Ted Hartley Movies

A Late Quartet, the first fiction film from director Yaron Zilberman, follows the lives of four longtime colleagues who play in a celebrated string quartet together. As the group begin their 25th season together, the eldest member (Christopher Walken) discovers he has the beginning stage of Parkinson's disease. Because he can't perform to the best of his abilities, he would like to bow out of the quartet without disbanding it. However, a married couple within the group (Philip Seymour Hoffman and Catherine Keener) are on the brink of breaking up, and their rocky period isn't helped by the fact that the fourth member has begun an affair with their college-age daughter. A Late Quartet screened at the 2012 Toronto International Film Festival. ~ Perry Seibert, Rovi

A high-profile criminal lawyer finds his bid for the governorship in jeopardy when an ambitious rookie journalist begins suspecting him of tampering with evidence in order to secure his many convictions in director Peter Hyams' remake of the 1956 Fritz Lang classic. Mark Hunter (Michael Douglas) has a reputation for putting criminals behind bars, and with elections approaching he seems a shoo-in for governor. But just how clean is the district attorney's record when held up to scrutiny? When hungry reporter C.J. Nicholas (Jesse Metcalfe) frames himself as a murder suspect in hopes of catching Hunter in the act, the two fierce rivals become caught up in a treacherous game of cat and mouse. But Assistant DA Ella Crystal (Amber Tamblyn) has no idea about her boyfriend C.J.'s latest assignment, and as the evidence against both men begins to pile up she starts to suspect that she's in mortal danger -- and she's right. Now, as Ella discovers irrefutable proof of both C.J.'s innocence and her boss' shady dealings, the fate of two men rests in the hands of one woman whose life could be taken at any second. ~ Jason Buchanan, Rovi

A woman haunted by the untimely death of her former fiancée attempts to ease her psychic suffering by marrying another man and living the idealistic suburban life in director Jason Ruscio's vivid existential drama. Laura (Petra Wright) was in her mid-twenties when her fiancée Chris (Kip Pardue) was stricken down by a taxi in the streets of Manhattan. Flash forward nine years and Laura has remarried and given birth to a child, yet the pain of her past prompts her to embark into a series of promiscuous and self-destructive extramarital affairs. Having never truly dealt with the death of Chris, Laura seeks out the aid of a therapist as the memories come flooding back accompanied by a tidal wave of grief-stricken emotion. Her mind slowly consumed by tragedy and her fragile psyche finally shattered by her failed attempts to seek solace in the comforts of her past, Laura's affair with her husband's best friend Paul finds her harrowing journey careening to a dangerous and unpredictable end. ~ Jason Buchanan, Rovi

Shade, the first feature film from real-life card shark Damian Nieman, who wrote and directed the picture, stars Gabriel Byrne and Thandie Newton as a duo of con artists looking to beat the "Dean" (Sylvester Stallone), a legendary card shark, in a high-stakes poker game. Their first step is hiring two fellow tricksters -- Jamie Foxx and Stuart Townsend -- to provide the smooth talking and to procure the necessary funds. Unfortunately, Larry (Foxx) blows his hand and finds himself with 85,000 dollars worth of debt owed to a local crime boss. Shade premiered at the 2003 CineVegas film festival and also features Dina Merrill and Melanie Griffith. ~ Tracie Cooper, Rovi

This lavish, cable-TV remake of Orson Welles' The Magnficent Ambersons endeavored to prove Welles right by adhering to his original screenplay, restoring several scenes which provided additional substance and significance to the story and deepened the characterizations. Set in Indianapolis at the beginning of the 20th century, the story parallels the "destruction" of a gentle, elegant way of life thanks to the introduction of the automobile with the disintegration of the aristocratic Amberson family, the wealthiest clan in town. Self-made millionaire auto manufacturer Eugene Morgan (Bruce Greenwood) returns to Indianapolis after a lengthy absence, determined to wed the recently widowed Isabel Amberson Minafer (Madeline Stowe), who still regrets having spurned him years earlier in favor of a "safer" marriage. Most of those concerned want to see the decent, self-effacing Eugene find happiness with the lovely Isabel, but her spoiled, snobbish son George (Jonathan Rhys-Davies), resenting the threat that Eugene and his automobiles pose to his pampered, superficial lifestyle, violently opposes his mother's romance. George's obnoxiously obstreperous stance seriously strains his own relationship with Eugene's sweet, sensible daughter Lucy (Gretchen Mol). Watching from the sidelines are George's neurotic maiden aunt Fanny Minafer (Jennifer Tilly), Isabel's likably bombastic senator brother George Amberson (William Hootkins), and frail family patriarch Major Amberson (James Cromwell), who, like virtually everyone in the story except Eugene, cannot accept -- or see -- that the times are indeed a-changing. ~ Hal Erickson, Rovi

A romantic comedy with a few surreal/absurdist twists, the story centers on recent medical school drop-out David who is first seen aimlessly traipsing about Manhattan musing about the rest of his life when he runs into a strange woman who introduces herself as Nancy and asks if he would interested in spending the next couple of years helping her to produce and direct a small film. Another strange woman then appears and makes an equally odd request as does another and another. David chooses to work with Nancy and so goes to her place to begin writing the script. Suddenly, her strange Uncle Andre shows up in a panic. It seems he somehow acquired an enormous herd of cattle and must quickly get rid of them. ~ Sandra Brennan, Rovi

