Rani Mukherjee Movies

Kunal Kohli's Bollywood feature Thoda Pyaar Thoda Magic follows the adventures of Ranbeer Talwar, a wealthy high roller who recently fell from grace and lost everything. At the end of his tether, he feels his fortunes turn when he lands the opportunity to care for four orphans who couldn't possibly be less appreciative. Irascible and resentful, they immediately begin plotting to take revenge on Ranbeer for adopting them and even complain loudly about their unwillingness to stay with him; meanwhile, Ranbeer struggles to communicate with the children. Everyone's lives change forever when a woman named Geeta arrives at the house and changes the atmosphere from dour to joyous and optimistic. ~ Nathan Southern, Rovi

Love and dreams follow two starry-eyed actors across three decades and two incarnations in this splashy Hindi musical. It's the early '70s, and Om Prakash Makhija (Shah Rukh Khan) is a young would-be actor who has been playing bit parts in Bollywood musicals while looking for his big break. Om's ambition is to become a film star and win the heart of beautiful screen siren Shantipriya (Deepika Padukone), and his pal Pappu (Shreyas Talpade) and his mother, Bela (Kirron Kher), both encourage him not to give up on his dreams. One day, Om meets Shantipriya on a movie set, and he feels as if destiny is finally smiling on him, but when he overhears her having an argument with studio chief Mukesh Mehra (Arjun Rampal), Om senses things are not as they should be. Before Om can decide what to make of his misgivings, the studio burns to the ground, claiming the lives of Om and Shantipriya. Thirty years later, a bit of Om's spirit seems to live on in Om Kapoor (also played by Shah Rukh Khan), a popular film actor with a large ego and a fear of flame who was born the day the old studio burned down. Despite his fame, Om is lonely, at least until he meets Sandhya (also played by Deepika Padukone), a shy but eager would-be actress looking for her chance to become a star. Om Shanti Om was directed and co-written by Farah Khan, who was a top choreographer in the Indian film industry before moving up to the director's chair, and features guest spots from a number of Bollywood's greatest stars, a few appearing in the form of digital recreations taken from films of the '70s. ~ Mark Deming, Rovi

The title of Saawariya carries a double meaning; it refers to both an epithet for the Hindu god Krishna and to a title sought by many Indian lovers, who wish to reach a state of "Saawariya," or overpowering consumption by love. Director Sanjay Leela Bhansali's romantic drama Saawariya weaves the tale of the ill-fated romance between two such individuals: artist Raj, who finds the fulfillment of his soul's yearning when he enters one of the most picturesque rural hamlets in India, and his lover, Sakina, a mysterious young woman whom he spots standing on a bridge. Raj tries desperately to win Sakina's love and devotion, but finds it increasingly difficult to accept the truth of her past. ~ Nathan Southern, Rovi

A woman is uncertain of what path to take when she loses the love of her life in this romantic drama from India. Avi (Salman Khan) is a bright and ambitious young man who, after completing his education in the United States, comes home to take his place in the successful business run by his father, Balraaj Kapoor (Amitabh Bachchan). Avi meets a beautiful young artist named Millie (Rani Mukherjee) and the two fall in love. They wed, give birth to a son, and are enjoying their lives with their new family when Avi is suddenly killed in an auto accident. Millie is emotionally shattered by Avi's death and she is uncertain about what to do next. Balraaj believes his daughter-in-law needs to remarry and start life over again; he knows that Millie's friend Rajat (John Abraham), a musician, has long had feelings for her, and he tries to bring the two of two of them together. But Millie must decide if she's ready for a new love while her life with Avi is still fresh in her mind. ~ Mark Deming, Rovi

