Jimmy Hanley Movies

The topicality of Satellite in the Sky enabled the British-based Danzinger Bros. to release the film through Warner Bros., rather than their usual United Artists distribution channels. The story concerns the first manned space satellite, launched from England with commander Michael Hayden (Kieron Moore) at the controls. It is the mission of Hayden and his crew to test out the deadly "tritonium" bomb in outer space. Once he's left the atmosphere, Hayden discovers that he's been harboring a stowaway: reporter and anti-weapons activist Kim Hamilton (Lois Maxwell). Everyone's life is placed in peril when the bomb affixes itself to the side of the satellite. As tension mounts, the crew -- and Kim -- race against time to either remove or defuse the tick-tick-ticking weapon. Satellite in the Sky represented documentary filmmaker Paul Dickson's first fictional effort; like most other directors, Dickson was unable to curb the overacting of the venerable Donald Wolfit, here cast as the near-maniacal creator of the tritonium bomb. ~ Hal Erickson, All Movie Guide

In this drama, an ex-safecracker is released from prison and after working as a cabby and then resisting the temptations of a gang, decides to work undercover for the cops to expose the gang leader. Unfortunately, the gang gets wise and attempts to kill him in a giant freezer. ~ Sandra Brennan, All Movie Guide

Basil Radford is cast superbly to type as The Galloping Major. The story concerns the efforts by retired Major Arthur Hill (Radford) to purchase a valuable race horse. He manages to attain financial backing from 300 fellow racing enthusiasts--and then messes things up for all concerned by buying the wrong horse. Persevering, Major Hill enters the steed in the Grand National, whereupon the horse disappears on the eve of the big event. The comic frustrations faced by the Major and his creditors are played effectively for light chuckles rather than belly laughs. The cast includes such polished farceurs as Hugh Griffith, Joyce Grenfell (a favorite of director Henry Cornelius, as witness Genevieve), Sydney Tafler and Alfie Bass. ~ Hal Erickson, All Movie Guide

Brown is the color of the uniforms worn by the residents of a British borstal (boy's reformatory). Jack Warner plays the governor (warden) of the institution, struggling to maintain an even keel with his tempestuous charges. The film aims for a veneer of reality by using an optical camera device to blend actual backgrounds with studio sets, a special effect that works about half the time. The Boys in Brown was based on a British stage play by Reginald Beckwith. Perhaps it was more effective on stage, where the advanced ages of the "boys" were not quite so detectable. ~ Hal Erickson, All Movie Guide

The Blue Lamp was an immensely popular British crime film (and the winner of the BFA Award), concentrating on interrelated episodes in the lives of several London policemen. Jack Warner heads the cast as George Dixon, a veteran "bobby" who is murdered by scuzzy small-time criminals Dirk Bogarde and Patrick Doonan. Rookie cop Jimmy Hanley, who'd looked upon Warner as a father figure, is instrumental in bringing the crooks to justice. The semi-documentary style of The Blue Lamp could not help but have been an influence on Jack Webb's Dragnet. Jack Warner proved so popular in the character of George Dixon that he was brought back from the dead to star in the BBC TV series Dixon of Dock Green. ~ Hal Erickson, All Movie Guide

In this comedy, after being discharged from the British army, an idealistic officer and war hero attempts to test his theory that the world would be better if people would harbor more goodwill towards each other. ~ Sandra Brennan, All Movie Guide

After the war, British films began avoiding the heiresses and lordships that had dominated the drama field and began pursuing "realism" -- which often was just as artificial as the earlier white-telephone pictures. John McCallum plays Tommy Swann, a product of the working class who tries to better himself by becoming a criminal. Escaping from prison, Swann hides out in the East London home of his former mistress Rose (Googie Withers), who has since married George Sandigate (Edward Chapman). The film is told from Swann's point-of-view, and a dismal view that is. Nor does Rose seem any happier with her drab lot in life. Swann's return does nothing but further their misery, tearing Rose' family apart and sending Swann back into the arms of the law. Considered a tension-laden slice of life in 1949, It Always Rains on Sunday seems a bit contrived today, though it does full justice to the Arthur La Bern novel on which it is based -- especially when the film leaves the environs of the house and zeroes in on its colorful roster of bit actors. ~ Hal Erickson, All Movie Guide

The Captive Heart is set in a German POW camp for British soldiers. Michael Redgrave plays a Czech patriot, who has assumed the identity of a deceased British officer to avoid being executed by the Nazis. When captured and placed in the camp, the British prisoners suspect the still-incognito Redgrave of being a spy. Only his conspicuous courage during an escape sequence vindicates the secretive Redgrave. The film's tinderbox tension is relieved with a joyous finale, which utilizes a fireworks display as adroitly as Hitchcock did in To Catch a Thief. ~ Hal Erickson, All Movie Guide

Future Doctor Who star William Hartnell plays the leading role in the British second feature Murder in Reverse. Hartnell portrays a man who has spent 15 years in prison on a murder charge. Not only is he innocent, but the murder never took place. Once released, Hartnell tracks down his "victim" and kills him in full view of a crowded courtroom. He then laughingly dares the authorities to convict him again for a murder he's supposed to have already committed. ~ Hal Erickson, All Movie Guide

When blind veteran Whiley realizes that the love of his life, Brook, is in love with Griffith, Whiley bows out gracefully in this musical. ~ All Movie Guide

The Immortal Battalion has a bit of a convoluted history. It started life as a training film, The New Lot, which ran 44 minutes. When Winston Churchill approached David Niven about creating a film that would do for the British Army what In Which We Serve had done for the Royal Navy, he contacted Carol Reed and suggested expanding The New Lot. The result, written by Eric Ambler and Peter Ustinov, was the acclaimed The Way Ahead. For its U.S. release, Way Ahead was edited to a shorter length and retitled The Immortal Battalion. In either of its feature length forms, the film is concerned with the training of a bunch of raw recruits into a capable and efficient fighting regiment. Niven stars as Jim Perry, a lieutenant and former ordinary guy who finds that he must learn to take a tough line in order to make his wildly diverse crew come together and understand the importance both of the war and of their place in it. Although it takes time and constant effort on the part of Perry and his sergeant, the eight men eventually overcome their different backgrounds and feelings, and transform themselves into a unit which performs its tasks with admirable skill and dexterity, preparing them for their battle against the Desert Fox in Africa. Told in a semi-documentary style, Battalion also features the screen debut of Trevor Howard. ~ Craig Butler, All Movie Guide

In this romance, a young woman gets into a real mess when her mother begins meddling in her romantic life by conning her into becoming engaged to her boss. Unfortunately, the girl loves another who has gone off to fight the war. Upon his return, he is enraged to learn about the engagement. Mayhem ensues until the whole mess is straightened out and the lovers are reunited. ~ Sandra Brennan, All Movie Guide