow Miss Em (Ethel Barrymore). When Miss Em takes ill, Patricia cares for her. Upon Miss Em's death, it is discovered that she has bequeathed her entire estate to Patricia. Miss Em's family disputes the will because Patricia is black, and a courtroom battle ensues over the estate. ~ Paul Brenner, Rovi