Tom Hanlon Movies

No relation to the 1973 Burt Reynolds vehicle of the same name, White Lightning is a passable programmer about a champion ice hockey team. Stanley Clements plays Mike, an arrogant young hockey player who immediately alienates his new teammates. Team manager Jack (Steve Brodie) tries to convince Mike to quit grandstanding, but to no avail. The plot rears its ugly head when a group of gangsters try to coerce Mike into fixing a few games. At long last, Mike's responsibility to his fellow players is awakened, and a happy ending is had by all (except the gangsters). White Lightning was the first Monogram "B" picture to be released by Monogram's successor Allied Artists; it would not be the last. ~ Hal Erickson, All Movie Guide

Though completed in 1950, Love Is Better Than Ever was held back from release until 1952, due in great part to the "political undesirability" of star Larry Parks, whose career was effectively ruined after he humbled himself before the House Un-American Activities Committee. Parks plays Broadway talent agent Jud Parker, who takes a fancy to small-town dance teacher Anastacia Macaboy (Elizabeth Taylor). Parker wines and dines Anastacia during her visit to New York for the purposes of seduction. But the girl assumes that his intentions are honorable, and sends word of her "impending" engagement to her hometown newspaper. With his reputation on the line, Parker agrees to confirm the engagement if asked, with the understanding that he doesn't really mean it. Rest assured that by fade-out time, he will mean it. Gene Kelly makes an unbilled cameo appearance in Love Is Better Than Ever, which also features such reliables as Ann Doran, Kathleen Freeman, and Dick Wessel. ~ Hal Erickson, All Movie Guide

The title character (Paul Douglas) is a pro football player of the early 1940s at the end of his career. Douglas is offered a coaching job, but he stubbornly turns it down in hopes of making a comeback. Day after day he sits in his den watching movies of his past gridiron triumph, much to the dismay of his wife (Joan Bennett). When she chews him out for living in the past, Douglas walks out and takes up with a younger woman (Linda Darnell). To prove that he's still in top shape, Douglas takes a job as a professional wrestler. His new girl friend, realizing that Douglas is miserable without his wife, conspires with the other woman to get Douglas back on his old team. The wartime need for warm bodies allows Douglas a few more years in football, but eventually he gets wise to himself and takes the coaching job. Ironically, Guy Who Came Back star Paul Douglas was in his youth an football pro who retired from active play to become a sports announcer. ~ Hal Erickson, All Movie Guide

I'll Get By is an updated remake of the 1940 20th Century-Fox musical Tin Pan Alley. William Lundigan and Dennis Day play William Spencer and Freddie Lee respectively, successful song publishers who make hits out of such numbers as "I Got a Gal in Kalamazoo", "Deep in the Heart of Texas", "You Make Me Feel So Young", "There Will Never Be Another You", and other favorites (the rights to all of these songs were conveniently held by 20th Century-Fox). The partnership has some hard times, especially during the feud between ASCAP and the radio networks, when only public-domain songs like "I Dream of Jeannie" were permitted to be broadcast. Still, Spencer and Lee remain pals throughout, while the boys' romances likewise weather the years. Steve Allen makes a rare film appearance as a wisecracking disc jockey (what a stretch!) while Harry James, Jeanne Crain, Reginald Gardiner, Victor Mature and Dan Dailey show up in uncredited cameos. ~ Hal Erickson, All Movie Guide

Eliot Ness may have gotten lots of publicity (especially long after the fact) for breaking the Capone mob, but as Joseph H. Lewis' The Undercover Man reminds us, it was the accountants and the numbers-crunchers that brought down Capone and his mob. Frank Warren (Glenn Ford) started out as an accountant, but now serves as an investigator for the Treasury Department. His job has frequently required him to go undercover, masquerading as a criminal to get the goods on the top-level tax-law violators that his unit targets. But now his assignment is to gather evidence on the operations of the nation's number-one crime boss and get proof of the income that he and his lieutenants are not declaring, and this proves not only frustrating but dangerous. Potential stoolies are murdered and witnesses intimidated, and when one otherwise "respectable" lawyer (Barry Kelley) starts mentioning Warren's wife (Nina Foch) in casual conversation, he takes the hint. He's ready to quit until the mother (Esther Minciotti) of a witness-turned-victim tells him about what life was like in Italy under the Black Hand, and why she came to America to raise her sons. Warren and his men (James Whitmore, David Wolfe) make one last attempt to get the proof they need, tracing signatures and handwriting to get evidence implicating a small man in the operation, using it to turn him and going for bigger fish. Finally, even the shyster lawyer who has been dogging Warren every step of the way ends up in the sights of the feds, and the mob turns its attention to getting rid of this new "liability" and taking care of Warren as well. ~ Bruce Eder, All Movie Guide

First came 20th Century-Fox's Mother Was a Freshman; then, a few months later, the same studio's Father Was a Fullback. Fred MacMurray stars as college football coach George Cooper, whose team can't win a game to save its life. George finds some comfort in the arms of his wife Elizabeth (Maureen O'Hara), but his young daughters Connie (Betty Lynn) and Ellen (Natalie Wood) are too concerned with boys to pay their dad any attention. Connie causes no end of trouble for George by printing a highly imaginative article about her various romances. On the verge of losing his job, George is saved by the arrival of football champ Joe Burch (Richard Tyler). Rudy Vallee virtually repeats his stuffy-suitor characterization from Mother is a Freshman in Father Was a Fullback. ~ Hal Erickson, All Movie Guide