One of the earliest salvos of Indian militancy before the nation won its freedom from the British Empire is recounted in grand scale in this historical drama. In the 1850s, Great Britain held both political and economic sway over India, and the East India Company was one of the most powerful English firms trading there -- so powerful that they had their own private army to help enforce the laws as they saw fit. Mangal Pandey (Aamir Khan) was a "sepoy" (local slang for an Indian soldier) in the East India Co. militia who became friendly with British officer William Gordon (Toby Stephens). Gordon had a great deal of respect for Padney, unlike many of his fellow British soldiers, who regarded their Indian colleagues with little more than contempt. While Padney's commitment to his duty was genuine, he became increasingly aware of the disrespect shown to Indians by the British, and when word began to spread that the powder cartouches being given to sepoy gunmen were greased with animal fat, making them taboo for Muslim and Hindu soldiers, long-simmering anger in the ranks began to boil over into open rebellion, and in time Padney was charged with mutiny for defending himself and other sepoys against their British superiors. Adapted from a true story, The Rising: Ballad of Mangal Padney features dialogue in both Hindi and English, unusual for most Bollywood films. ~ Mark Deming, Rovi

Karan (Saif Ali Khan) is a cartoonist and a self-styled ladies' man. His daily comic, "Hum Tum," playfully explores the battle of the sexes. On a plane from Delhi to New York, he sits next to Rhea (Rani Mukherjee), and she doesn't seem the least bit interested in him. His feeble attempts at flirting go nowhere, but when they have a stopover in Amsterdam, she agrees to spend a few hours exploring the city with him. Karan quickly learns he has little in common with the feisty but proper Rhea, but he won't give up. He ends their contentious time together with an unwelcome kiss. Rhea is outraged and storms off, but Karan insists they'll meet again. And he's right. Months later in New York, he spots her in the park, and she causes a scene with his girlfriend. They don't see each other again until three years later, when Karan is helping his mother plan a wedding that turns out to be Rhea's. They bicker again, but this time, they part on good terms. Years later in Paris, Karan is visiting his father (Rishi Kapoor), when he runs into Rhea again. He learns from Rhea's mother (Kiron Kher) that a tragedy has befallen the girl, and he sets out to help her reclaim her positive outlook on life. Sensing that she needs to be with a straight-laced, boring guy, he conspires with Rhea's mother to fix her up with his shy best friend, Mihir (Jimmy Shergill). Things don't go as planned, and Karan and Rhea find themselves forced to confront their feelings for each other. Former film critic Kunal Kohli wrote and directed Hum Tum, his second feature. The score is by Jatin-Lalit, with lyrics by Prasoon Joshi. The film features animated sequences and a few surprise "guest appearances." ~ Josh Ralske, Rovi

Director Kunal Kohli presents the Bollywood epic of mistaken loves and matrimonial mismatches in his 2002 release Mujhse Dosti Karoge! Young Raj (Hrithik Roshan) has spent the last 15 years in London, due to his father having relocated his family in order to start a computer company. In the meantime, Raj has kept in touch with his childhood friend, Pooja (Rani Mukherji), who still resides in India. Over those 15 years, Raj reveals to Pooja that he had fallen in love with her sister, Tina (Kareena Kapoor), before leaving India and via his communications with Tina. Pooja, it turns out, was the true author of those messages in a bid to spare her friend's feelings for a deeply ambivalent Tina -- and Pooja has subsequently fallen in love with Raj in the process. As Raj makes a return visit home to India, he spends as much time with Tina as he can allow and Pooja is forced to sit by and watch in silence. After Raj returns to London, however, Pooja decides to follow him. When the two meet, the truth is revealed and Pooja and Raj decide to marry. They return to India to announce their engagement, but find her father had recently died. Further complicating matters, Raj's father is determined to keep the vow he made to Pooja and Tina's father of marrying his son to Tina. The young lovers are forced to find a solution to their problem quickly before Raj is married to Tina and irretrievably lost to Pooja. Somewhat popular with the Indian movie-going public, Mujhse Dosti Karoge! was critically dismissed as derivative and unoriginal at the time of its 2002 release. ~ Ryan Shriver, Rovi