Roger Hanin Movies

The first feature film directed by Jean-Luc Godard and one of the seminal films of the French New Wave, Breathless is story of the love between Michel Poiccard, a small-time hood wanted for killing a cop, and Patricia Franchini, an American who sells the International Herald Tribune along the boulevards of Paris. Their relationship develops as Michel hides out from a dragnet. Breathless uses the famous techniques of the French New Wave: location shooting, improvised dialogue, and a loose narrative form. In addition Godard uses his characteristic jump cuts, deliberate "mismatches" between shots, and references to the history of cinema, art, and music. Much of the film's vigor comes from collisions between popular and high culture: Godard shows us pinups and portraits of women by Picasso and Renoir, and the soundtrack includes both Mozart's clarinet concerto and snippets of French pop radio. When Breathless was first released, audiences and critics responded to the burst of energy it gave the French cinema; it won numerous international awards and became an unexpected box-office sensation. ~ Louis Schwartz, All Movie Guide

This routine drama set during World War II in Algeria is based on a true and tragic incident. A French garrison has been demoralized by the strength of the German forces in the region, so when the Allies land, it gives them some hope. They are put under orders to take and hold a bridge, allowing no one to cross it. When a German company wants to use the bridge (peacefully), a narrow-minded French captain gives the orders not to let the Germans through. At first, the Germans are put off by a series of tricks, but that cannot last forever. Sooner or later, if the captain's orders are followed, an ill-equipped and outnumbered French unit will find itself up against the superior strength of the German contingent. ~ Eleanor Mannikka, All Movie Guide

An extremely sub-James Bond orientation drives this thriller -- made in Europe but trying to look and sound American -- about a counter-intelligence operative (identified as a "super-agent" by his boss) investigating a leak to the Soviets. Dark, good-looking Ray Danton plays Larson, the "super-agent" in this awkward (but, on that level, enjoyable) yet knowing spoof of the genre. ~ Bruce Eder, All Movie Guide

Larson (Ray Danton) is a CIA agent who breaks a communist spy ring that has infiltrated key United States agencies in Europe in this routine spy actioner. Pascale Petit is on hand for distaff interest for the hero. The film is one in a long line of Bond-styled thrillers that glutted the market in the mid 1960s. ~ Dan Pavlides, All Movie Guide

Valeria Golino plays a double role in this thrilling crime drama. A woman returns years later to Tangiers in order to track down the thugs responsible for the gangland-style massacre that killed her father. Corrigan (Thierry Lhermitte) is the local detective recruited to find the international crime boss (Roger Hanin). The heroine seduces the kingpin's son (Vincent Lindon) in order to discover where the killers are hidden then methodically sets out to destroy them. ~ Dan Pavlides, All Movie Guide

His successor's death prompts the retaliation of this top agent against the murderers. ~ All Movie Guide

Plastic surgery allows a notorious criminal to continue his trade. ~ All Movie Guide

The 1926 commercial and social structure of French Guiana, the French former penal colony in South America, differed little from that of Haiti a century before. White settlers owned or exploited everything and everyone. No one else was permitted to benefit greatly, and even the modest success of members of the mulatto, black, and Indian majority population were only permitted at the whim of the colony's rulers. Into this recipe for disaster appears a liberty-loving Frenchman named Jean Galmont. Not only is he helped by Guinean locals to get his feet on the ground, but he returns the favor by being almost mulishly color-blind. When he gains great success as the boss of a gold mine, he freely shares his wealth with his black and mulatto partners and the miners themselves. For a while he is riding high, but even his great wealth cannot win acceptance by the white rulers for schemes which would put blacks at the forefront of business or cultural dealings, and he is systematically hounded by them until he is destroyed. However, the stirrings of liberty which he spawned would prove to be more difficult to squash. ~ Clarke Fountain, All Movie Guide

In this conventional, broadly comic farce of greed and royal matrimony, nearly bankrupt businessman Victor Harris (Roger Hanin) is marrying Maria-Helena (Pauline Lafont), a princess who comes with a dowry that is made up of one half of her island kingdom. Her father, the cowardly King Arnold III (Jean Rochefort) is counting on the money this marriage will bring him. The country is now almost bankrupt because of the king's gambling debts. As Harris and the king look forward to their illusory profits from the royal merger, other characters add some liveliness to the otherwise predictable story. ~ Eleanor Mannikka, All Movie Guide