Roger Hanin Movies

A prominent French surgeon of Jewish heritage (Phillippe Noiret) suffers a massive heart attack in the film's prologue and as his life hangs in the balance, scenes from his life growing up in Algiers flash by. The resulting drama recalls his life and in so doing pays homage to the contributions of his Mamma Titine (Sophia Loren) in giving him the strength and skill to overcome poverty and the stigma of his religion in his homeland. The ailing Joseph Levy's reminiscence begins when he was a 13-year-old student during WW II. Though one of the brightest in his school, he is expelled following the enactment of new anti-Semitic laws. With somewhat of a struggle, he is able to be put back into school. At home, Levy seems to be Mamma Titine's favorite, even though he has four other siblings. She is a strong, supportive woman who without complaint raises her children alone while her husband works in the Paris civil service under a false name. Though an essentially honest woman, Titine will stop at nothing to ensure that she meets her children's emotional and physical needs. As the months pass into years, Joseph gradually comes of age and learns subtle ways of rebelling. ~ Sandra Brennan, All Movie Guide

Bajou (Michel Boujenah) is an enterprising, talented man. He has risen from poor, humble beginnings, and thanks to a gift for mathematics, a willingness to work hard and occasionally cut corners, he is now a wealthy, successful man. He is a careful man in most respects, and does not generally throw his considerable weight around as a Jew in the Muslim country of Tunisia. However, he wants to start a family, and has determined that the beautiful Habiba (Delphine Forest) would make the perfect wife. It doesn't matter to him much that she is not interested in him, or in starting a family. Unfortunately for him, although he can win legal access to her person through buying her marriage contract from her father and driving off her lover, he cannot win her heart. ~ Clarke Fountain, All Movie Guide

The 1926 commercial and social structure of French Guiana, the French former penal colony in South America, differed little from that of Haiti a century before. White settlers owned or exploited everything and everyone. No one else was permitted to benefit greatly, and even the modest success of members of the mulatto, black, and Indian majority population were only permitted at the whim of the colony's rulers. Into this recipe for disaster appears a liberty-loving Frenchman named Jean Galmont. Not only is he helped by Guinean locals to get his feet on the ground, but he returns the favor by being almost mulishly color-blind. When he gains great success as the boss of a gold mine, he freely shares his wealth with his black and mulatto partners and the miners themselves. For a while he is riding high, but even his great wealth cannot win acceptance by the white rulers for schemes which would put blacks at the forefront of business or cultural dealings, and he is systematically hounded by them until he is destroyed. However, the stirrings of liberty which he spawned would prove to be more difficult to squash. ~ Clarke Fountain, All Movie Guide

Valeria Golino plays a double role in this thrilling crime drama. A woman returns years later to Tangiers in order to track down the thugs responsible for the gangland-style massacre that killed her father. Corrigan (Thierry Lhermitte) is the local detective recruited to find the international crime boss (Roger Hanin). The heroine seduces the kingpin's son (Vincent Lindon) in order to discover where the killers are hidden then methodically sets out to destroy them. ~ Dan Pavlides, All Movie Guide

This melodramatic, clichéd story loosely based on a true, 1983 racially-motivated murder, starts with three men arrested for disorderly conduct at a dance. After they are released, they take a train trip, vent their continuing anger on a young Arab, and kill the man by forcing him out of a window on the speeding train. Their crime is witnessed by Isabelle (Christine Pascal) and reported to the police, enabling commissioner Couturier (Roger Hanin) to find the killers. The major problem now is to prevent a race riot when right-wing extremists falsely accuse some Arabs of reprehensible actions and the townspeople gather to demonstrate at the prison. ~ Eleanor Mannikka, All Movie Guide