Waylaid and left for dead by an enemy agent, U.S. intelligence officer Harlan Erickkson (Stacy Keach) awakens with amnesia. Because his assailant had switched clothes and identification with him, Erickkson now believes that he's the enemy spy. The authorities think so too, and lock up Erickkson for nearly 20 years. Upon his release, Erickkson, still suffering from memory loss, is inexorably drawn to his home town. Once we meet his family, we can understand why Erickkson has blocked out his prior existence! The film segues from an espionage melodrama to a "family skeleton" affair straight out of Faulkner. Veronica Cartwright and Genevieve Bujold, cast respectively as Keach's bibulous sister-in-law and a local radio deejay, do what they can with impossibly written roles. False Identity was directed by star Stacy Keach's brother James. ~ Hal Erickson, Rovi

Based on a true story, the made-for-television Samaritan: The Mitch Snyder Story is the tale of a Washington, DC-based Vietnam veteran (Martin Sheen) who fights for America's homeless by staging hunger strikes and battling with various government agencies, eventually winning the attention of several city officials. ~ Stephen Thomas Erlewine, Rovi

Police inspector Irene Elliott (Carol Rossen) is successful at her job, but less successful as a parent. As an act of rebellion, Irene's son Bob (Mark Wheeler) prowls around San Francisco, sticking up taxicabs just for kicks. But the "fun and games" are over for both Irene and Bob when, during one of the boy's holdups, an undercover cop is killed. This episode was written by Star Trek veteran D.C. Fontana. ~ Hal Erickson, Rovi

Ironside (Raymond Burr) investigates the mysterious disappearance of Michael Brandon (Ted Hartley), a brilliant scientist who was working on a top-secret missile project at the Gregory Institute. There are those who are convinced that Brandon has defected to the Soviets or Red Chinese, but his wife Ellie (Hildy Brooks) is adamant in her belief that her husband had met with foul play. Should Ironside trust Mrs. Brandon or the evidence of own eyes--and can there be someone else at Gregory Institute involved in the mystery? ~ Hal Erickson, Rovi

Banyon is an A-number-one detective yarn set (very accurately) in the 1930s. Robert Forster, emulating John Garfield in virtually every scene, plays private eye Miles C. Banyon. Right now he's in dutch because a beautiful young woman has been found murdered--and Banyon's gun was the murder weapon. This state of affairs plunges the detective into a maelstrom of deceit and double-cross involving (among many elements) a Winchell-style radio commentator (Jose Ferrer), a paroled big-time gangster, a scar-faced assassin, and a Nazi Bund camp. Once he solves the main mystery, Banyon is faced with the unhappy Maltese Falcon task of exposing a close friend as a murderer. First telecast March 15, 1971, Banyon spawned a brief TV series one year later, with Robert Forster still in the lead. ~ Hal Erickson, Rovi

A top-secret Soviet spy satellite -- using stolen Western technology -- malfunctions and then goes into a descent that lands it near an isolated Arctic research encampment called Ice Station Zebra, belonging to the British, which starts sending out distress signals before falling silent. The atomic submarine Tigerfish, commanded by Cmdr. James Ferraday (Rock Hudson), is dispatched with orders to get to Ice Station Zebra carrying three passengers, a Englishman going by the name of David Jones (Patrick McGoohan), a Soviet turncoat named Boris Vaslov (Ernest Borgnine), and an American Marine officer, Captain Anders (Jim Brown), who is supposed to command the Marine unit assigned to the mission. Jones is problem enough, as he is in command of the mission and he prefers to withhold as much information as it's possible to do from Ferraday, even at the risk of the Tigerfish's safety. Add to that the fact that Anders is suspicious of Vaslov, and Vaslov seems much too inquisitive and is telling even less of what he knows about the mission, and Ferraday has his hands full trying to get these men to the polar ice -- 600 miles of dangerous travel -- in just two days. When an attempt to break through the ice -- coupled with some timely sabotage -- kills one man and nearly destroys the boat, the men surrounding these contending parties start to understand just how high the stakes are for everyone. It turns out that the Soviets want what was aboard that satellite as much as the West does; indeed, both sides are frantic to get it, and, just as much, to keep the other side from getting it -- and they're prepared to take it by brute force. Once Ferraday and his men arrive at Zebra, they find a disaster and still more mystery, with most of the men dead and the object that Mr. Jones is supposed to secure nowhere in evidence, and he and his two fellow men of mystery suddenly showing their killing instincts quite freely. And with the storm clearing from the Soviet side first, their planes and their paratroops are closing in on Ferraday, and his relative handful of men. ~ Bruce Eder, Rovi

Cary Grant made his last film appearance before retiring from the screen in this agreeable piece of fluff based on the 1943 comedy The More the Merrier, which dealt with the romantic complications inherent in the housing shortage in Washington D.C. during World War II. In Walk, Don't Run, the story is updated to a housing shortage in Tokyo during the Olympic Games of 1964. British industrialist Sir William Rutland (Cary Grant) arrives in Tokyo two days before the start of the games and cannot find any suitable accommodations. As a result, he answers an ad for an "apartment to share" and convinces the occupant, Christine Easton (Samantha Eggar), to rent a room to him. The next day he meets the handsome Steve Davis (Jim Hutton), a member of the United States Olympic walking team. Steve also needs a room and convinces Christine to take him on as a second tenant. After meeting Christine's pompous fiancé, Julius D. Haversack (John Standing), Rutland begins to ply his matchmaking skills in an effort to get Christine and Steve to fall in love with each other. ~ Paul Brenner, Rovi