Irene Handl Movies

A typical British slapstick farce, this comedy by Darcy Conyers based on Basil Thomas' play The Love Birds, involves reincarnation, huckstering, and jealousy. Cecil Gibson (Ronald Shiner) led a shady professional life as an antique furniture restorer, and after he dies his widow Julie (Dora Bryan) and her new husband Bertie (Brian Rix) pay the consequences. A gangster is after them because of a bogus antique bed that the late Cecil pawned off for a quick buck. Aside from this constant threat, Cecil has reincarnated as a talky parrot whose main ambition is to make life difficult for his wife and Bertie. Several hilarious slapstick scenes involving chases or sexual encounters, as well as the more reserved wit found in caricatures like an inept magistrate, are all hallmarks of a typically British sense of humor here (shared by many non-Brits). ~ Eleanor Mannikka, All Movie Guide

In this British farce, an impoverished lord teams up with the plumber he mistook for a burglar. Together they conspire to steal one of the lord's own paintings. ~ Sandra Brennan, All Movie Guide

In another standard British comedy of the absurd with the usual eccentric characters who play off each other like tennis pros on a court, A Weekend with Lulu centers on the misadventures of the occupants of an ice cream truck and its rundown trailer. Because of a mix-up, the four inside the truck -- two men at odds with each other, a harridan, and her voluptuous daughter -- do not end up at the seashore as they planned. Instead, they are rattling merrily through France, chased by a wild variety of irate groups -- racing cyclists, rogues, and distraught police. ~ Eleanor Mannikka, All Movie Guide

This is one of the rare comedies by director Gerald Thomas that does not have the words "Carry On...." in the title, and that is the first indication that the wacky, hare-brained, ribald core of the "Carry On" series is missing here. The premise is that a young couple, David and Catherine Robinson (Leslie Phillips and Geraldine McEwan), have to turn their large country house into a money-making proposition. Their solution is to invite the kids of the rich and famous, since that is where the money lies, to spend a summer enjoying all the loving care and attention they miss at home. After the youngsters arrive, David quickly realizes what the offensive little punks need is some real discipline, and so the summer begins. ~ Eleanor Mannikka, All Movie Guide

Peter Sellers stars as an inmate in a "model prison" run by Maurice Denham. Though Sellers is disinclined to escape (he's never been as comfortable in his life), he is convinced to do so by phony vicar Wilfred Hyde-White, who breaks into jail to outline a robbery scheme. Hyde-White's plan is to have Sellers and his cellmates David Lodge and Bernard Cribbins take a brief "vacation" from jail, pull off a big-time robbery, then return undetected to prison, thereby establishing a perfect alibi. Within its 87-minute time span, Two-Way Stretch takes satirical potshots at political bleeding hearts, obese Middle Eastern potentates, and regulation-bound British police officials. One cannot be faulted for wishing that Peter Sellers had stuck to engaging small-scale British farces such as this and had never ventured into such unamusing big-budgeters as The Bobo and There's a Girl in My Soup. ~ Hal Erickson, All Movie Guide

Flush on the heels of their success with the comedy I'm All Right Jack, the twin Boulting brothers (Roy, director and John producer) released this standard comedic fare with a dash of spice. Set in the traditional British boys' school, the farce deals with the reactions of the young lads and their profs when Mlle. Madeleine Lafarge (Agnes Laurent), a gorgeous new French language teacher, shows up to start work. Along with the incidents that evolve out of countless crushes on the charming, sexy woman is a school full of great characters -- from the cook to the posturing school master, and the young lover to the insufferable colonel who heads up the board of governors, all adding interest and zest to the goings-on. ~ Eleanor Mannikka, All Movie Guide

The "Carry On" gang take on law enforcement in this rude and crude slapstick comedy. When a flu epidemic leaves a British police station decimated with illness, three incompetent rookies are given the chance to prove themselves as police officers. The three screwy recruits are Tom Potter (Leslie Phillips), a two-bit lothario; Stanley Benson (Kenneth Williams), an uppity intellectual with unique views on law enforcement procedures; and Charlie Constable (Kenneth Connor), an obsessive type who is consumed with astrology. With the help of the swishy Special Officer Timothy Gorse (Charles Hawtrey), the stooges manages to mess up every assignment they are given. But when a criminal gang robs a payroll truck, the four nincompoops are forced to prove their worth. ~ Paul Brenner, All Movie Guide