A semi-sequel to Here Comes Mr. Jordan, Columbia's Down to Earth is a camp- and kitsch-lover's delight. More beautiful than ever, Rita Hayworth stars as Terpsichore, the Goddess of Dance. From her perch Up Above, Terpsichore discovers that Broadway producer Danny Miller (Larry Parks) intends to put together a musical satire, lampooning herself and her fellow Greek Gods. Eliciting the aid of Heavenly emissary Mr. Jordan (Roland Culver, taking over from the earlier film's Claude Rains), Terpsichore descends to Earth in human form, landing a role in Miller's play. Through her bewitching influence, Miller agrees to abandon his plans for a satire, transforming his production into a portentiously serious "work of art"-which lays a large and noxious egg with the opening-night crowd. Somehow, our ethereal heroine manages to set things right, but there's still one nagging problem: Will she, a goddess, ever be permitted to fall in love with a mere mortal like Miller? Repeating their Here Comes Mr. Jordan roles, James Gleason and Edward Everett Horton appear respectively as the eternally flustered Max Corkle (formerly a fight promoter, now a theatrical agent) and the pompous, rule-bound Heavenly messenger #7013. Silly but immensely entertaining, Down to Earth was remade as the sillier but decidedly less entertaining Xanadu in 1980. ~ Hal Erickson, All Movie Guide

Eve Knew Her Apples is an pinchpenny musical reworking of Frank Capra's Oscar-winning It Happened One Night. Musical star Ann Miller takes over the Claudette Colbert role; this time she's not a runaway heiress but a runaway radio star, escaping her stuffy fiance rather than her autocratic father. William Wright assumes the Clark Gable part as the man who helps the girl on her flight for his own mercenary interests, but who eventually falls in love with her. Clocking in at 64 minutes rather than It Happened One Night's 105, Eve Knew Her Apples is more successful as a showcase for the terpsichorean talents of Ann Miller than as a romantic comedy. Columbia Pictures would attempt to musicalize It Happened One Night again with 1956's You Can't Run Away From It, filmed with ten times the budget but only half the entertainment value of Eve Knew Her Apples. ~ Hal Erickson, All Movie Guide

Paramount Pictures did their patriotic duty with this World War II era musical, with a number of the studio's biggest stars making cameo appearances. Tony West (George Raft), his sister Kitty (Grace McDonald), and their father Nick (Charles Grapewin) tour together as The Three Wests, a failing act just scraping by in the latter days of vaudeville. With job opportunities drying up on the East Coast, Tony persuades the family to take their chances in California, and for once luck is with him. Not long after arriving in Hollywood, Tony is hired as a chorus boy on a musical starring Latin bombshell Vera Zorina (Gloria Vance). Cocky Tony offers Vera some much-needed advice on her dancing. She's intrigued by his confidence, and a romance blooms; soon, the two marry. Tony becomes a major star as Vera's on and off screen dancing partner, but when World War II breaks out, Tony's conscience gets the better of him. Tony is 4-F because of a bad knee, but he's ashamed to admit this, even to Vera, who thinks he's avoiding the service out of cowardice. Vera eventually gives Tony his walking papers, and desperate to show his support of our troops, Tony organizes an all-star U.S.O. revue bringing much needed entertainment to America's fighting men overseas. Follow the Boys also features guest shots by Marlene Dietrich, W.C. Fields (demonstrating trick billiard shots), Orson Welles (doing his magic act), Dinah Shore, The Andrews Sisters, Jeanette MacDonald, Sophie Tucker, Randolph Scott, Lon Chaney Jr., and Maria Montez, among many others. ~ Mark Deming, All Movie Guide

Bud Abbott & Lou Costello invade the wild west in Ride 'Em Cowboy. The boys play Duke and Willoughby, a couple of rodeo peanut vendors who get mixed up in the travails of western novelist Bob Mitchell (Dick Foran). Ostensibly a true Son of the Frontier, Bob has actually never been west of Brooklyn in his life. To prove that he's got the "right stuff," Bob heads to a dude ranch, where he tries to curry favor with pretty ranchowner's daughter Anne Shaw (Anne Gwynne). Meanwhile, tenderfeet Duke and Willoughby run afoul of a local Indian tribe, whose chief Jake Rainwater (Douglass Dumbrille) demands that Willoughby marry Jake's porcine daughter (Babe London). The obligatory climactic slapstick chase finds Foran teaming up with authentic westerner Alabam (Johnny Mack Brown) to foil a gang of modern-day crooks, while Duke and Willoughby do their best to elude Jake and his war-whooping braves. Not quite as consistently funny as previous Abbot & Costello efforts, Ride 'Em Cowboy suffers from a bit too much directorial interference-especially during the classic "Crazy House" routine, which is weakened by director Arthur Lubin's attempts to make it more "cinematic." Even so, the film is an enjoyable melange of comedy and music, the latter commodity provided by Dick Foran, the Merry Macs, the Hi-Hatters, the Jivin' Jacks and Jills, and even Ella Fitzgerald! Best musical number: "I'll Remember April", brilliantly sung by Foran and gorgeously photographed by John W. Boyle. ~ Hal Erickson, All Movie Guide

Harmon of Michigan was the first in a trio of Columbia sports films, each starring a real-life athlete. In this case, the title character is All-American halfback Tom Harmon, who when introduced in the film is on the verge of graduating from Michigan and turning professional. Shortly thereafter, he becomes a college football coach, surprisingly resorting to illegal (or at least unethical) tactics to drive his team to victory. Even more surprising is that he is never called on the carpet for these tactics, which seem to have been given the tacit approval of the film's producers. Harmon's former teammate Forest Evashevski and Los Angeles Times sports columnist Bill Henry also appear as themselves. Though Anita Louise is cast as Tom Harmon's wife, the real-life Mrs. H. would ultimately turn out to be actress Elyse Knox (their children included 1980s screen star Mark Harmon and future "Mrs. Ricky Nelson" Kris Harmon). ~ Hal Erickson, All Movie Guide

Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide