Irene Handl Movies

Flush on the heels of their success with the comedy I'm All Right Jack, the twin Boulting brothers (Roy, director and John producer) released this standard comedic fare with a dash of spice. Set in the traditional British boys' school, the farce deals with the reactions of the young lads and their profs when Mlle. Madeleine Lafarge (Agnes Laurent), a gorgeous new French language teacher, shows up to start work. Along with the incidents that evolve out of countless crushes on the charming, sexy woman is a school full of great characters -- from the cook to the posturing school master, and the young lover to the insufferable colonel who heads up the board of governors, all adding interest and zest to the goings-on. ~ Eleanor Mannikka, All Movie Guide

A proud but aging WW I war-horse is deeply offended when his offer to lead during WW II is rejected by the government that once lauded his bravery with a series of medals. Embittered and despondent over their callousness, he heads back to his isolated country estate where he plots his permanent escape from the cold cruel world. When the government sends six mischievous cockney youths to stay with him during the bombing of London, the despondent old man must abandon his suicidal musings and attend to the ensuing chaos of the rambunctious rapscallions. This touching British drama follows the tough general's attempts to control and understand the energetic little hellions. As he comes to know them, he reluctantly begins to care and in so doing, finds renewed zest for life ~ Sandra Brennan, All Movie Guide

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, All Movie Guide

The British "Adventures Of..." series can be described as a dirtier "Carry On" (if such a thing is possible). Christopher Neil plays the title character in 1987's Adventures of a Private Eye. Neil's life is plunged into peril when he agrees to deal with a blackmailer. To achieve his purposes, our hero is obliged to make love to every beautiful girl he meets; it's meant to be satirical, but the laughs often take second place to the heavy breathing. If nothing else, Adventures of a Private Eye treats us to a performance by the delectable 1960s leading lady Suzy Kendall. ~ Hal Erickson, All Movie Guide

Based on Noël Coward's play "Still Life," Brief Encounter is a romantic, bittersweet drama about two married people who meet by chance in a London railway station and carry on an intense love affair. Sentimental yet down-to-earth and set in pre-World War II England, the film follows British housewife Laura Jesson (Celia Johnson), who is on her way home, but catches a cinder in her eye. By chance, she meets Dr. Alec Harvey (Trevor Howard), who removes it for her. The two talk for a few minutes and strike immediate sparks, but they end up catching different trains. However, both return to the station once a week to meet and, as the film progresses, they grow closer, sharing stories, hopes, and fears about their lives, marriages, and children. One day, when Alec's train is late, both become frantic that they will miss each other. When they finally find each other, they realize that they are in love. But what should be a joyous realization is fraught with tragedy, since both care greatly for their families. Howard and Johnson give flawless performances as two practical, married people who find themselves in a situation in which they know they can never be happy. ~ Don Kaye, All Movie Guide

Veteran British music hall favorite Sid Field made his second and last film appearance in Cardboard Cavalier. Set during the 17th-century British Civil War, the film stars Field as vegetable vendor Sidcup Butterfield. Our hero is dragooned into delivering important documents on behalf of the anti-Cromwell forces. Somehow he winds up in the court of King Charles II (Anthony Hulme) and finds himself wooing royal courtesan Nell Gwynne (Margaret Lockwood). Nothing is sacred in this historical burlesque, which even manages to work a little pie-throwing into the proceedings. One of the scripters is Noel Langley, who in 1939 contributed to the screenplay of The Wizard of Oz. ~ Hal Erickson, All Movie Guide

The "Carry On" gang take on law enforcement in this rude and crude slapstick comedy. When a flu epidemic leaves a British police station decimated with illness, three incompetent rookies are given the chance to prove themselves as police officers. The three screwy recruits are Tom Potter (Leslie Phillips), a two-bit lothario; Stanley Benson (Kenneth Williams), an uppity intellectual with unique views on law enforcement procedures; and Charlie Constable (Kenneth Connor), an obsessive type who is consumed with astrology. With the help of the swishy Special Officer Timothy Gorse (Charles Hawtrey), the stooges manages to mess up every assignment they are given. But when a criminal gang robs a payroll truck, the four nincompoops are forced to prove their worth. ~ Paul Brenner, All Movie Guide

Originally released in 1945 as Shop at Sly Corner, Code of Scotland Yard is an effective British imitation of the Hollywood film noir genre. Oscar Homolka plays a seemingly benign antique dealer who maintains a comfortable lifestyle by fencing stolen goods. Homolka's daughter (Muriel Pavlow), an aspiring musician, is the only person he genuinely cares about. Thus when the girl's future is threatened by a slimy blackmailer (Kenneth Griffith) who is unsatisfied with a mere cash settlement, Homolka is left with no choice but to get rid of the bounder. Oscar Homolka, a Viennese character actor who worked prolifically on both sides of the Atlantic, is the principal attraction in Code of Scotland Yard, which was based on popular London stage play by Edward Percy. ~ Hal Erickson, All Movie Guide

Britain's Confessions series, like the Carry On films, were episodic slapstickfests with emphasis on questionable taste. Based on an autobiographical novel by Timothy Lea, the film stars Robin Askwith as a feckless driving teacher named...Tom Lea. His customers range from inept to dangerous. Their "victims" include golfing dowagers, violinists and boy hikers. Somehow or other, a group of former borstal boys (reform school students) gets mixed up with Lea and his reckless charges. Chronologically, Confessions of a Driving Instructor was wedged between Confessions of a Window Cleaner (one of the few series entries to get an American release) and Confessions of Holiday Camp. ~ Hal Erickson, All Movie Guide

A fair stab at yet another World War II comedy, this film by Michael Relph features the humorous antics of an ENSA troupe (the British equivalent of the American USO) and an absurd involvement with an army major (Alfred Marks) that leads to the capture of a German commanding officer (Marius Goring). The troupe of entertainers includes a pair of seasoned crooners, a level-headed piano player, a leader who seems to fail equally well at comedy and singing, his wife, and a few others. This disparate group gets mixed up in the Brit Major's agenda and precipitates a series of unexpected circumstances that somehow lead everyone to bumble through to ultimate triumph. ~ Eleanor Mannikka, All Movie Guide

This offbeat comedy begins when Doctor Burke (Leslie Phillips) chases the beautiful Ophelia (Angela Scoular) on board an ocean liner and is trapped. He masquerades as a female photographer to avoid detection, hoping to propose marriage to Ophelia. Burke tries to avoids the suspicion of pompous Captain Spratt (Robert Morley), who plays the stuffy skipper with his usual comic flair. James Robert Justice plays the captain's blue-blooded brother Sir Lancelott Spratt. ~ Dan Pavlides, All Movie Guide

Boozy doctor O'Dowd gets into deep trouble after he is accused of operating under the influence and causing the death of his daughter-in-law in this sudsy drama. Now the Irish physician must somehow redeem his good name. He gets his chance during a diphtheria outbreak. ~ Sandra Brennan, All Movie Guide

English without Tears is a gentle satire of the temporary relaxation of class barriers in wartime England. Michael Wilding portrays the faithful family butler to a fabulously wealthy household. Each member of the family greets the news of upcoming world conflict with a different reaction, the most altruistic of which is that of the daughter (Penelope Dudley Ward), who joins the home service. When the butler rises to the army rank of lieutenant, the daughter sees him in a whole new light and falls in love with her onetime employee. There's little in this frivolous film that hasn't been done elsewhere, except perhaps for the opening-scene romantic complications in Geneva, which set the stage for the film's finale. English without Tears was released in the US in 1948 as Her Man Gilbey. ~ Hal Erickson, All Movie Guide