Terry-Thomas plays the military-officer head of an amiable gang of amateur British thieves. He is recruited for this task by wealthy dowager Athene Seyler, who merely wants to retrieve stolen minks from genuine crooks. Any profits accrued by this undertaking are to be turned over to charity. Once we're aware that everyone's heart is in the right place, we can laugh freely at the film's collection of would-be reprobates, and vicariously hold out hopes for their success. Best bit: Terry-Thomas, backed by Anton Karas' "Third Man" theme, skulking into what appears to be a waterfront dive to make contact with a "fence," only to discover that he's stumbled into a Salvation Army mission. Make Mine Mink was based on Breath of Spring, a play by Peter Coke. ~ Hal Erickson, All Movie Guide

Perhaps in an earlier era or in some remote village, this comedy would work, but this story about two mixed-up identities during World War II is comedically outdated. Brian Rix has the dual role of an Air Force officer who is going on an important military mission to France. The brass decide to hoodwink the Germans by finding the officer's double (an idiot latrine-cleaner at an Air Force base) and putting him on a plane to Cairo. As events unfold, the two men get mixed up, and each heads off to the other's destination, giving rise to several absurd tangles. ~ Eleanor Mannikka, All Movie Guide

Set in the 1950s in Britain, this award-winning social comedy by director and co-writer John Boulting features Ian Carmichael as the inept Stanley Windrush, a hopeless twit with -- we are to believe -- an Oxford degree. Unlike others in his social circle, Stanley wants to work. When he tries out for jobs in industry with the full expectation of working his way into a management position, he sets off disasters and alienates his interviewers. So his uncle gives him a job in his munitions factory, knowing what an idiot he is, and relying on him to eventually cause a strike (the uncle needs this for his own reasons). Fred Kite (Peter Sellers in a performance that would launch him as an international star) takes Stanley under his wing yet that does not exactly turn out as expected either. Stanley screws up by accidentally being too efficient, and the entire British work force is affected. If one can accept a portrayal of factory workers as shiftless men unwilling to work, and managers as good 'ole boys whose jobs are gained only by networking, then this film will be all the more entertaining. ~ Eleanor Mannikka, All Movie Guide

The "Carry On" gang take up residence in the men's ward of a British hospital in this wildly funny and wildly crude farce. There's not much of a plot, but plenty of nudging and winking, as the male patients line up by their bedpans as a mixed assortment of female nurses tend to their every whim. Included in the menagerie is Bert Albie (Wilfrid Hyde White), who enjoys killing time by taunting an overweight student nurse; Bernie Bishop (Kenneth Connor), a sharp-tongued boxer; and Hinton (Charles Hawtrey), who likes to amuse himself at the radio. There's also a slight romantic storyline, hinging around Ted York (Terence Longdon) and his amorous advances upon the attractive Nurse Denton (Shirley Eaton). But the gag's the thing in this rambunctious entry. ~ Paul Brenner, All Movie Guide

In his all too brief life, director Henry Cornelius became the principal standard-bearer of genteel whimsy in British films. Cornelius' Next to No Time (based on a story by Paul Gallico) stars Kenneth More as a milquetoast engineer who has lost a lot of professional and personal opportunities because of his unwillingness to assert himself. While on a cruise across the Atlantic, More notices that the wall clock in the ship's bar is standing still. The bartender explains that the clock is always halted for an hour each day in order to coordinate with the International Date Line. Emboldened by the notion that anything is possible when time stands still, More sheds his inhibitions, improves his lot in life, and wins the love of an American girl (Betsy Drake). While not as remarkable a comic achievement as Henry Cornelius' Genevieve, Next to No Time is perfect "wish fulfillment" TV fare for a rainy afternoon. ~ Hal Erickson, All Movie Guide