Bill Kong Movies

A man is torn between his compassionate nature and the warrior's philosophy that has been drummed into him in this historical action adventure from director Tian Zhuangzhuang. During the era of the Warring States, Lu Chenkang (Joe Odagiri) is a Chinese shepherd who is strong but gentle, a man who loves animals and keeps a wolf cub as a pet as well as looking after his flocks. General Zhang Anliang (Tou Chung-hua) is leading his troops through the Kunlun Mountains, and when he meets Lu, he's convinced the shepherd has the potential to be a first-class soldier. Lu is wary, but is persuaded to join the General, and is indoctrinated into his philosophy of "Kill or Be Killed." A skirmish that goes wrong leads to the General being sent home, and Lu, who has become one of his most powerful fighters, becomes commander in his absence. As winter comes to China, Lu's army takes over an abandoned village in the mountain, and Lu finds a woman (Maggie Q) hiding in a makeshift shelter dug into the earth. Lu's initial reaction is brutal, but the woman, who had lost her husband in the war, refuses to be intimidated by him, and in time her beauty reawakens the kindness of his spirit. However, as Lu falls in love with the widow, she warns him that she is a member of a spirit tribe that can be transformed into wolves at a moment's notice, and he thinks he may have found a connection to a world in which he truly belongs. Lang Zai Ji (aka The Warrior and the Wolf) received its North American premiere at the 2009 Toronto International Film Festival. ~ Mark Deming, All Movie Guide

Academy Award-winning director Ang Lee adapts this Eileen Chang story set in World War II-era Shanghai that details the political intrigue surrounding a powerful political figure named Mr. Yee (Tony Leung) in Japanese-occupied Shanghai. Spanning the late '30s and early '40s, the movie introduces us to Hong Kong teen Wong Chia Chi (Tang Wei), a shy college freshman who finds her calling in a drama society devoted to patriotic plays. But the troupe's leader, Kuang Yu Min (Wang Leehom), isn't just a theater maven -- he's a revolutionary as well, and he's devoted to carrying out a bold plan to assassinate top Japanese collaborator Mr. Yee. Each student has an important role to play, and Wong puts herself in a dangerous position as Mrs. Mak; she befriends Mr. Yee's wife (Joan Chen), and slowly gains trust before tempting him into an affair. While at first the plan goes exactly as scripted, things suddenly take a deadly turn and Wong is emigrated from Hong Kong. Later, in 1941, the occupation shows no signs of ceasing and Wong is simply drifting through her days in Shanghai. Much to her surprise, the former actress finds Kuang requesting that she resume the role of Mrs. Mak. Now, as Wong again gains intimate access to her dangerous prey, she must struggle with her own identity in order to pull off the performance of a lifetime. ~ Jason Buchanan, All Movie Guide

Fearless opens in Shanghai, China, circa 1910, when wushu master Huo Yuanjia (martial arts superstar Jet Li) prepares to battle one Japanese opponent, Tanaka (Shidou Nakamura), and three American opponents (Anthony de Longis, Jean-Claude Leuyer, and Brandon Rhea) in a massive tournament. The picture then cuts back to Huo's boyhood in the city of Tianjin, in North China, circa 1880, when his father forbids him from engaging in martial-arts training. He must therefore slip off and train covertly. Around 1900, Huo -- then in his twenties -- continues to fight in tournaments. His determination is such that his entire life begins to revolve around championships, and the prospect of becoming the top-ranked fighter in Tianjin turns into a die-hard obsession, despite the repeated warnings of his best friend, Nong (Dong Yong), to cut back. Huo ignores these admonitions, then turns conceited and ultimately refuses to hear an additional word of caution, until his arrogance leads to the death of a fighter and Nong's decision to abandon him as a friend. Driven into exile, Huo journeys to southeastern Asia, where he works alongside rice farmers and divests himself of conceit, then gently touches the spirit of a blind girl. When he finally returns to Tianjin, he has transformed, internally, into a different person altogether. A huge hit in Hong Kong when originally released into theaters in 2006, Fearless was often touted as Jet Li's final film in the wushu school of martial arts. The picture is based on the real-life story of Huo Yuanjia, founder of the Jingwu school of martial arts. ~ Jason Buchanan, All Movie Guide

On the heels of such extravagant historical swordplay epics as Hero and House of Flying Daggers, Mainland Chinese director Zhang Yimou returns to the reins to tell this intimate tale of an aging father who attempts to remedy a longstanding rift with his grown son. Summoned to Tokyo by his daughter-in-law, Rie (Shinobu Terajima), village fisherman Gou-ichi Takata (Ken Takakura), arrives at a city hospital to find his son, Ken-ichi (Kiichi Nakai), bedridden by liver cancer. Though Gou-ichi attempts to use the visit as a catalyst to heal a decade-long dispute between the pair, stubborn Ken-ichi rejects his father's attempt at reconciliation outright. Subsequently handed a videotape by Rie before departing back to the countryside, Gou-ichi returns home unsuccessful in his efforts to build a bridge of peace between himself and his ailing son. Upon watching the videotape, a research project exploring the Chinese folk arts that was shot by Ken-ichi in the Southern province of Yunnan, Gou-ichi is oddly affected by the onscreen failure of his son in convincing well-known opera singer Li Jiamin (playing himself) to perform the titular song, a classic operatic piece espousing the values of friendship. Now determined to travel to Yunnan and videotape the performance that his son could not, Gou-ichi embarks on a life-changing quest that will not only give him a greater understanding of the relationship between himself and his own son, but set into motion a healing process that will also have a profound impact on the troubled opera singer and the man's long-lost illegitimate son as well. ~ Jason Buchanan, All Movie Guide

Sun Zhou's stylized Zhou Yu de Huoche (Zhou Yu's Train) is the story of a woman in love. Zhou Yu (Gong Li) and teacher Chen Ching (Tony Leung Kar-Fai) fall in love. After Ching gives Zhou a poem he wrote for her, she begins taking a train ride twice a week to his home in order to have sex with him. During her time on the train, she strikes up a relationship with a veterinarian (Sun Honglei), but she ends their time together when she learns that he spied on her during one of her visits with Ching. Gong Li has a second role as a another woman obsessed with Chen who is trying to ascertain the nature of his relationship with Zhou. This film was shown out of competition at the Berlin Film Festival. ~ Perry Seibert, All Movie Guide

For his first feature since 1993's acclaimed The Blue Kite, director Tian Zhuangzhuang chose to remake a classic 1949 Chinese film, Springtime in a Small Town. The film takes place in 1946. Yuwen (Hu Jingfan) lives on a country estate with her sickly husband, Dai Liyan (Wu Jun), and his rambunctious teenage sister, Dai Xiu (Lu Sisi). They are waited on by the family's longtime servant, Lao Huang (Ye Xiaokeng). Yuwen cares for her husband and she's kind to him, but she doesn't seem to love him. Frustrated with his inability to give her a child due to his constant illness, she sleeps in a separate room. For his part, Liyan feels guilt and shame over his inability to properly care for his wife. Their lives are disrupted by the arrival of Liyan's childhood friend, Zhang Zhichen (Xin Bajqing), a well-traveled doctor. Liyan soon learns that his old friend was once his wife's neighbor, but he doesn't know that they were also in love, and had at one time planned to marry. Tensions swirl about the household as Yuwen and Zhichen try to reconcile their lingering feelings for each other with their responsibility to Liyan. Springtime in a Small Town won the San Marco Prize at the 2002 Venice Film Festival, and was selected for the 2002 New York Film Festival. ~ Josh Ralske, All Movie Guide