Vladimir Nabokov Movies

Adapted from the novel by Vladimir Nabokov (previously filmed by Stanley Kubrick in 1962), Lolita stars Jeremy Irons as Humbert Humbert, a college literature professor. In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with "nymphets," teenagers who walk a fine line between being a girl and a woman. While looking for a place to live after securing a new teaching position, he meets Charlotte Haze (Melanie Griffith), a pretentious and annoying woman who seems desperately lonely and is obviously attracted to Humbert. Humbert pays her little mind until he meets her 13-year-old daughter Lolita (Dominique Swain), the image of the girl that Humbert once loved. Humbert moves into the Haze home as a boarder and eventually marries Charlotte in order to be closer to Lolita. When Charlotte finds out about Humbert's attraction to her daughter, she flees the house in a rage, only to be killed in an auto accident. Without telling Lolita of her mother's fate, Humbert takes her on a cross-country auto trip, where their relationship begins to move beyond the traditional boundaries of stepfather and step-daughter. Lolita proved to be controversial in the United States due to its clear (if not explicit) depiction of sex between a middle-aged man and an underaged girl; no major studio was willing to release it in America, and it finally had its U.S. premiere on the Showtime cable network. This version, directed by Adrian Lyne, was publicized as being more faithful to Nabokov's book than Stanley Kubrick's adaptation (which was scripted by Nabokov himself); however, it manages to be closer to the letter of the novel without capturing its spirit and tone as well as Kubrick did. ~ Mark Deming, All Movie Guide

Having made as many films as he had years, at 31, Rainer Werner Fassbinder essayed a slightly different approach for his 32nd film, Despair. Here, he uses a witty screenplay written by the well-known playwright Tom Stoppard, based on a novel by Vladimir Nabokov. Furthermore, the entire film, set in 1930s Germany, is in English. It received mixed reviews, if only because it is so unlike the director's other works. In the story, a Russian owner of a German chocolate-factory, whose business and marriage are both on the rocks, fantasizes about leaving his current life, and living another one. Indeed, he has delusions that he is somehow outside himself, watching himself live his life. So strong is his desire to alter his life that when he encounters a tramp while on a brief business trip, he imagines that the man looks exactly like him, decides to exchange identities with the tramp, and murders him. ~ Clarke Fountain, All Movie Guide

"How did they make a movie out of Lolita?" teased the print ads of this Stanley Kubrick production. The answer: by adding three years to the title character's age. The original Vladimir Nabokov novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet. The affair is "cleansed" ever so slightly in the film by making Lolita a 15-year-old (portrayed by 16-year-old Sue Lyon). In adapting his novel to film, Nabokov downplayed the wicked satire and sensuality of the material, concentrating instead on the story's farcical aspects. James Mason plays professor Humbert Humbert, who while waiting to begin a teaching post in the United States rents a room from blowzy Shelley Winters. Winters immediately falls for the worldly Humbert, but he only has eyes for his landlady's nubile daughter Lolita. The professor goes so far as to marry Winters so that he can remain near to the object of his ardor. Turning up like a bad penny at every opportunity is smarmy TV writer Quilty (Peter Sellers), who seems inordinately interested in Humbert's behavior. When Winters happens to read Humbert's diary, she is so revolted by his lustful thoughts that she runs blindly into the street, where she is struck and killed by a car. Without telling Lolita that her mother is dead, Humbert packs her into the car and goes on a cross-country trip, dogged every inch of the way by a mysterious pursuer. Once she gets over the shock of her mother's death, Lolita is agreeable to inaugurating an affair with her stepfather (this is handled very, very discreetly, despite the slavering critical assessments of 1962). But when the girl begins discovering boys her own age, she drifts away from Humbert. One day, she leaves without warning. This is humiliation enough for Humbert; but when he discovers who her secret lover really is, the results are fatal. We are prepared for the ending because the film has been framed as a flashback; what we are not prepared for is Stanley Kubrick's adroit manipulation of our sympathies and expectations. An incredibly long film considering its subject matter, Lolita is never dull, nor does it ever stoop to the sensationalism prevalent in the film's ad campaign. ~ Hal Erickson, All Movie Guide