Aime Prado (Roger Hanin) is the boisterous manager of a successful restaurant in Marseilles, a man biased against Arabs but otherwise (selectively) good-hearted. One day while out fishing, he is saved from drowning by Julien (Gerard Darmon), a very reserved, even sullen young man whom Aime immediately brings home in gratitude. While Aime's socializing nature slowly begins to overcome Julien's aloof attitude, his daughter Catherine (Magali Renoir) takes an interest in the visitor and soon the two are romantically involved. Aime is fine with that until he finds out that Julien is half-Arab, and what is more, he is an escaped convict who was charged with murder (although he says that the death was accidental). Now Aime has to decide on what action to take -- should he help Julien or turn him in? ~ Eleanor Mannikka, All Movie Guide

Set against the Allied invasion of North Africa in 1942, this overly-ambitious, comedy-drama focuses on the relationship between its two central characters, Leon Castelli (Roger Hanin) a half-Algerian, half-French bartender, talkative, but with a generous soul, and Etienne Labrouche (Philippe Noiret) the French colonial mayor of the town. Leon gets propositioned on a business deal by an American soldier and joins him in setting up an "underground" night spot in an abandoned airplane hangar that soon catches on and thrives like weeds in a garden. Etienne, in the meantime, starts an affair with the governess of his children and is caught out by his wife, who sends the woman packing. Since the ex-governess needs to support herself somehow, she accepts a waitress job working in the underground nightclub. The word gets out, and before much time has gone by, the nightclub is trashed by a hired gang. Furious at Etienne because he feels this is the mayor's way of paying him back for hiring the governess, Leon picks up a shotgun and goes to Etienne's estate seeking revenge. But fate has other ideas, and when he arrives, Leon discovers that Etienne's father has just died and left a bombshell of a revelation about his parentage that changes everything. ~ Eleanor Mannikka, All Movie Guide

In this story, the ambitions of the get-rich-quick crowd come crashing down around their ears as they hitch a ride on a speculation bubble involving sugar-commodities pricing. Raoul (Gerard Depardieu) is a hot-shot commodities broker who sweet-talks Adrien (Jean Carmet), a quiet and unassuming man, into taking his wife's inheritance and using it to speculate on the recent rise in sugar prices. Raoul is able to pry more money away from Adrien when he shows him how much his first, more conservative speculations have made. Commodities speculators know that when the market is going their way, their earnings multiply many-fold. However, in the heat of the moment, they sometimes forget that when prices go the wrong way, their losses can also multiply. In this story, the con-man is taken in by his own con, for Raoul has also entered the sugar market, using every bit of money he can scrape together. When the market turns around, they both land in the soup together. ~ Clarke Fountain, All Movie Guide

When sanitarium cook Surveillant (Raymond Devos) liberates a couple of patients and takes them on a trip to gaze on the ocean for the first time, he lands in hot water with his boss the director, who is a hard-hearted harridan with no time for such nonsense. In any event, the bumbling cook has taken the director's car, an insufferable mistake. The chase begins as his boss ropes her milquetoast husband into stealing a gas truck, and they set off in hot pursuit. This French comedy is the first feature film directed by François Reichenbach, who previously made only documentaries, and marks the first film appearance of stand-up comic Raymond Devos. ~ Clarke Fountain, All Movie Guide

Despite the fact that most of the westerns made at this time (early '70s) were "deconstructionist" westerns, which either spoofed or subverted the themes of this genre, occasionally a traditional western got filmed. The Revengers is a traditional western. John Benedict (William Holden) returns to his ranch, only to find all his cattle stolen and his family murdered. He vows to exact revenge on Tarp (Warren Vanders), the varmint who did this to him. He recruits a treacherous gang of convicts, bribing the warden for their release, and makes his move. When the attack fails, the convicts aren't interested in making another try. Instead, they shoot him and, leaving him for dead, head off to follow their own concerns. On her way to a new landholding, Elizabeth (Susan Hayward) stumbles upon the injured man, and nurses him back to some semblance of health. She begs him to drop his revenge plan, but he resumes his quest, receiving unexpected help along the way from Hoop (Ernest Borgnine), one of the renegade ex-convicts. ~ Clarke Fountain, All Movie Guide